he Conformity In Grease
The behavior towards people’s judgement is based on what gender they are can be summarized in one movie Grease. Grease made 159 million dollars in the year 1978 alone, but the movie itself shows the double standards on gender with two main a groups of teenage high school students. The testosterone filled group of males known as T- Birds and the Barbie pink female group known as The Pink ladies, make up the popular crew in their school. If you aren’t part of these two groups than you are considered a lack of interest and a waste of existence. The movie also contains viewpoints of conformity taken place in high school that many teenagers experience in real life, by this I mean the movie is a reflection of what is taught in society since birth. There has to be a reason as to why some films can have controversial language, physically inappropriate gestures, sexist comments are exceptional. In a recent research it gave a simple explanations towards why this is. Modern sexism is a multidimensional construct comprising covert attitudes supporting the unequal treatment of men and women(65) Most of what humans are taught in their morals is during childhood. In this chapter 3 called Gender roles, describes that humans are taught to stereotype gender since birth. an educational film about parenthood describes how to handle an infant differently because of the sex. A female infant is picked up automatically once she begins to cry compared to a male infant.
Women evidently create films, too. Still, the institution of film-making is undeniably dominated by men. Even if men are not always creating the film, they are nevertheless controlling who does; the male gaze “is not always male, but it is always male-dominated (654). This control is not meant to refer to “anatomy” per se, but the idea that film contributes to the supremacy of men over women regardless of its author (654). This type of control is significant because it implements a preference for films which depict women who are aligned with patriarchal assumptions; men as subjects and women as objects (654).
Gender is a sociological idea, in which it is not based on biology. While there is some biological differences between the sexes, the “meaning” of being male or female is based on social norms. Like race, these “biological” differences provided a system of enabling inequality between the sexes. History offers many examples of the gender norms over time. Women, for centuries, are few as the homemakers and often viewed as intelligent. Despite living in the twentieth century with greater equality, one does not need to go far to see how society and media influence our perception of gender. Advertisements in various media persuade its audience to buying their products. However, the means of attracting and persuading the audience can have underlying messages. Even in entertainment for young girls these underlying messages are prevalent. One example is the popular film, The Little Mermaid, in which the main protagonist is a young female. The protagonist gave up her identity to satisfy her lover. Even traditional gender roles are at work; the film showed young girls that to be happy and successful one had to find a husband and must relinquished one’s identity (Wood 1994). The generalized perception of male and female are polar opposites. Males are viewed as masculine, strong, authoritative, powerful, and devoid of emotions. Females are viewed as beauty, fragile, nurturing, emotional and sole purpose is to please men. These ideas can lead to sexism, which can have negative effects on
In conclusion, the film She’s the Man shows the audience how gender gets represented in films. It shows the traditional femininity as well as the traditional masculinity. This illustrates that gender has impacts on power and gender relations to contribute gender inequality. Gender norms are enforced in films which maintain the power inequality difference between both genders. These issues confine the way modern films represent gender and gives a direct effect to the
This paper will look at how the movies portray women in a way that women can relate to regardless if it’s an insulting
In the media we see today, and movies that are continually coming out all have a central idea in common. They all show and represent the idealistic perspective of male versus female in society. From cartoons to chick flicks to romances and comedies we notice identifiable differences and trends represented between the two genders. In the movie I watched, “Clueless,” there are many examples illustrating male superiority over female, ideas of what femininity should be, and female appeal towards the male figures in the film.
Women are deemed as a “minority” yet make up 51% of the world population and in 2014 made up only 12% of protagonists in films. And that is just on-screen, the percentage decreases as you go farther and farther into behind-the-scenes positions such as directors, cinematographers, and writers. Add race and ethnicity and those characters' percentages decline even more (Lauzen, 2015.) Women in film and television are often portrayed with emphasis based on their body type and in advertisement are largely objectified. The large objectification and misrepresentation of women in the media has led to an offset psychological view of women from growing up to adulthood.
The behaviors and societal norms we associate with male and female are socially constructed. As Dr. Thompson states in the film “boys and girls are far more human and far more the same than they are different.” However,
Horror movies throughout history have been known to have their cheesy storylines or continuous bad acting. Especially horror movies. People nowadays could easily spot the flaws in a film and judge them drastically in reviews. Yet, little do people notice the ongoing discrimination between genders. Horror films tend to portray males and females substantially differently because of stereotypical views. There seems to be a pattern in which each gender takes a certain role in a movie continuously. Females are shown to be “objects” such as sex and emotional symbols, while males are shown as strong or powerful and moreover as the main bad guy. Although some of the newer edition films of the horror genre are displaying each gender more and more equal throughout the ongoing years, the gender discrimination dilemma still exists and can be seen by the statistics in the movie industry in general.
¨How Movies Teach Manhood¨ ,by Colin Stokes, Filmed on November 2012. The Topic of his speech is that movies do not send positive messages to boys, but do to girls. Stokes aims his speech towards parents and towards people who enjoy films. He is addressing these adults because he wants to show when a man defeats a villain, it should be the same as someone defending a women. He is arguing that many of the top movies we have today do not show women being as capable of doing things that men do.. Stokes uses ethos and some pathos in his speech. He uses a lot of these appeals because it helps show that the movie industry is using mainly men and by targeting people’s emotions and using credibility.
Conceptions of idealized and appropriate feminine qualities are majorly constructed by the dominant patriarchal discourse that judges female behaviour with reference to gender-based social norms. Incarcerated within the patriarchal disciplinary system, the female bodily act becomes a subject of highly structured regulations whose “inspecting gaze” forces it to be infantilised or penalised. Living under the custody of their offenders, women are the target of a manipulative process that strives to condition them, training them to believe in its established qualities of femininity. Through a systematic surveillance of their behaviours and thoughts, the oppressive controlling system turn women into “docile bodies” which are emblematic of conformity and submissiveness. “[L]argely interpellated by
Female conformity to abiding the law is an expectation which is instilled in society subconsciously; no one expects women to be criminal. The ideal image of a woman consists of her compassionate being, with no trace of potential to harm or mistreat others. Therefore in order to reserve this conception and ideal of females, when a ‘soft’ crime is committed such as theft, female offences are less likely to be reported and recorded. The social regulation for men and women contrasts, with the criminal law being mostly concerned with the regulation of male behaviours as it is males who commit more serious offences and therefore there are more men who are incarcerated than women. In contrast, female behaviours are regulated through the definition
The first research entitled “The representation of gender roles in the media - An analysis of gender discourse in Sex and the City movies ” was constructed by Therese Ottosson and Xin Cheng in 2012.
The gender and feminist representations conveyed by the media are as harmful as any other kind of representations; they are easily depicted whether directly or indirectly. Their effect starts with little children and goes on to reach adults. Many film studios are devoted especially for children films, and this is the place where the magic happens, portrayals that might seem very innocent and harmless, but in fact are indirectly extremely vicious. Children grow with these assumptions portrayed by the movies, so as full gown adults they will find the motion picture representations as very normal and very acceptable, whatever they might hold in them, because of the background and the platform that was laid before them when they were kids.
Throughout today’s society, almost every aspect of someone’s day is based whether or not he or she fits into the “norm” that has been created. Specifically, masculine and feminine norms have a great impact that force people to question “am I a true man or woman?” After doing substantial research on the basis of masculine or feminine norms, it is clear that society focuses on the males being the dominant figures. If males are not fulfilling the masculine role, and females aren’t playing their role, then their gender identity becomes foggy, according to their personal judgment, as well as society’s.
The majority of mainstream cinema today is constructed from the viewpoint of what is known as the “male gaze”; which we recognize by how it looks at women, as