Harlem, New York

In the 1920’s many African American were searching for a refuge to escape from racism,discrimination, and violence. Many went to place called Harlem, a neighborhood in New York, where they commenced a new style of art, writing, and music. This was known as the Harlem Renaissance, where African Americans had their chance to be known for their skill. Langston Hughes, Louis Armstrong, were some of the important people who help express the African culture through writing and and music. They became an important figure in the birth of the Harlem renaissance. Even today they are remembered for their African American cultural success.

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

Since women got jobs a lot of things started changing for example their fashion. The fashion changed from long dresses that cover the ankles, and long hair.”During the day, a woman’s body was covered from head to toe. Boned laced collars, bodices were loose, pounced, and decorated with frills or rows of pintucks.”(Mee, 5) They upgraded from the old lady style to the hip and cool style. Fashion wasn’t the only thing that changed, music also changed. Jazz music became very popular, most of the African American artists we know today became famous during this time period.This time was called the Harlem Renaissance, which was basically where most African Americans were noticed for their great talents, such as playing jazz music.  “Some of the most celebrated names in American music regularly performed in Harlem—Louis Armstrong, Duke Ellington, Bessie Smith, Fats Waller and Cab Calloway, often accompanied by elaborate floor shows.”

The “Great Migration” was from 1910-1930 and almost 750,000 African Americans moved into Northern cities; 175,000 moved to Harlem, which made it the largest black community in the country. This era was known for racial consciousness, racial integration, dramatic arts and painting. In addition, it was known for the explosion of music especially jazz and the blues. This outburst of confidence, expression, creativity and talent sparked the African American drive and created a “rebirth” of African American culture. A few of the famous influences were Langston Hughes, Claude McKay, Duke Ellington Johnson and Louis Armstrong.

This was when there was a cultural, social, and artistic explosion in Harlem between the end of World War I and the middle of the 1930s. (The Harlem

(Hughes's grandfather) was a fierce abolitionist. She helped Hughes to see the cause of social

During the early 1920’s, African American artists, writers, musicians, and performers took part in a cultural movement known as the Harlem Renaissance. This migration took place after World War 1 and brought African Americans of all ages to the city of Harlem located in New York (Holt). There were many inspiring young artists; one of them in particular was Augusta Savage.

What if social tensions between whites and blacks were relieved? For most African Americans, that was not the case. The early twentieth century was characterized by racial segregation and great economic hardship. While many were subject to the threat of Jim Crow laws on a daily basis, others became victims of farmers’ debt. Unsurprisingly, this phenomenon fueled the Great Migration, where more than six million African Americans escaped from the rural South and migrated to major communities in the North and West in search of economic opportunity and success. Located in the heart of New York City, Harlem served as a transit neighborhood, harboring around 200,000 African Americans in 1920 (Norton, Sheriff, and Blight). An acclaimed historian, Clement Prince, once said, “Notwithstanding the memories of slavery, and in the face poverty, ignorance, terrorism, and subjugation still deeply woven into their lives, the embittered past of blacks was taken onto a much higher plane of intellectual and artistic consideration during the Renaissance,” (Clement). The words of Clement Prince describe the Harlem Renaissance, also known as the New Negro Movement, an intellectual explosion that brought unprecedented changes to African American music, poetry, dance, and literature. One of the many influential figures in the Harlem Renaissance was Adelaide Hall, a prominent African American entertainer and jazz singer. Through her pioneering of jazz and scat singing, Adelaide Hall sparked an

The 1920’s were a period or rapid growth and change in America. After World War I American’s were introduced to a lifestyle of lavishness they had never encountered before. It was a period of radical thought and ideas. It was in this time period that the idea of the Harlem Renaissance was born. The ideology behind the Harlem Renaissance was to create the image of the “New Negro”. The image of African-American’s changed from rural, uneducated “peasants” to urban, sophisticated, cosmopolites. Literature and poetry abounded. Jazz music and the clubs where it was performed at became social “hotspots”. Harlem was the epitome of the “New Negro”. However, things weren’t as sunny as they appeared. Many felt that the Harlem Renaissance itself

The Harlem people group was viewed as one of the music realms of the world in the mid-1900s. Relatively insufficient of the desire black craftsmen, artists, or scholars of the time were from Harlem; however, it appears that all had achieved or sought after their vocations there. James Weldon Johnson, Claude McKay, Alain Locke, and Charles S. Johnson were all magnificent motivations for rising craftsmen destined to be. They helped tutor individuals, for example, Langston Hughes into being a world-known name. These inventors existed vocally gifted and given as vivid good examples to the new stars. Near 1920 and 1930, tremendously approximately thousands African Americans left the South. These individuals sang and assured through their encounters amongst defeat and Civil War; this made their music and artistry meaningfully additional deep with even more feeling and enthusiasm. Natives crosswise over America appreciate hearing the stories of the difficulties in the newest era and how they overwhelmed these.

Josephine Baker was born Freda Josephine MacDonald in St. Louis, Missouri to her unwed parents: Carrie McDonald and Eddie Carson. Her father soon left the family and Josephine had to help her mother support herself and her three younger half-siblings. At age eight, she got a job working as a maid for a white family (Robinson). At age 12, she had dropped out of school to work. By age 14, she had moved out, been married, and separated from her first husband. She would later go onto marry and divorce three more men. Never was she financially dependent on any man, including her husbands.

What was the Harlem Renaissance? The Harlem Renaissance was a period of time in American history that emphasized African American culture in the form of music, art, and poetry. The Harlem Renaissance of the 1920s was plagued by poverty and racial inequality. African Americans held the dream of upward mobility and racial equality, through mediums such as poetry and jazz: a new form of music originating from the African American community of Harlem. The community of Harlem was initially designated as a place where ambitious middle class workers could live. However, the community and housing of Harlem outgrew the transportation system. This caused the white real estate owners to sell their property to a lower income group of people which were mainly African Americans. By the time that the public transportation systems were extended to Harlem, many African American intellectuals, artists, and poets had already “set up shop” there. One of the places in which they did so was Harlem’s Cotton Club. This cabaret was famous for launching the careers of jazz musicians such as Duke Ellington and Louis Armstrong. However, the club was owned by whites, and its primary audience was whites. Still, the importance of the club is untestable. It was "the" way for upper class White Americans to experience what the African American culture was like at the time. A select group of prestigious African Americans would go to the cotton

     Between 1910 and 1920, in a movement known as the Great Migration, hundreds of thousands of African Americans uprooted from their homes in the South and moved North to the big cities in search of jobs. They left the South because of racial violence and economic discrimination. Their migration was an expression of their changing attitudes toward themselves, and has been described as "something like a spiritual emancipation." Many migrants moved to Harlem, a neighborhood on the upper west side of Manhattan. In the 1920's, Harlem became the worlds largest black community; also home to a highly diverse mix of cultures. This unprecedented outburst of creative activity exposed their unique culture and encouraged

Jacquelyn was a modest, simple girl from the Bronx, New York. But that 's all she seemed to be. That 's all she knew she was. Jacquelyn, although known as Jacquelyn on stage, was just the young girl that performed in the local bars and pubs of the Bronx.

Throughout this course we discussed the Jazz Age, cultural appropriation, racial and gender differences, and African Americans and Parisians during the interwar years. We looked at many African American performers and performances that had a huge impact on France’s cultural identity. After learning about all of this in class, I wanted to take my research further. I decided to research female foreign performers who have had a major influence on the Jazz Age in Paris. I decided to focus specifically on three foreign females, and they are: singer and dancer Josephine Baker, dancer Molly Spotted Elk, and dancer Ada “Bricktop” Smith. Each of these female performers had a large impact on taking the Jazz Age in Paris to another level.