Harlotts Ghost Analysis

The topic of war is hard to imagine from the perspective of one who hasn't experienced it. Literature makes it accessible for the reader to explore the themes of war. Owen and Remarque both dipcik what war was like for one who has never gone through it. Men in both All Quiet on the Western Front and “Dulce Et Decorum” experience betrayal of youth, horrors of war and feelings of camaraderie.

Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.

Norman, a strong guy, could not save him not for lack of strength, but instead because of complete chaos around him, and “the worst part […] the smell” (O’Brien, 139). After the firefight was over, guilt set into Norman that would never leave. He blamed himself for Kiowa’s death, and it riddled him with self-doubt. After the war, he is completely unable to tell anyone about the incident, and the medal he should’ve won, “he wished he could have explained some of this. How he had been braver than he ever thought possible, but how he had not been so brave as he wanted to be” (O’Brien, 126). His feeling of inadequacy is based on this singular incident, and is something unable to be represented in the NBER study. After the war, Norman lived in the same town he has always lived in, yet he felt like a stranger: “the town could not, and would not listen. […] It had no memory, therefore no guilt” (O’Brien, 137). Norman feels alienated from society, wracked with guilt for a situation beyond his control, he finds his only solace is in the taking of his life. Tim O’Brien uses the suicide of Norman Bawker to represent the extremes of post-war trauma of veterans as a whole. Norman is a stand-in for every soldier who comes home from the war feeling as if he could have done more. Norman’s home town, a sleepy town in middle America with, “stone patios with barbecue spits and grills, and wooden shingles” (O’Brien, 131) represents America as a whole and its uncertainty of how to

Beginning my love of reading an early age, I was never the type of child who was drawn to fictional stories. As an 8 year-old child in West Virginia, I was recognized by the local library for my love of biographies, autobiographies and recollections of world events. This love has continued throughout my adult life, desiring to read novels such as “We Were Soldiers Once…and Young” by Lt. Gen. Harold G. Moore rather than watch the major motion picture “We Were Soldiers” starring Mel Gibson. Even though the motion picture received multiple awards, when reading the recollection of Mr. Moore’s accounts, the feeling of loss, distress, anxiety and fear can be felt in each word that he has written while reliving this horrendous war.

In the incredible book, All Quiet on the Western Front written by Erich Maria Remarque, the reader follows Paul Baumer, a young man who enlisted in the war. The reader goes on a journey and watches Paul and his comrades face the sheer brutality of war. In this novel, the author tries to convey the fact that war should not be glorified. Through bombardment, gunfire, and the gruesome images painted by the author, one can really understand what it would have been like to serve on the front lines in the Great War. The sheer brutality of the war can be portrayed through literary devices such as personification, similes, and metaphors.

The Great War, also known as World War I, is a defining moment in Europe’s history. Its aftermath consists of the demolition of Germany’s economy, the rise of Adolf Hitler, and the loss of an entire generation of young men who were sent into combat. All Quiet on the Western Front chronicles the experiences of Paul Baumer, a 19-year old student who volunteers for the military during World War I along with his classmates Muller and Kropp. They are compelled to enlist by Kantorek, their fiercely patriotic but misguided schoolmaster. Paul’s life in the military is told in short entries that reveal the reality of war: horrifying battles, violence, alienation, emotional indifference. His accounts of war are personal and emotional, and the bleak tone

The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.

In Soldier's Home, Ernest Hemingway paints a vivid picture of Harold Krebs return home from World War I and the issues he confronts while trying to shift his way back towards the ordinary life he once lived. After his battling over seas took place, it took Krebs over a year to finally leave Europe and make his way back home to his family in Oklahoma. After finally finding the drive to come home, Krebs found that it was difficult to express his feelings towards all he had seen during his tour of duty, which must be attributed to the fact that he was in the heart of some of the bloodiest and most crucial battles mankind has ever seen. Therefore, Krebs difficulty in acknowledging his past is because he was indeed a “good soldier” (133), whose

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.

Although it provides an important perspective into the lives of post war veterans, Hemingway’s novel is merely a fictional story and the events that occur in the book are not representative of any real life occurrences. Hemingway is able to accurately able to depict the shift of morale views that occurred after the war.  People went from emotional and restrained and god fearing, to liberated, materialistic, and pessimistic. Following the First World War, Veterans lost a belief in objective morality and correspondingly lost the belief in love and capacity to make deep connections with people. The characters within this novel face social and personal problems, whether it be physical ailments or mental disabilities, both of which impede their lives completely. Hemingway’s ability to capture and and present the overwhelming emotions that encompassed the Lost Generation is what makes his novel effective and historically

“The opening pages of chit chat, the reply to Time magazine, the celebrity-talk about Lowell, Macdonald, Goodman, the fierce competitiveness – all this tells us from the beginning that this is Mailer’s story” (Dickstein 149). By choosing to depict acts in which he took part and from his point of view Mailer is able to make the validity of his statements implicit – he actually saw what he is writing about. At the same time though, questions of how much Mailer’s bias is affecting the novel are raised. Mailer is able to address these questions of possible bias by making it exceedingly obvious when his bias is at play. As Hellmann notes, “Calling himself ‘the Novelist’ and self-consciously using the contrivances of novelistic form, Mailer makes us view the facts of his work as both reliable (in that we are fully shown their source in his firsthand observation) and doubtful (in that we are constantly reminded that they result merely from such observation)” (39).

While the surface of Norman Mailer’s The Naked and the Dead centers around World War II, its focus is on “the conflict…between the mechanistic forces of the ‘system’ and the will to individual integrity” (Waldron 273). The ultimate domination by the ‘machine’ makes for a very depressing, hopeless novel. Mailer explores this conflict mainly in the interactions between General Cummings and Lieutenant Hearn, and although less extensively through their lower ranked counterparts, Sergeant Croft and Private Red Valsen. It is in these interactions that The Naked and the Dead makes a statement about not only war, but society. Therefore, in order to fully understand the novel, Cummings, Hearn, Croft, and Valsen must be examined and understood

The subtle sadness of Rockwell’s work is extended further in Rockwell companion work, Homecoming Marine, which appeared on the cover of the Post October 13, 1945. This illustration is placed in an old mechanic garage and centers around a handsome young marine in uniform sitting left of the center holding a captured Japanese battel flag in his hand. The marine is surrounded by six figures, all men of different ages; two young boys, two older men, one in a civil service uniform and two middle age dressed clothes to work in the garage. All men are listening intensely as the young marine shares a war story. Rockwell leaves visual clues for the viewer in the background on the garage wall – A small portrait photo of the marine, a blue serviceman’s

“The Canterville Ghost” (1887) is a short story by Oscar Wilde. This ghost story tells of an American family buying a British mansion, Canterville Chase, much to the dismay of its resident ghost. The English ghost finds himself frustrated and emotional after many failed attempts to elicit feelings of fear from the modern American Family. More interestingly, “The Canterville Ghost” contains an unusual tone for it to have taken place in the setting that it did. By using the term chronotope, as described by Bakhtin, one could compare the setting of this story to other similar settings throughout literature, all of which contain a specific tone of eeriness that helps to make the ghost story seem scary. The makings of this story, however, quickly and effectively turn this chronotope on its head. “The Canterville Ghost” is not scary at all, in fact, it is quite the opposite. It is funny and, as the story goes on, rather pitiful. Throughout the story, the actions of Sir Simon, as well as the reactions of the Otis family further shifts the tone from what one would expect, to a lighter, more comical one. The disconnect of this story from other ghost stories that take place in the same temporal and spatial category suggests that Wilde sought to contrast, as well as advocate for the coming together of, American and British cultures through his work.