Hatshepsut Wearing Khat Address

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

The statue is located in the city of Deir el-Babri. Its’ creation dates back to 1473 -1458 B.C. Made of Granite, the statue has stood the tests of time, just as the history of Hatshepsut. It was made in the New Kingdom period. Curated by Hatshepsut herself, the statue was to depict her as a man since there was so much controversy to how she came to rule and the issue of her being a female pharaoh, which was rare at the time.

The sphinx is located in the eastern wing of the museum. This is a fairly small artifact comparing with the original sphinx located at Giza, Egypt. It is famous for its projection both Kushite and Egyptian elements. The lion shown in the body of the sphinx is done in typical Egyptian style like the grand sphinx itself, while the face of the artifact clearly Sudanese resemblance of Taharqo, the black king. There are hieroglyphics and symbols on the statue clarifies the fact that it is a real and legitimate portrait of the great King Taharqo. The statue is kept in the central of the room in a glass box (Caleca, 1979). The statue is only accessible for viewing. Visitors are not allowed to touch the box at any cost, but they are allowed to take pictures. Besides the box, there is black and white steel panel where description about the statue is written. It’s said there that, Taharqo was in fact, the fourth pharaoh to rule both the kingdoms of ancient Egypt and Kush together, during the Third Transitional Period of the middle age (Török, 2002). Also, there was a mention that, this statue was built around 680 B.C. The statue was first discovered by archaeologists at a demolished stone temple in Nubia (now known as Sudan), which is situated in the south-eastern part of the Amun Temple at Kawa (now Gematon). The excavations were conducted and monitored by the University of Oxford in 1930 (MacGregor, 2012). Experts believe

The seated statue of Hatshepsut is dated around ca. 1473-1458 B.C. around the 18th dynasty in Deir el-Bahri, Upper Egypt. This statue is made entirely out of indurated limestone and has a height of 195 cm, width of 49 cm, and diameter of 114 cm. Many statues like this were found in her mortuary temple that has been ransacked and destroyed by bandits and pharaohs. I consider this statue to be in very bad condition because of its age and the history behind it. From first glance I noticed the statue has significant damage in many places. There are noticeable chips in the headdress, nose, and left eyebrow. The left hand placed upon left knee has completely fallen off while half of her right arm is missing. The

It is important to first begin with the basics of each piece of artwork. The graywacke statue of Menkaure and a Queen was made between c. 2490-2472 BCE during the Old Kingdom period in Giza, Egypt. Although the artist is unknown, it is understood that the time during which this artwork was made was during the Old Kingdom period, which lasted from c. 2575-2150 BCE. This statue is smaller in height than the average human being, being 51 ½ inches tall, which is a little over four and a quarter feet tall (Stokstad and Cothren: 60). The stone that it is made from is a rocky, rough stone, that took a considerable amount of sanding to get the statue to look as smooth as it is. The second set of statues I will be comparing and contrasting to the Menkaure and Queen are the limestone statues, Anavysos Kouros and the Peplos Kore. Both were made in c. 530 BCE during the Archaic period in Athens, Greece. Similar to Menkaure and a Queen, the Anavysos Kouros and the Peplos Kore do not have a known artist, however it is known that the time period in which the statues were made was during the Archaic Period, which lasted from c. 600-480 BCE. These statues are more life-like in size. The Kouros statue is around the size of a tall male, six feet four inches tall. On the other hand, the Kore statue is smaller in stature, about four foot tall . Both statues were made from carved marble, although some of the other kouros and kore statues that were made were from terra cotta, wood, or limestone

The cultural artifact that I propose to study is a bust of Queen Nefertiti, who was the Royal Wife of the Pharaoh Akhenaten. The bust is said to be painted with stucco-coated limestone, created in 1345 B.C by Thutmose who was a talented sculptor. The bust was discovered in 1912 in Thutmose’s workshop by Ludwig Borchardt and his archaeological team. The bust had many owners in Germany throughout the years, however, it is currently on display at the Neues Museum in Berlin. The Nefertiti bust is a cultural phenomenon, especially for ancient Egypt as well as Berlin. Germany had the bust for over a century now and it has been their pride and joy. The argument between Egypt and Germany over the bust has been going on for decades. Egypt believes that the bust belongs to them and that it was taken

One of the greatest and most ancient of the worlds mysteries, still undeciphered by archaeologists today, resides at the Giza plateau. It is ‘The Great Sphinx’. This colossal statue holds centuries of untold secrets. Standing “sixty feet high and two hundred and forty feet long, the Sphinx is the biggest single stone statue in existence” (“Secret: The Sphinx”). This Egyptian masterpiece represents a fictitious creature that has the head of a man, but the body of a lion. Unfortunately, the Sphinx’s appearance has suffered greatly over the years. “The head of the Sphinx has been badly affected by…years of erosion” and pieces of the monument are missing, like the nose (Haughton, 45). However, historians

I think about how the world had betrayed this women. They made this woman plump and empty, she does not even have a face. This statue is nude showing everything to the naked eye, she does not have a desirable body. This sculpture shows how much a woman was respected back in the day, which was very little.

The first object that I have picked while I was at the museum is the Kneeling Statue of Senenmut, Chief Steward of Queen Hatshepsut. It is said that it was created in the early 18th century between the years 1473-1458 B.C. The instant I walked in into the Ancient Egyptian collection I couldn’t take my eye off of that sculpture, due to that being it was probably the the darkest object there. The kneeling Statue of Senenmut was engraved from a grayish green stone, I like this object because, all the achievement and work that Senenmut have done in his life was carved all over this object. One of my dislikes is

Hatshepsut’s appearance and portrayal changed as her usually feminine features were replaced by kingly accessories such as the royal kilt, Nemes headdress with uraeus, Atef crown and symbols of Egypt’s enemies under her feet when represented in statues. The seated limestone statue from Deir El-Bahri is the best example of this portrayal of Hatshepsut as a female but with kingly accessories. This transition from a female representation to a more manly and masculine appearance reflects Hatshepsut to have a more kingly identity and because traditional most Pharaohs were male. Egyptologist Peter Dorman also explains this transition as the “strictures of functioning solely as a queen were inconsistent with that role. Hatshepsut’s royal image changed over time as her feminine appearance gradually changed as she began to be depicted in royal masculine

The two sculptures presented for this assignment are the Statue of Gudea, which dates back to 2090 B.C. (“Statue of Gudea,” 2000) and The Royal Acquaintances Memi and Sabu, which dates back to 2575–2465 B.C. (“The Royal Acquaintances Memi and Sabu,” 2000). Both statues represent people; however, they depict different types of people from completely different time periods and cultural backgrounds. The Statue of Gudea shows the ruler of southern Mesopotamian, Gudea, whose reign was from 2144-2124 B.C. (“The votive statue of Gudea: A formal analysis,” 2011) sitting in a praying position with his hands locked and his eyes forward. He is dressed in what appears to be a lavish robe with an inscription that clearly depicts what Gudea thought of himself and his successes during his time as ruler. The Royal Acquaintances Memi and Sabu represent what is thought to be a married ancient Egyptian couple who are lovingly embracing each other. Aside from looking at

When examining the statue, there is an old woman bent and weary. Her posture helps clue us in, with her age and the state of her health. The figure is dressed in cloth that drapes off her body as she carries a basket that is filled with what we may think are offerings. On her head, there are vines that create a band around the top of her head used to signify the festival that was going on during that time. The specific detail that is seen on this statue persuades us to want to know the story of this woman. Doing so, the process involves lots of research about the time and art. During the hellenistic period, artists begin to introduce more inner beauty than physical beauty. There is an opportunity to learn more about the structure itself, then settle for what is given and seen.

The Large Kneeling Statue of Hatshepsut is a magnificent piece of art located in the Egyptian section next to many other statues of the great pharaoh Hatshepsut. Out of all the statues of Hatshepsut, the Large Kneeling Statue of Hatshepsut was kept in the best shape and caught a lot of attention from the people in the room. Its great size is something truly remarkable, considering it was built in the New Kingdom of Ancient Egypt. More importantly, this statue is the first structure in art that depicts a woman leader. Not only is it a truly unique piece of work, but also it is a piece that is revolutionary for its time. The massive size of this statue leaves one wondering if women have always been just as powerful as men, if not more.

The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.

Over the years of art history, there are many great empires that we think of and two of those were ancient Greek and Egyptian. When talking about Greek and Egyptian art history, it is the sculptures that come to mind when you are comparing and contrasting artworks. Egyptian art and Greek art both had mesmerizing sculptures but Egyptian art was more oriented towards religion and Greek art was more focused on philosophy. The Egyptian statue of the Menkaure and a Queen was similar to the Greek statue of Metropolitan Kouros in their posture but both of these statues also had many differences. Menkaure and a queen statue was created from an unusual stone and the statue was discovered in Menkaure’s valley temple. The sculpture has a hard texture and because of the time-consuming task of polishing this sculpture was never completely polished. So, the sculpture is greywacke and has traces of red paint on king’s face, ears and neck because male figures were traditionally painted red and there are traces of black in queen’s hair. The sculpture itself is 54 ½ inches in height and is displayed in the Museum of Fine Arts, Boston. Metropolitan Kouros was created from marble which seems like it has a rough and hard texture. The statue is 6 feet in height and is displayed at the Metropolitan Museum of Art, New York.