Hamlet is one of the most intriguing and perplexing characters ever created. Some people see Hamlet

When King Hamlet passes away everyone seemed to want to just forget about him and act like he never existed, including Queen Gertrude. That would explain why Hamlet really wants to get revenge on Claudius so bad. He wants his father to still have some sort of legacy and not just be thrown away like a piece of trash. Since Claudius became king he just shows his true self more and more which makes Hamlet angrier and his sense for revenge stronger.

Hamlet had the opportunity to kill Claudius at the chapel but restrained himself, he believed it was too good of a death for Claudius and that if he were killed his sins would be forgiven. This shows his lack of action and proves he is a procrastinator. In his soliloquies he constantly criticizes himself for the obvious avoidance of responsibility saying, "Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, as deep as to the lungs? who does me this?" (Act 2 Sc. 2, 571-575)

Hamlet really wanted the revenge on Claudius but was really on the fence of what to actually do to follow through with then plan. Claudius was brave to feel so free, as Hamlet had opportunities to take advantage of him and had plenty of hate towards him for more than one reason. The action Hamlet may want and outcome of it, may be completely different as to what his father would do or like him to do.

Hamlet: one of the most analyzed tragic heroes in all of literature. Hamlet, the main character in William Shakespeare’s Hamlet, is conflicted throughout the whole play. He obsesses over avenging his father’s death, and this leads to rash, irresponsible actions that cause others to suffer, as well. He plans to kill Claudius, his uncle, for murdering his father and then marrying his mother. In an act of outrage, Hamlet unknowingly kills Polonius, the King’s assistant, instead. This creates even more problems because now someone else’s father is dead. Hamlet is somewhat of an inconsistent character; he’s different almost every time we see him. Hamlet displays characteristics of depression, irony, timidity, and being hurt.

In Shakespeare’s Hamlet, the main protagonist, Hamlet experiences a series of events that dramatically change his character. When the audience first meets Hamlet, he is dressed in all black he is portrayed as a sulky, depressed prince. Through the course of the play however, it is revealed that Hamlet as a character has more than one side to him – he is brooding as he is impulsive, and he is vengeful as his is indecisive. The audience sees Hamlet struggling with the death of his father, and the emotional toll of knowing the truth but being unable to exact revenge. This is what essentially changes Hamlet. Because of the constant back and forth of having to act like nothing is wrong and having to suppress his rage towards King Claudius,

Hamlet is considered to be Shakespeare's most famous play. The play is about Prince Hamlet and his struggles with the new marriage of his mother, Gertrude, and his uncle and now stepfather, King Claudius about only two months after his father’s death. Hamlet has an encounter with his father, Old King Hamlet, in ghost form. His father accuses Claudius of killing him and tells Hamlet to avenge his death. Hamlet is infuriated by this news and then begins his thoughts on what to do to get revenge. Hamlet and Claudius are contrasting characters. They do share similarities, however, their profound differences are what divides them.Hamlet was portrayed as troubled, inactive, and impulsive at times. Hamlet is troubled by many things, but the main source of his problems come from the the death of his father. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the everlasting had not fixed his canon 'gainst self-slaughter” (Act 1, Scene 2). In this scene, Hamlet is contemplating suicide, which is caused by the death of his father and the new marriage of Gertrude and King Claudius. This scene shows the extent of how troubled Hamlet is. Even though Hamlet’s father asked him to avenge his death, Hamlet is very slow to act on this throughout the play. “Now might I do it pat. Now he is a-praying. And now I’ll do ’t. And so he goes to heaven. And so am I revenged.—That would be scanned. A villain kills my father, and, for that, I, his sole son, do this same villain send to heaven” (Act 3, Scene 3). This scene shows King Claudius praying, while Hamlet is behind him drawing his sword but decides not to kill

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

After killing Polonius, Hamlet feel no guilt at all, he acts indifferently. The audience can evidence how appearances and reality come back into play when Queen Gertrude cries out, “O, what a rash and bloody deed is this” (Act 3, scene 4, page 106). Hamlet, responds without repentance, “A bloody deed – almost as bad, good mother, as kill a king, and marry with his brother.” (Act 3, scene 4, page 106). After this statement made by Hamlet, there is a twist in the scene. Instead of the scene being centered towards the death of Polonius, it becomes centered towards Hamlet’s obsession and hatred towards his mother for betraying him and his father by the rapid and opportune marriage to

    Hamlet is a character that we love to read about and analyze. His character is so realistic, and he is so romantic and idealistic that it is hard not to like him. He is the typical young scholar facing the harsh reality of the real world. In this play, Hamlet has come to a time in his life where he has to see things as they really are. Hamlet is an initiation story. Mordecai Marcus states "some initiations take their protagonists across a threshold of maturity and understanding but leave them enmeshed in a struggle for certainty"(234).  And this is what happens to Hamlet.

     In the closet scene, Hamlet kills Polonius, thinking it is Claudius behind the curtain. When Hamlet goes to his mother to talk, Polonius is hiding behind the curtain and eavesdropping on their conversation. Polonius wants to prove that Hamlet’s behavior is based on Ophelia’s rejection of Hamlet’s love. Hamlet hears him behind the curtain and stabs him, thinking he is Claudius. This is an important turning point in the play, because this is the first time that Hamlet has taken action towards avenging his father’s death. Even though he has killed the wrong person, he has finally done something other than philosophize about retribution and murder. This scene also shows how Hamlet has changed as a character. Logically, it isn’t possible that it is Claudius behind the curtain, because Hamlet has just seen Claudius repenting for his sins and praying in

Unlike Hamlet though, Claudius thinks about his actions because he wants to make sure he makes a decision that will be the best for him. He knows if he just kills Hamlet the people of the kingdom will turn on him because of the love they all share for Hamlet. He sends in Rozencrantz and Guildenstern to find out what is wrong with Hamlet so that Claudius can decide what to do from there. His decision to send Rozencrantz and Guildenstern to spy on and talk to Hamlet is illustrated when he says, “So by your companies/To draw him on pleasures, and to gather/So much as from occasion you may glean/[Whether aught to us unknown afflicts him thus]/That opened lies within our remedy” (II.II.14-18). Claudius and Hamlet are both extremely sly and cunning and posses similarities with their ability to act, but this could merely be because of the education they both have which has brought them common sense and the ability to think before acting. One major difference of their ability to act is when Hamlet acts on impulse and kills Claudius’ advisor Polonius. Hamlet unlike Claudius has so much anger built up inside of him because of his father’s death and it kept building and building until he finally let it out when talking to his mother about Claudius. He heard a noise from behind a curtain which was Polonius’, and without thinking Hamlet stabs him releasing some of his pent up aggression. Hamlet shows the anger he has within when he says, “A bloody deed-almost as

Hamlet’s tragic flaw is his inability to take action. Rather than killing Claudius right away he first puts on a play believing he needs proof first and that the play will give him that proof. “I prithee, when thou seest that act afoot,/Even with the very comment of thy soul/Observe mine uncle. If his occulted guilt/Do not itself unkennel in one speech,/It is a damnèd ghost that we have seen/And my imaginations are as foul” (3.2.83-88). Then when he is provided with the perfect opportunity to kill Claudius doesn’t go through with it claiming that he didn’t want to send him to heaven. Had he not hesitated to act Claudius would not have been alive to manipulate Laertes into killing him and He himself possibly wouldn’t have murdered Polonius. Claudius and Polonius were also victims of their own hamartias. Claudius’s tragic flaw was in his desire for power and control which was what led him to kill his brother and orchestrate the death of his nephew. Polonius flaw was similar to Claudius he needed to be in control of people. He needed to know what everyone was up to and needed to be in control of

Hamlet's fatal flaw is his inability to act. Unlike his father, Hamlet lets his intelligence rather than his heroism govern him. When he has a chance to kill Claudius, and take vengeance for his father's murder, he hesitates, reckoning that if he kills the man while he is at prayer, Claudius would have asked for pardon from the Lord and been forgiven of his sins, therefore allowing him to enter Heaven. Hamlet decides to wait for a better opening. His flaw of being hesitant in the end leads to his own death, and also the deaths of Gertrude, Ophelia, Laertes, and Claudius.

Hamlet is a common character who is often displayed in a variety of contexts. Throughout the many renditions of Hamlet, the character Hamlet has been portrayed in countless lights. Hamlet’s character ranges through the spectrum of being a conflicted and hesitant boy to a vengeful and courageous man. One side of the spectrum is that Hamlet is conflicted, hesitant and quite possibly mad.

Hamlet's character represents people in all circumstances. He questions everything, and has experienced love, hate, betrayal, depression, grief, and anger. He is sometimes