Hamlet's Last Soliloquy Analysis Essay

In Hamlet’s soliloquy in act IV scene iv, he brings up the question of “what is a man?” Hamlet does this while looking upon the over powering army that is lead by Fortinbras. His army was passing through Denmark to fight over an insignificant piece of land in Poland. Hamlet then thinks about his lack of action with his mission to kill Claudius. While he is seeing this massive army marching, going to war over something so insignificant he realizes that he must try to make his “thoughts bloody” (4.4.64). In this soliloquy, we learn that through Hamlet’s inaction he sees himself no better than a beastly animal where he should see himself as a man that takes action into his own hands which, makes him as the same level as the gods.

In the play Hamlet, there are three very important soliloquies given by Hamlet, first Too Too Sullied Flesh, second O, What a Rogue and Peasant Slave, and third To be or Not To be. All three speeches discuss one main theme of death, with sub themes of revenge, parent-child relationship, and loyalty. Hamlet always seems to be at a conflict with himself, he has an inability to act on his emotions. He knows what he wants to do, thinks about it and his conscience eventually convinces him to not complete the action. This is a somewhat cycle, as the frustration of this is a driving force as to why Hamlet wants to take his own life, but his conscience is convincing him not too. Along with suicide, Hamlet thinks of, but cannot seem to act on, committing to Ophelia, whom he loves, or murdering King Claudius to avenge for his father’s death.

Hamlet, one of Shakespeare’s tragic plays, portrays the story of a young man’s quest to avenge his murdered father and his quest to find his true identity. In his soliloquies, Prince Hamlet reveals to the readers his personal perceptions of the events that take place in his homeland, Denmark, and of which are either indirectly or directly tied to his father’s murder. Many critics and scholars agree that while Hamlet’s soliloquies reveal the search of his identity and true character, his soliloquies universally illustrate man’s search for his true identity.

Hamlet Soliloquy Analysis As Act I of Shakespeare's Hamlet concludes, a conversation between the protagonist Hamlet and the ghost of his deceased father, King Hamlet occurs. In response to the ghost's request for Hamlet to take revenge, Hamlet shares his thoughts with the audience in a soliloquy. Through vows and promises, Hamlet's oral reaction to the King's request exposes his full will for revenge. In addition, Hamlet's word-choice begins to exhibit the blind passion and zeal that characterizes his actions throughout the remainder of the play.

The "To Be or Not To Be" speech in the play, "Hamlet," portrays Hamlet as a very confused man. He is very unsure of himself and his thoughts often waver between two extremes due to his relatively strange personality. In the monologue, he contemplates whether or not he should continue or end his own life. He also considers seeking revenge for his father’s death. Evidence of his uncertainty and over thinking is not only shown in this speech, but it also can be referenced in other important parts of the play.

During the fight, Gertrude takes the fatal drink, he says ‘I dare not drink yet, madam, by and by’. It is possible that Hamlet didn’t want the wine to interfere with his ability to spar. He does not attempt to stop his mother drinking the wine so I don’t believe he knew it was poisoned. Is it possible though that Gertrude knew the wine was poisoned? Maybe she committed suicide to save her son. Gertrude’s last words are “No, no, the drink, the drink! Oh, my dear Hamlet! The drink, the drink! I’ve been poisoned.” Once Gertrude dies, this motivates Hamlet to finally kill Claudius. Laertes’ then reveals the murder plot and this results in Hamlet killing Claudius by forcing him to drink the poisoned wine.

She has been believing that Hamlet loves her which is why he has gone mad, but now he is telling her he never loved her and is being very insulting to her. Ophelia doesn’t know what to believe and no one is helping her either. There are just a lot of mixed signals and miss information she is being given which would cause anyone to go crazy because they don’t know what to believe or

Love, the four letter word that drives the girls crazy. Whether happy or mad. It’s what most women dream about. Finding Prince Charming and living happily ever after. That’s what Ophelia thought she had.

However, due to the conniving actions of his mother, Hamlet rejects Ophelia and his love for her and pushes her away, ultimately causing her death. While Hamlet’s love for Ophelia often takes backseat to his revenge plans, it is evident throughout the play that he truly does love her. His

The Significance of Hamlet’s “To Be or Not To Be” Soliloquy Hamlet’s “To Be or Not To Be” soliloquy, located in Act III Scene i of William Shakespeare’s Hamlet, is one of Shakespeare’s most famous soliloquies and is potentially one of the most well known soliloquies in all of English literature. In this famously profound soliloquy, Hamlet confesses his views on the nobility of suicide, life on earth, and the afterlife to inform the audience of his current mental state and to leave the audience wondering if he is foreshadowing his future actions. Firstly, Hamlet confesses his thoughts regarding the nobility of suicide in his soliloquy. In the first lines of his soliloquy, Hamlet says: “To be, or not to be, that is the question: whether ‘tis

When Laertes and Polonius tell her that Hamlet is only using her for sex and that she needs to wait for the proper husband that they choose for her and stay a virgin until she becomes a wife, she doesn’t know whether to believe them or go with her heart. Hamlet doesn’t make it any easier on the poor girl (or the audience) to decipher his true feelings. One moment he tells her that he loves her­­the next he is insulting her and assuring her that he never did love her. This is enough to make any woman go insane. After all, Ophelia was quite honestly dazed and confused about the entire situation and didn’t know who she was supposed to trust and believe.

That man is aware that he is like gold whereupon Ophelia is bronze, incapable of courting him. Didst Ophelia taketh heed on what I hath said ere I hath left to Paris? Even so, Hamlet could has't manipulated her into being with him for the sake of temporary lust while he grieved ov'r his dead father. Hamlet must be the source of that lady madness. But what if 't be true she didst taketh heed? Alas, what difference would t has't made? It fits her wisdom so far to believe it. Oh but my words betray my true love for my dearest Ophelia. I could not bring myself to watch. At which hour did her madness conquer? Such cowardice I bore. Oh rest well my sweet Ophelia. May she be the sweetest flower of all fields amongst the daisies and long purples, gentle and untouched. Sunshine where she smiles. Whither rain doest pour no more but only to

In act one scene two of Hamlet we are introduced to the main protagonist and antagonist of the play, Hamlet and Claudius and in this scene we learn the true feelings about his new step father and mother within his first soliloquy. Hamlets first soliloquy is the first instance in the play in which hamlet truly questions his life and the lives of his family members again. Hamlet speaks these lines after enduring the unpleasant scene at Claudius and Gertrude’s court after the combined “incestuous marriage”, of Gertrude and Claudius, and the funeral of the old King Hamlet. Afterwards he is being asked his mother and stepfather not to return to his studies at Wittenberg but to remain in Denmark, and to stop mourning the death of his father because death is a natural end to life.

In William Shakespeare’s Hamlet, Hamlet’s soliloquies reveal his inner struggles and mind. Through structure, diction, and imagery, Hamlet’s Act 2 and Act 4 soliloquies illustrate his dramatic shift from passive and resentful to determined and violent.

t is in Act one Scene five that we hear Hamlet’s second soliloquy relating to revenge.