Hatshepsut Essay

Hatshepsut’s appearance and portrayal changed as her usually feminine features were replaced by kingly accessories such as the royal kilt, Nemes headdress with uraeus, Atef crown and symbols of Egypt’s enemies under her feet when represented in statues. The seated limestone statue from Deir El-Bahri is the best example of this portrayal of Hatshepsut as a female but with kingly accessories. This transition from a female representation to a more manly and masculine appearance reflects Hatshepsut to have a more kingly identity and because traditional most Pharaohs were male. Egyptologist Peter Dorman also explains this transition as the “strictures of functioning solely as a queen were inconsistent with that role. Hatshepsut’s royal image changed over time as her feminine appearance gradually changed as she began to be depicted in royal masculine

The seated statue of Hatshepsut is dated around ca. 1473-1458 B.C. around the 18th dynasty in Deir el-Bahri, Upper Egypt. This statue is made entirely out of indurated limestone and has a height of 195 cm, width of 49 cm, and diameter of 114 cm. Many statues like this were found in her mortuary temple that has been ransacked and destroyed by bandits and pharaohs. I consider this statue to be in very bad condition because of its age and the history behind it. From first glance I noticed the statue has significant damage in many places. There are noticeable chips in the headdress, nose, and left eyebrow. The left hand placed upon left knee has completely fallen off while half of her right arm is missing. The

Throughout the times women have proven to themselves as well as people around them that they can take on roles just as important as men. This paper will begin by detailing the work experience and cultural barriers of Hatshepsut, the queen that reigned in Egypt during 1479- 1458 B.C. Followed by the impact she had on gender roles and issues. Next the cultural challenges and obstacles faced by women in Saudi Arabia will be addressed. These women have had many years of restrictive traditions placed upon them and now they have the chance to get a higher-level education and become professionals in their society. Lastly, the paper will discuss the impact the women who worked in factories during World War II had on gender roles. As well as what their culture thought was meant to be all they accomplished during their lifetime.

Hatshepsut and Akhenaten have both revolutionized Egyptian art during their reign as rulers of Egypt. In the 18th Dynasty in Egypt, the art of both Queen/King Hatshepsut and Akhenaten represented them with features not corresponding to their biological sex or social gender. In several of her paintings and sculptures, Hatshepsut was often portrayed as a man despite that fact that she was a woman. On the other hand, Akhenaten was often portrayed with feminine features, something that was never done before in Egyptian art. There have been many different theories from historians as to why Hatshepsut, Akhenaten, and their artists may have done this, but nothing has yet to be confirmed.

The female pharaoh, Hatshepsut, is arguably one of the most influential people of ancient Egypt. For thousands of years, the workings of Hatshepsut have been subject to multiple interpretations, from both her time and the modern day. An evaluation of the effectiveness of her reign can be resolved from the reliability and validity of evidence presented today, both primary and secondary.

The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.

During her reign, Hatshepsut had started trading expeditions from Punt (present-day Eritrea) that brought ivory, ebony, gold, leopard skins and incense into Egypt. When Hatshepsut was trading with Punt, she utilized trade as a technique to give herself a chance to expand the economy of her country. In order for trading to be accomplished, Hatshepsut had established vital trade routes to aid in implementing exchange with other countries. As a result, Hatshepsut became the first monarch in the New Kingdom to trade with Punt. Through her action of expanding trades with trade routes, she demonstrated that she is an influential leader because she was not afraid to try new ways of making her country better and more prosperous. Along with trading with Punt, Hatshepsut had also traded with countries in west Asia which are in east of Egypt through her vital trade routes. Thus allowing boats filled with goods to be imported back to Egypt. In addition to expanding trade to help her country prosper, Hatshepsut had also built many great monuments such as the Palace of Ma’at, Gebel el Silsila, Chapelle Rouge, and the Deir el Bahri that exhibits the immense growth of her country. These tremendous monuments displayed that Egypt under Hatshepsut’s rule had prospered because it proves that the economy of that time was great since Hatshepsut was able to afford

The Large Kneeling Statue of Hatshepsut is a magnificent piece of art located in the Egyptian section next to many other statues of the great pharaoh Hatshepsut. Out of all the statues of Hatshepsut, the Large Kneeling Statue of Hatshepsut was kept in the best shape and caught a lot of attention from the people in the room. Its great size is something truly remarkable, considering it was built in the New Kingdom of Ancient Egypt. More importantly, this statue is the first structure in art that depicts a woman leader. Not only is it a truly unique piece of work, but also it is a piece that is revolutionary for its time. The massive size of this statue leaves one wondering if women have always been just as powerful as men, if not more.

Hatshepsut’s building programs played a major role in her reign as is shown through the praise they still receive from the future generations. Hatshepsut main focus seemed to be her building programs as she constantly refers to them. Once she acquired the role of pharaoh she started repairing buildings that were neglected during the Hyksos occupation such as the temple of Hathor at Cusae, a temple for Min and the temple of Thoth at Hermopolis. Her building programs consisted of completing Thutmose II due to his short reign and constructing new buildings. Her new building programs consisted of her mortuary temple at Deir el-Bahri; the Red Chapel, obelisks and pylon at Karnak; the barque sanctuary at Luxor and the cliff temple dedicated to the lion goddess, Pakhet at Beni Hassan. Her building programs were important to further enhance her relationship with the Amun- Re cult. Through her buildings she reinforced her relationship with Amun, using it as propaganda to prove that she has the right to claim the throne.

Senenmut, an excellent architect within Ancient Egypt who came from a large educated family, was appointed by Hatshepsut to oversee any royal works, as well as overseeing slaves, fields, and gardens. It is said by some Egyptologists that he initiated a very personal relationship with her—he was even a tutor for Hatshepsut’s daughter. This suggests that Hatshepsut befriended Senenmut for her own advantage, in order for her building plans to be carried out as she pleased. Not only did she effectively choose a skilled architect, but she kept high standards for the location for her memorial tomb. This was at a natural bay near the Theban Mountains, facing the entrance to the Amen-Re Temple at Karnak. This location was especially chosen because it was the existing tomb of her father, and had great importance as it was previously a cult center for Hathor (goddess of ruling kings). A new entrance was created with a staircase leading to a new burial hall carved out of rock. Although her choice called for those extensive alterations of the existing tomb, Hatshepsut wanted to be remembered as a highly regarded leader and appointed Senemut to carry out with those building plans. Hatshepsut’s choice resulted in one of the most beautiful temples in Egypt, known as Djeser Djeseru, meaning holiest of the holy. This specific project displayed Hatshepsut’s creativity

Ancient Egyptian and Greek statues have many similarities. Hatshepsut in a Devotional Attitude is an Egyptian statue from 1473-1458 BCE. It is almost 8 feet tall and almost 2.5 feet wide. It is made of granite and is a statue of Queen Hatshepsut, the wife of Tutmose III, one of the most dynamic egyptian kings of the eighteenth dynasty. The Marble Statue of a Kouros (youth) is an Archaic Greek statue from 590-680 BCE. It is a little over 6 feet tall and about 20 inches at its widest. It is the representation of a nude male figure and is made of marble. However, the artists of both the statues are unknown.

She was responsible for many famous buildings such as the enormous memorial temple at Deir el-Bahri. It is considered one of the architectural wonders of ancient Egypt. The temple Deir el-Bahri is a testament to the accomplishments of Queen Hatshepsut. By building many significant projects she left a huge legacy behind for historians and archaeologists to

Hatshepsut was the first female Pharaoh of Ancient Egypt. She ruled nearly 3,500 years ago from 1504 BCE for twenty two years during the New Kingdom. She was the wife of Thutmose II, who was the Pharaoh before her, and the stepmother of Thutmose III who succeeded her. When Thutmose II died in 1504 BCE, Thutmose III was too young to become Pharaoh, so as custom the widowed wife of the Pharaohwas made the temporary ruler. Hatshepsut was able to transform herself from a dutiful temporary ruler to a powerful Pharaoh. Hatshepsut was a successful Pharaoh because she used religion and art to legitimize her rule and promoted economic prosperity.

The most obvious similarity would be that of the protruding domes the two buildings possess. While they do have similar shape, they are constructed differently according to the style of the area. The Pantheon, for example, consists of stone and concrete, as opposed to the Dome of the Rock, which consists of a gilded wooden dome. With a central diameter of 142 feet, the Pantheon is actually the world’s largest unsupported dome. The romans had to design it with certain weight releases, such as the numerous coffers and the central oculus, in order to keep the dome from collapsing on itself. Because of its shape, most of the weight is pushed down and around the circumference of the dome. To keep it supported, thick concrete walls inside of the

These 2 statues depict the Buddhist deity whose name is Bodhisattva Avalokitesvara. The other names for this deity is Guanyin Bodhisattva, and the goddess of mercy. This deity is worshipped by all schools of Buddhism, but is mostly associated with Mahayana Buddhism, which is a school of Buddhism which states that anyone can become a Buddha with practice. The purpose of Bodhisattvas is to guide those seeking to