Hamlet's Depression In Hamlet

His mother and his uncle have married after only 2 months of Hamlet’s father’s death. This has caused Hamlet to be in a heavy state of anger, mixed with his already deep state of mourning. According to Theodore Lidz, these two states can lead to one thinking back on all the negative wishes one may have had in the past. Considering Hamlet’s relatively young age, death wishes upon a parent are not serious but they are common among children. “…and as most, if not all, children have sometimes had death wishes toward a parent, guilt over such wishes can become intense when the parent dies.” (Lidz 48) All of these emotions mixed together so early in the play could lead to a sense of depression.

His mother drank the poison that was meant for Hamlet that was supposed to drink. The king put the poison in it because he knew that Hamlet was onto him for killing his father and marrying his mom. At the very end though Hamlet, His mother, and father ended up together. All three of these examples show he has depression because he was angry at the world and he was always thinking of negative thoughts.

In the playwright Hamlet by William Shakespeare, Hamlet often shows many signs of depression. It is argued whether he is putting on the act, or if he is actually severely depressed. I believe after the death of his father, Hamlet becomes very emotionally unstable. Three things affect Hamlet, the death of his father, the remarriage of his mother, and Ophelia. Hamlet contemplates death, and becomes prepared to die near the end of the play.

When we first meet Hamlet, he is dressed all in black and conveys all the “moods, forms and shapes of grief”. This depression is caused by his father’s recent death. Gertrude, his mother and

Hamlet’s inability to act upon his emotions begins in the wake of his father’s death and his mother’s instantaneous/hasty marriage to Claudius. Criticized for his prolonged mourning of his late father and insistence from his mother to move on, Hamlet must momentarily seize publicly grieving for his father and in a lengthy expression of torment, contemplates suicide as he agonizes over the dreads of life and the reality that “[he] must hold [his] tongue,” in regards to his mourning (1.2.164). For the sake of his mother’s request, Hamlet anguishes over having to refrain from speaking of his grief, only to deliver a prolonged speech of his woes of mourning. While everyone in the kingdom of Denmark embraces the new king,

It is not an uncommon occurrence for a person to attend a funeral in their lifetime. They will experience the heavy feeling in their heart, hear the moaning and crying, and observe all the grief-stricken people, wiping tear-stained cheeks and wearing depressing, dark colors. Each person in this scene is attempting to comprehend what they have lost. Loss, whether physical or mental, can dismantle a person. The bonds and connections that people forge with each other defines their existence and gives them the drive to continue living, but when these bonds are broken the brain cannot cope with the detachment. A person is particularly vulnerable in this state and will do anything to replace the gaping hole that lingers in their life. In the novel The Story of Edgar Sawtelle by David Wroblewski and the Shakespearean play Hamlet, two women are put through various kinds of loss. While these women--Trudy and Gertrude--appear weak, they willingly accept the enchantments of Claude and Claudius only after enduring hardships which skew their judgments, revealing the effect of trauma and depression when a relationship is lost.

“Take these again; for to the noble mind, Rich gifts wax poor when givers prove unkind (Act 3 scene 1). Ophelia softly and nobly points out to Hamlet that however fancy and rich a gift may be, it loses any value when the person who gave the gift turns to be one of the false motives and wicked emotion. Like most women, Ophelia values the emotion and thought put into gifts of love, not the materialistic gift itself. Hamlet has been criticized for hundreds of years, enduring virtually every facet of Shakespeare's life and the ties to his play Hamlet. In “Hamlet’s Not Depressed, He’s Grieving.” by O’Rourke, the critic focuses on Hamlet’s reaction to his father’s death and the ghost he see’s, questioning the idea of whether or not Hamlet has literally

Hamlet is very distraught and grief stricken for the death of his father, the King of Denmark. As well, he is upset with his mother's quick marriage to his uncle Claudius, who is now King. Hamlet is emotional and melancholy, and he considers suicide because he wonders

Hamlet is undeniably an epic among all plays. Shakespeare’s command of storytelling and the meticulously sculpted layers of the play add to the sheer grandeur of the life of Hamlet and the multitude of forces acting against him. The complex dialogue, the magnificent story arches, and the archetypal themes are all essential to the understanding and enjoyment of Hamlet, but there is one particular subject matter that The Bard placed at the center of all the conflict and emotion of the play: grief. The Prince of Denmark’s burdened life after his father’s death is completely coerced by the tearing force of grief throughout his mental and emotional state of being. His purpose, his insanity, and ultimately his downfall stemmed from this encumbrance.

Laertes in Ophelia's grave. Hamlet tells her that he never loved her when she returns his

Shakespeare uses metaphor and tone to stress the development of mental illness in the character Hamlet throughout “Hamlet”. Mental illness is defined as a condition that affect mood, thinking, or behavior; furthermore, Hamlet presents himself as a character affected by mental illness. Hamlet, in his first lines, describes his pain and suffering, simulating signs of depression, a form of mental illness. Early in his introduction, Hamlet describes his feelings regarding the death of his father King Hamlet, and sudden marriage of his mother Gertrude to his uncle Claudius. Gertrude asks Hamlet to stop his mourning, and Hamlet responds by saying “I know not seems tis not alone my inky cloak, good mother, Nor customary suits of solemn black nor windy suspiration of forced breath” (I, ii, 76-79). Shakespeare uses words like “black” and “inky cloak”, to develop a dark and solemn tone; furthermore, this tone allows the character of Hamlet to develop a dark and depressed attitude which reflects his internal depression. Shakespeare also uses metaphors to develop the idea of Hamlet’s depression. Hamlet conveys multiple symptoms of depression, like thoughts of suicide. Hamlet often debates about his death and what the effects his death would bring. Hamlet also debates life after death and questions religion. Hamlet describes death as “ this too too sallied flesh would melt, thaw and resolve itself into dew” (I, ii, 129-130). Shakespeare compares flesh melting to the resolving of dew; this comparison reflects Hamlet’s thoughts on death. Hamlet believes that after death, life fades away into nothingness. Hamlet’s constant thoughts of death and life after

Hamlet, a Shakespearean character, constantly struggles in a battle with his mind. He leads a very trying life that becomes too much for him to handle. Hamlet experiences hardships so horrible and they affect him so greatly that he is unable escape his dispirited mood. In speaking what he feels, Hamlet reveals his many symptoms of depression, a psychological disorder. While others can move on with life, Hamlet remains in the past. People do not understand his behavior and some just assume he is insane. However, Hamlet is not insane. He only pretends to be mad. Because Hamlet never receives treatment for his disorder, it only gets worse and eventually contributes to his death.

His diminishing outlook on women is, in fact, not the only attribute that affects Hamlet throughout the play. There are various conclusions in academic journals regarding Hamlet's mental state, all of them agreeing or refuting the theory that Hamlet is mad throughout the play. Despite having sufficient evidence, the analyzation of this play is subjective and no definitive conclusion has been made. Nonetheless, one opinion remains to be the most popular: Hamlet is not mad, yet encounters various feelings regarding mental and emotional health.

Hamlet begins play by breaking bonds with his family. The death of his father, the former king of Denmark, leaves Hamlet in a state of depression. During Gertrude’s, Hamlet’s mother, and Claudius's, the new king and Hamlet’s paternal uncle, wedding ceremony, Hamlet is the only one wearing “nighted colour” (1.2.68), which are clothes for mourning. He isolates himself from the joys of everyone and instead chooses to wallow in his own dark world, with his initial grief for his father being the catalyst for his descent into isolation. Hamlet begin to have hopes to commit “self-slaughter” (1.2.132) as he is frustrated with his life in its current state. Hamlet is rejecting his family as it is, instead lamenting on his father, to the point where he contemplates suicide. By isolating himself from the land of the living, Hamlet believes he does not have a purpose anymore. When his mother comments on Hamlet seeming sad during the ceremony, Hamlet replies that he “know not ‘seems’” (1.2.76), commenting on his mother’s use of the seem and saying that his depression is not an act, but genuine. His mother notices that “His father’s death and our o’er-hasty marriage” (2.2.57) could be the cause of his emerging familial isolation and regrets to not have been able to do anything to help her son. Having seemingly lost his purpose in life, Hamlet begins his isolation by removing himself from his family.

"’Tis not alone my inky cloak, good mother, / nor customary suits of solemn black / [ . . . ] but I have that within which passeth show; / these but the trappings and the suits of woe” (Shakespeare 1.2.76-73, 85-86) says Hamlet when confronted about his way of grieving over his father’s recent death. Shakespeare’s play Hamlet is a remarkable tale that is centered on the idea of death and grief. While death is a universal occurrence, meaning every person will deal with it, how we grieve after a loss is completely individual. To look at a formula of grief, most turn to the five stages of grief developed by Elizabeth Kubler-Ross, a psychiatrist, who studied the topic in her book On Death and Dying. This model consists of denial, anger,