Hamlet's Wrath Quotes

What defines society’s portrait of a man? Perhaps it is his intelligence, ability to communicate his feelings, or his artistic vision. Within the play from William Shakespeare, Hamlet, Prince of Denmark, Hamlet is a prince who struggles with his father’s death and lacks any sense of responsibility. He spends the whole play running, making excuses, and never facing his problems head on. Eventually, he gets revenge on King Claudius, kills Laertes, and dies. Shakespeare utilizes Hamlet to portray the complications within society’s ideal of being a “real man” while still being able to express his inner feelings.

Based on the play of Hamlet by William Shakespeare, suicide is the most prevalent and important themes in Hamlet. Hamlet always asks himself for the reason to stay alive. Even though he always thinks that there is no reason for him to stay alive, however he always chooses to stay. The first reason Hamlet seems to contemplate suicide is because his life is contaminated by sins and revenge. The other reason he is thinking about suicide is because he is young and immature. Young adults usually look for escapes when they become angry with things. There are many instances where Hamlet contemplating suicide and he treats the idea of suicide morally, religiously, and aesthetically, with particular attention to Hamlet’s two important statements about suicide: the “O, that this too too solid flesh would melt” soliloquy (I.ii.129–158) and the “To be, or not to be” soliloquy (III.i.56–88).

Wrath, oh the feeling……”I HATE YOU!” You make me so mad I could just, I could JUST…...Those are examples of wrath, or pure hatred inside a human-being. Wrath can be caused by an assortment of things, mental issues, grief, misunderstandings, and relationship failures, just to name a few. These feelings are a deadly sin mentioned in the Bible, for it says love is the answer to overcoming wrath. During my personal experiences, I too must sadly admit to being caught in the beginning stages of this sin. In modern society today, anger is the first and “easiest” emotion to go to and it always ends up backstabbing you. The pathetic thing is that a majority of this generation doesn’t even consider God in their minds…..especially when the Bible speaks of forgiveness. Wrath can also be directed from parents towards their own children. What has a child

Wrath, also known as Anger, is becoming very angry at someone or something and losing control, may become vengeful over time.

-I agree with what Fortinbras is saying regarding Hamlet’s role in the play as well as his afterlife. In the quote, “Now you have peace Hamlet you accomplished what you had to and you have peace,” Fortinbras sounds rather envious of Hamlet because Hamlet’s main goal this whole time was to avenge his father’s death and Fortinbras has not yet achieved his goals yet thus will not be able to rest in peace. “Oh, I’m dying, Horatio! This strong poison’s overpowering me.”

“A bloody deed – almost as bad, good mother/ As kill a king and marry with his brother”, a statement so bold you would assume it was from a bold man, but the reality couldn’t be further from that assumption. In the play Hamlet, the former king’s son Hamlet attempts to take revenge upon the new king, Claudius. As the readers, though we see how Hamlet is indirect in his action and delays his revenge multiple times. Hamlet is a man of inaction. Hamlet waits to kill his Uncle, Claudius, because he is uncertain of the truth, he is afraid of the afterlife, and he is working to exact the perfect revenge.

Custer’s Last Stand. The Battle of Stalingrad. Napoleon’s Russian Campaign. The introduction of the Pontiac Aztek. All epic failures, yes, but moreover, all epic failures caused by arrogance on behalf of the aggressor. Custer’s rampant jingoism caused him to assault those Native Americans with only a meager squad of troops. Napoleon’s Napoleon complex pushed him to drive his troops thousands of miles across Eurasia only to face the Red Army in winter. GM’s bravado at an upswing in the market cycle led it to release a hideous crossover with no true target audience. Whether it is some raging lust that blinds us to our faults or an innate flaw that leads us to secretly desire carnage and disorder, pomposity is often the cause of the pockmarks

Hamlet also compares himself to the demi god Hercules in Act 1 scene 2: "My father's brother- but no more like my father/ Than I to Hercules" (I, ii, 152-153). This mythological allusion is important because Hamlet is comparing himself to Hercules who is known as a strong warrior and earned a place on Mount Olympus with the gods. Hamlet is saying that his uncle is very much different than his father, like Hamlet is very much different than Hercules. Hercules is seen as a "superhero" of Greek mythology, which is a great difference of Hamlet because Hamlet is in no way seen as a "superhero" or someone to look up to. Hamlet

Heaven or hell, that is the question. The major decision that dreads those who all believe this. They believe that their actions in life decide if the go to heaven or hell. The dramatic arthur, Shakespeare has created characters in his many writings that make readers think if they go to heaven or hell. In Hamlet, many of the characters face the question if they go to heaven or hell. One of the side characters, Queen Gertrude, has been looked down by Hamlet who is debating her loyalty. She even questions herself in loyalty and if that decides if she goes to heaven or hell. In the tragedy Hamlet, Shakespeare uses Gertrude’s wavering loyalty to suggest if Gertrude goes to heaven or hell.

This following is Hamlet’s first soliloquy in the play and it helps the reader to understand his innermost thoughts and his character, gives a better understanding of the plot and helps create atmosphere in the play.

It also demonstrates Hamlet’s consideration on the matter of what he should do when he discovers his uncle’s sin. He becomes cunning, saying, “For murder, though it have no tongue, I’ll speak with most miraculous organ." (Shakespeare) At this point in time, he acknowledges that he must be clever and imaginative in order to overcome his adversary, and that the proof of his crimes will be difficult to unveil. As said by Silva, “The idea crystallized. He would get the players to perform something like the murder of his father in front of his uncle. He would watch his uncle’s reactions. He would probe his very thoughts. If his uncle so much as flinched he would know what to do. The ghost may have been the devil for all he knew, and the devil had the power to take on a pleasing shape.” (Silva) It is also at this point that many characters, including Polonius, Ophelia, and Hamlet’s own parents, begin to question whether Hamlet is sane at all. However, this will not be fully explored until shortly after Hamlet’s soliloquy of Act Three. However, many have made their different claims about Hamlet’s “madness”. For example, Deighton says, “Hamlet's declared intention of assuming ‘an antic disposition,’ his assurance to his mother that he is only "mad in craft," the test he proposes in proof of his assertion, may all

Many scholars classify William Shakespeare's The Tragedy of Hamlet, Prince of Denmark as a revenge tragedy, a genre popular during the Elizabethan era (Gainor 41). Shakespeare's tragedy focuses on three sons–Hamlet, Laertes, and Fortinbras–seeking retribution for the unfortunate death of their fathers– King Hamlet, Polonius, and King Fortinbras respectively. In the play, the father-son relationship is the primary motivator for each son's revenge. Because Elizabethan society places a strong emphasis on the relationship between father and son, each son feels obligated to right his father's wrongs. According to Fredric B. Tromly, author of Fathers and Sons in Shakespeare: The Debt Never Promised, “A defining . . . feature of Shakespeare’s

“While seeking revenge, dig two graves - one for yourself”, as is what happens to those who take revenge, buried in their own unforgiveness. Francis Bacon’s idea of revenge attempts to bypass this problem of unforgiveness, with the forgiveness of the perpetrator. But not all revenge can be simply forgiven, which is the case in Hamlet; Francis Bacon also knows about this problem, but describes it in his own words with “The most tolerable sort of revenge is for those wrongs which there is no law to remedy; but then let a man take heed the revenge be such as there is no law to punish”(Francis Bacon 15). Sir Francis Bacon’s idea of revenge relates to Hamlet in how revenge is handled, the repercussions of acting in revenge, and its ability to change a person's thought process.

The mixture of the sins Wrath and Pride, can make a jerk such as Hamlet, but in this case, he is an murderous jerk. Out of wrath for many reasons, he will insult people and then try to make himself the good guy afterwards, or just kill them off to show how much pride he has for it. When he is done being wrathful he would try to take pride in his actions in some way or form. Such as dropping hints that he killed someone or stating that he did something terrible, and try to make it into something that was

One loses many opportunities every time they hesitate to act. Whether it be unintentional or not, it all depends on the subject in question. In William Shakespeare’s The Tragedy of Hamlet Prince of Denmark, the character Hamlet shows qualities that are evident in his soliloquies. Since the beginning, Hamlet is unable to control his emotions towards Gertrude and Ophelia. He tends to overthink, generating doubt around life and death. Though impossible and inconvenient at times, Hamlet strives for an idealistic approach, such as justification for killing Claudius. Hamlet’s complex personality and unpredictable nature delay the commitment he makes to avenge his father.