Hamlet the Central Dilemma

Hamlet’s existential crisis begins with the death of his father and the remarrying of his mother. At this point, for Hamlet, the questions start pouring in; “to be or not to be” (Hamlet 3.1.57), and so on. From questioning his existence and fighting with himself about the purpose of his life begins to show the beginnings of the existential crisis that is soon to consume him. Also, this

The Shakespearean tragedy, Hamlet, entertains the title character's split between head and heart, and accordingly, the arduous struggle he must endure in order to reconcile the two. It is a difficult struggle that is generated by the necessity to unite the two internal counterparts of human consciousness, head (logic and reason) and heart (passions and emotions). From the very beginning of the play, Hamlet is split against himself in a state of entrapment, which is spawned by the unbearable situation with his family. Throughout much of the play, Hamlet attempts to rationally think his way through his situation. His emotions, however, are far too strong for him to adhere to reason alone. Accordingly, his

Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was

Shakespeare's drama Hamlet has become a central piece of literature of Western culture. It is the story of a prince named Hamlet, who lost his father. Soon after that he has to confront multiple obstacles and devises a series of situations to defend the new king's royalty. Furthermore, he had to prove that King Claudius, who was the prince's uncle, had killed Hamlet's father. This story has remained among the most popular and the most controversial plays around the world. It generates controversy for all the doubts that this play leaves with the readers. One of the most questioning situations in the play is the delay of Hamlet in avenging Claudius' for his father's death. As a reader this

Shakespeare’s character, Hamlet, is known for his indecisive personality. It is a trait that humanizes Hamlet in the sense that every man is flawed. However, this feature is Hamlet’s main

The Tragedy of Hamlet, Prince of Denmark has been performed thousands of times since it was “written in 1599–1601 and published in a quarto edition in 1603” (Britannica.com). It’s popularity stems from its themes that translate across time. These themes, are seen to be relatable even to this day with the ever growing audience. Readers and viewers are able to find similarities between the current state and or even relate to one of the characters or events taking place over the course of Shakespeare’s five act masterpiece. Shakespeare's, The Tragedy of Hamlet, Prince of Denmark remains a viable text for contemporary readers in that it functions as a mirror.

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

Shakespeare’s Hamlet is a work of immense depth in character development, most notably the personal, moral and psychological battles

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

Hamlet experiences a tremendous amount of internal conflict throughout the play. He is constantly debating whether or not he should face his troubles. This sense of uncertainty comes from a lack of self confidence,

In this paper I will be analyzing and discussing how these four soliloquies reflect changes in Hamlet’s mental state; his

Hamlet’s character drastically develops over the first four acts of Hamlet, and his character development is most evident through the soliloquys he delivers throughout the play. The most character development can be seen from the first soliloquy, to the second, the third, the sixth, and the seventh and final soliloquy. Hamlet’s inner conflict with his thoughts and his actions are well analyzed in his soliloquys, as well as his struggles with life and death, and his very own existence. He begins the play wondering what purpose he has in life now that his father is dead and his mother has remarried to his uncle. After finding out foul play was involved in his father’s death, he is motivated by revenge. Finally, he wonders how he can enact his revenge while continuously overthinking and overanalyzing his actions.

Over the course of the play Hamlet has a number of ongoing conflicts within himself. These conflicts, in my opinion, serve as Hamlet’s greatest

The internal conflicts prevalent in William Shakespeare’s Hamlet are the reason why the play is viewed as a classic. Conflicts are imperative in tragic plays as conflicts are the stimulus for catastrophe in the end. The characters in Hamlet face inward conflicts that are equally important as their outward conflicts. Three characters who especially exhibit this are Hamlet, Claudius, and Ophelia. The conflicts that these characters face play a major role in their downfalls and, ultimately, their deaths. Through Claudius’ struggle to conceal the murder of King Hamlet, Ophelia’s guilt for Hamlet’s madness, and Hamlet’s inaction due to fear, Shakespeare conveys that each character faces a dilemma, in which there are no simple solutions.

Hamlet struggles with many issues in his daily life. His dad has been murdered by his uncle. His mother then married his uncle soon after the father’s death, which Hamlet considers to be morally wrong in more ways than one. During the story, his close friends betray him by spying on him for his uncle. Seeing how Hamlet reacts to the daily struggles in his life can still be applied to the world today. Many people feel as though they are trapped in their own poor life, and that they have no way to break free of it. The play touches on how Hamlet has these same feelings.