A similarity between the two paintings is evident in the use of composition and background. In the “Hands of protest”, although it is a big painting as its size is …/width is long, the main point of focus is still the person. As the man is the focal point, this composition can attract the viewer’s attention as no other object can divert focus. In spite of the dark background in a large area, it doesn’t compete for focus with the man. The background plays a helping and supporting role that gives a claustrophobic and stifling feeling to the work. Through this, composition highlights the emotional aspect of the painting, strengthening the character to become a dominating point. Additionally, for The Weeping Woman, the woman is also the sole focus …show more content…
Picasso’s artwork “The Weeping Woman” is a silent protest to reflect on the Spanish Civil War that caused people pain. In 1937, many unarmed innocent civilians were slaughtered in the German air force’s bobbling of the Basque town of Guernica during the Spanish civil war. The woman in the painting is one of the victim sufferers and whose baby died in the war. The almost grotesque features of the woman expresses unmeasurable pain caused by war and violence, suggesting the social commentary that human violence is hurtful and terrifying. Similarly, Guayasamín’s work, “Hands of protest”, is created in response to Ecuador’s social, political and economic problems from the year 1912 to 1999. Ecuadorian society became deteriorated and its political corruption led to an outbreak of violence. “Hands of protest” is part of the series named La Edad de Ira (The Age of Fury). Through the painting’s name we can guess the author’s intention for the painting: Guayasamin aimed to show people’s pain caused by violence in Ecuador during the 20th century. It is representative of universal human suffering created by injustice, poverty and war. Thus, both paintings have the same social commentary: the pain from war’s violence results in agony and harm, and hopes for an end to this
Most of his creations represent history and society of his time. But “Guernica,” which Picasso painted in response to tragedy and the loss of life, directly related to the Spanish civil-war. “Guernica” was one of the masterpieces created by Picasso, probably the 20th century 's most negative symbol of the horrors. It was a also signal for the terrors of the future. When the Nazi troops dropped a bomb on the Basque village of Guernica in northern Spain, at that time nobody imagined this kind of act in reality. Most
TXT- This image was inspired by the cruelty of the Spanish Civil War, especially the demolition of the town of Guernica by the Germans who bombed them and this was the result of the aftermath in a painting. Pg 257
The rioters’ faces are not fully represented; rather, they appear twisted and animal-like. In a similar vein, the only parts of the beaten figure recognizable as human are the bound feet. This combination of features in the main composition serves to emphasize the brutal savagery brought on by war, a goal similar to that of many other Disasters prints. The central subject matter in Uprising is also rioting peasants, but unlike in The Mob, the protagonists seem to have stern intention and an apparent guiding force. The former of these two qualities is visible thanks to Kollwitz’s realistic representation of the group’s dour facial expressions and the use of thick lines to represent forceful waving of objects in the air, while the latter is synthesized by the inclusion of the Liberty-esque figure and her relationship to the men below. The intention of this work, constructed through these elements, is to provoke feelings of solidarity and to act as a call to action of sorts. This pointed objective clearly shows Kollwitz’s political standing and heavily contrasts Goya’s preferred method of allowing significance and emotion to flow out of more unbiased depictions of events, in
Groseclose focuses on studying the artwork’s use of lighting and the identity of the subjects, their postures, and facial expressions. Also, she interprets the painting
This emphasizes that equality in Mexico will be violent if not given and implies that the sharing of material items and social status will aid in reaching an egalitarian society. The horse in the painting is important to the class divide in the Mexican Revolution because it reveals the violence and the societal gap between the upper and lower
This paintings powerful message can clearly be seen to the viewer, especially culturally when we see the torn up Constitution of the United States in the background, representing a “free-for-all” on this day as our American beliefs did not matter to the terrorists. We also see the diversity between the three suffering women in handcuffs, showing that this tragedy hit everyone, but we were all bound together as Americans. The visual claims that this event truly was horrific and shows the absolute loss of innocence throughout our nation on this one day. The hands of the men especially show the suffering and anguish our nation felt, as they are deformed, projecting their pain onto the viewer. This work specifically reflects a historical moment in American history in that it depicts the events of September 11th. However, it also shows the future that is to come with the old man who survived passing the information of these events onto the young innocently blindfolded girl on the bottom right. Clearly, this piece is superficial in the sense where it comments on one event, but it also goes deeper, showing the aftermath and actions to come for the American
Guernica is monochromatic to make its imagery more powerful. Lack of color keeps the viewer focused on the subject matter at hand, as well as keeping the mural cold, which agrees with its general theme of injustice in war. Also, Picasso’s flat imagery does not distract the viewer from concentrating on imagery. The viewer is given no other choice than to concentrate on the subject matter of Guernica and ponder it’s meaning. The flat, grayscale images generalize the imagery and contribute to the general theme of unnecessary suffering and tragedy.
Prior to the bombing of Guernica, Picasso was in the process of creating another piece of art for the Paris Exhibition, but after hearing the horrific news about the bombing of Guernica, Picasso changed his course, and started working on a new mural titled “Guernica.” Guernica was ordered by the Republic of Spain. Picasso’s painting demonstrates his interpretation of the
Utilising, “The Study Diamond: effects, techniques, context and meaning” (The Open University, 2013, p. 76), this essay will argue through close visual analysis from an art history point of view that Picasso’s Guernica is a form of protest. The essay will also argue that Guernica’s meaning has changed to include becoming a symbol of peace and continues to fulfil its purpose as a form of protest.
As a first generation college student, I must always exude perseverance to succeed. Perseverance shows ambition and self-motivation to make it to the finish line. There are many obstacles to face and overcome as a college student, especially as a first generation college student. Whether it is the obstacle of not always having assistance or the obstacle of being pressured to be the great one in the family, I still persevere through it all. If I let every obstacle that is thrown at me knock me over, then I will never make it to the end of this long journey.
In this paper, I will be discussing the recent political issue about the ban imposed on refugees from the Muslim-dominant nations into the United States. The current president of the United States, Donald Trump, on the 27th of January 2017 issued an executive order banning immigrants from seven countries into the United States. The issue that informed the ban was the security threat that the immigrants posed to the United States because most terrorist groups have an Islamic background. While this move by the president might have been backed with the best of intentions from the top of the government, it stirred up a lot of commotion from the citizens and humanitarian organizations questioning the morality and the justification of the order.
Presumably Picasso's most renowned work, Guernica is likely his most intense political explanation, painted as a quick response to the Nazi's overwhelming easygoing besieging hone on the Basque town of Guernica amid Spanish Common War. About the photo Pablo Picasso says: "My entire life as a craftsman has been just a persistent battle against response and the demise of art. In the photo I am painting — which I should call Guernica — I am communicating my loathsomeness of the military standing which is presently ravaging Spain into a sea of hopelessness and demise." In Guernica, we see a few casualties of the besieging - some as yet living, some officially dead. The figure to one side is a mother gripping an infant who seems to have kicked the
In terms of subject matter, both works are visual depictions of the crucifixion of Jesus Christ. In each painting, Christ is the central figure, surrounded by two groups of figures. On the left, a group of women that includes the Virgin Mary mourns over the dead body of Christ, while on the right is a group of soldiers and other lamenters. Both works feature a rocky landscape on which the figures are positioned. Encircling Christ are several angels whose gestures of lamentation echo those of the figures below. Highlighting the severity of each scene is the blood that pours from Jesus' wounds. The blood from his feet drips onto human bones that are embedded in the rocky terrain below. The skull serves as a "memento mori," or a reminder of death, an idea that has been repeated in several other depictions of Christ's crucifixion.
There have been countless interpretations of the motifs within Pablo Picasso’s Guernica since it was first exhibited in July of 1937 at the Paris International Exposition. Initially, the painting was not well received by critics. It was presumably destined to collect dust at the back of Picasso’s studio. However, after the events of the Second World War, the imagery represented within Guernica became painfully familiar. Its macabre elements strongly resonated with people from around the globe, and the appalling atrocities suffered by many communities worldwide became synonymous with both the painting and the town of Geurnica itself. His stylistic choices, the use of geometric shapes and the mural’s strong symbolism have contributed to its moving
This painting helps show the artist, Pablo Picasso’s, frustration in the war in Guernica. Showing one overall message of the ‘suffering’, the suffering of innocent humans and animals alike. Featuring a bull in looks what to be shock, a women holding a dead child, pigeon, a dead soldier holding a flower (sign of hope), a horse in the centre whose body is overlapped and looks to be in images such as a skull, kneeling woman and on the far right a man begging to the sky (thought to be to the German planes to stop