Harp Of Ur

The ancient Greeks loved music so much that they put scenes of music on their pottery. One piece of pottery is a water jug. This piece of pottery has a rounded top with a rigged edge. The neck of the pot is short and comes down into a kind of vase. On the vase, there is a person playing a flute. Another person is holding a lyre, which is a wooden stringed instrument. It looks like a music teacher is teaching a student to play an instrument. The handles on the pot are curved outwards like ears. There are spiral-like designs that go around the neck and center of the pot. The pot is entirely black aside from the pictures around the pot. The pictures stand out because they are in gold. This jug was probably used to collect water for special events. Another piece of pottery is used for storage. This jar has very little inward curved handles on each side of the neck. Around the neck of the jar, it looks like a string of olive leaves. From the neck,

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

The artifact functions as a music box and was a prominent instrument during the Sumerian age and was most commonly used during funerals. In addition, since the piece of work was found in a royal tomb, one can further assume that it played a role in ancient funeral rites or banquets13. The Epic of Gilgamesh, explained earlier, could have also played a role in the development of this piece since it was a large part of literature in the Sumerian age. Even though the poem was written down hundreds of years after this plaque was created, it could be evidence for the first documentation of a long oral tradition13. Although there is no known patron of the work, it was most likely intended to be played and seen by an audience and give respect to the dead. In contrast, the Lapith Fighting a Centaur was apart of the Parthenon and had been widely known for centuries; it wasn’t a recent discovery. The relief, along with the 96 others on the building, depicts a legendary war between two factions. Even though these were mythic tales, they played a large role in Ancient Greek lives. The reliefs were created to most-likely educate the people of Greece about their gods and to recreate their religious

The Beaker with Ibex Motifs is a prehistoric pottery art work, found in near-perfect condition during a 1906-1908 excavation of a Susian necropolis in Susa, Iran. The Beaker with Ibex Motifs is a large vessel with dimensions at 28.90 x 16.40 cm. Used by the first inhabitants of Susa, this beaker is a the first example of a funerary item. The identity of artist is unknown, however, it is thought the beaker was created sometime between 4200 and 3500 B.C.E.

Fig. 1 Statue of Yuny and Renenutet, ca. 1290–1270 BCE.; Fig. 2 Akhenaten and his Family,18

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

In the 7th Century AD, an important individual was buried inside a ship in East Anglia. The ship most likely hauled up from the nearby river, a burial chamber was built in the center of the massive vessel. Luckily grave robbers did not reach the ship burial as they did other nearby burial mounds, because the ship was rich in history and artifacts including gold, silver, bowls, spoons, weapons, drinking horns and much more. Originally discovered in 1939, the artifacts and ship burial have been closely examined another 2 times. The artifacts found within the magnificent burial site have created a lot of stir over the past 80 years. Theories have changed on the significance and origins of the artifacts due to changing hypothesis or the arrival of new and different evidence. Because there are dozens of artifacts within Sutton Hoo, this paper will be focusing on a select four of them including; the ‘baptismal’ spoons, the Merovingian coin hoard, the whetstone, and the scepter. According to scholars over the past 80 years, how have opinions, evidence, or assumptions changed relating to these exact artifacts? This paper will be taking a contemporary look at the perspectives of different scholars on different artifacts and, finally, analyze why these perspectives have shifted or changed over time. To my knowledge, scholars do give credit to previous perspectives, but no scholar has every brought all the perspectives together and analyzed their findings.

Since our culture does not leave much documentation, my tomb must be used to provide an awareness and understanding of how we live our lives. My husband was able to achieve hegemony through the main activities of agriculture and metallurgy , eventually becoming known as a dignitary, making us a well-known family and an important part of the aristocracy in the Etruscan society. The Banditaccia necropolis in Cerveteri is where my noble family

In Ogden it is discussed that there may be inscriptions on a papyrus strip enclosed within the clay of the Louvre doll, as it is known from other

The Sarcophagus with reclining couple from the Banditaccia necropolis, Cerveteri, Italy, ca. 520 BCE portrays the subjects in their ideal state of life. It functions as a prime example of the extravagant Etruscan depiction of death and the deceased. The man and

This piece of art depicted the interaction between Dionysus and Pan in a form of sculpture. The sculpture was created from beautiful marble in A.D. 50 – 150. The work is three

Brown, Peter. The World of Late Antiquity. London: Thames & Hudson, 1971 (rpt. New York: Norton, 1989).

There is a lot of meaning behind the Bull-Headed Lyre. The bull’s head is a representation of the sun god, Shamash, “the divine judge who shines light on all things” (“Lyre”). This is the only god that can enter the underworld and return to earth, which corresponds to the Sumerian’s belief in an afterlife (“Lyre”). Due to this, it is reasonable that the four registers on the front of the sound box signify a funeral ritual. The first register depicts a man grasping onto a composite creature, part man part bull, on both his left and right side. This may signify a victory. The second register displays a dog walking with a table that has animal remains on top. A lion is holding a canister and follows behind the dog. This scene may represent one’s

The British Museum in London holds many ancient pieces of art. There are so many galleries and exhibits inside the museum that several pieces do not get the attention they deserve. One such piece resides in the Assyrian exhibit inside the museum. It is a collection of three alabaster panels that act as registers of a narrative story. The expertly carved reliefs illustrate the great lion hunt performed by an Assyrian king in an arena. So much emotion is portrayed in the brutal imagery of the lion hunt. These great alabaster slabs once resided in an Assyrian palace in present day Nineveh. The reliefs were excavated in the 1840’s by Hormuzd Rassam, employed by Austen Henry Layard of the British Museum. Rassum found the palace by secretly digging at night because the site was originally claimed by French archeologist Victor Place. Since the excavation, the lion hunt reliefs have been displayed in the British Museum. The lion hunt reliefs features so many qualities ranging from historical to artistic. In this report the topic of why the reliefs were made, how they represented the king, the symbolism of the lion, and artistic prowess of the piece will be exposed.

Ukuleles, what makes them so special? Why devote an entire paper to them? Obvious questions for everyone who are not familiar with the instrument, however those who know they instrument as well as someone who plays them know they have a vibrant history, are perfect for entertaining and creating, and more so than the average stringed instrument like the more popular big brother, the acoustic guitar, are warmly unique.