Healer: A Narrative Fiction

Pale, bloodthirsty, and fangs are some words that trigger readers’ minds with one particular being: a vampire. These creatures have been around for centuries and it is evident how they are all portrayed with negativity, including in Bram Stoker’s novel: Dracula. Jonathan Harker, a lawyer who goes to Transylvania to meet with his new client, Count Dracula, to discuss the topic of purchasing a property in England. Over the course of his stay, he discovers that the host is actually a nosferatu (vampire in Latin). Jonathan nearly escapes and finds himself in Hospital of St. Joseph and Ste.

They shun the light and crave the taste of blood. The mere thought of them could make a grown man tremble. But what if a vampire wasn’t just a horrific creature of the night? What if they were completely human, enabling them to hide in plain sight? Wouldn’t that make them more dangerous? Due to popular Gothic literature, vampires are commonly romanticized to be pale bloodsuckers that hide in the dark, waiting for their next meal. This version of a vampire makes them easy to spot in literature, but is also very limiting in that it only lends itself to that specific genre. However, a different version, laid out by Thomas Foster, shows how anyone, whether they be fictional or nonfictional, can be considered a vampire through analysis of

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

With Halloween being right around the corner, children are preparing for ABC’s “Thirteen Nights of Halloween,” parents are picking up pumpkins to celebrate the Celtic holiday, and the urge for a good horror story is emerging. The monster, such as vampires or zombies, is taking the spotlight and it’s hard to ignore. From Dante’s Inferno to Mary Shelley’s Frankenstein, being frightened has not only been one of people’s favorite pastimes, but a way for us to explain the paranormal and unrevealed. In recent times however, there seems to be a shift from demonic creatures of the night to over sexualized human-like creatures who hide amongst us in the day. In this essay, I will show the gradual humanizing of the vampire and how it has morphed from a demonic creature damned by God into a creature with a big heart that is not much different from us.

This is the main aim of this investigation - to identify and discuss the factors which influenced the constantly changing literary and cultural depiction of vampires. What turned the symbol of threat and horror into a mysterious outsider?

The cavernous and threatening woods that stretch out before me are a godless sight, unfolding out for what seems like forever. Beautiful, yet terrifying. The low hanging clouds that seemed to almost hold some kind of electricity cover the woods like a descending blanket of mist trapping its victims below. The vast, contorted trees leak sticky sap like poisoned back of a frog; the trunks twisting up insanely, like the despairing limbs of the damned begging for forgiveness. The damp earth beneath my feet softens as I walk down deeper in to the undergrowth. The distant howl of a strange and unfamiliar creature echoes all around me and suddenly I am a submarine, submerged in this unknown woodland setting.

The vampire is not by any means a new manifestation of the fears of a society. Their presence in human culture can be traced back for centuries in human folklore. The first Anglicized representations of the creature in literature date back to the English poetry of the early 1700s, and were then followed in the fiction genre by such works as John William Polidori’s The Vampyre, Sheridan Le Fanu’s Carmilla, and of course, Bram Stoker’s Dracula. For the audiences of the 18th century, vampires embodied many of the following common fears shared between the people: of illness, both mental and epidemic, of an embraced sexuality, particularly that of women’s and homosexuals’, and of foreigners. As the archetypical vampire evolved throughout the

Does Dracula, Queen of the Damned, or Anne Rice sound familiar? Surely, they must, but not just for one person. In fact, for people all over the world! The three terms expressed all have one thing in common; vampires. These mythical creatures are one of the most popular horror-related figures. Vampires may be a frightening subject for most, but that does not take away from the fact of their popularity throughout. The fascination of vampires has greatly affected past, present, and future cultures all around the world.

Wisconsin is the home of many people, but it is also the home of many locations of paranormal activity. Paranormal sightings have been reported all over Wisconsin, ranging from haunted houses to paranormal creatures. These sightings have been reported in the northern part of Wisconsin and even the southern part. In this paper, three popular locations will be talking about, including their histories.

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

As we look at vampires from any given time period we see what people thought was frightening, or maybe we would see what they thought was sexy, or forbidden. Although the novel Dracula, authored by Bram Stoker, is over a century old, it still impacts our culture and societies view on vampires today. Many writers have begun to try and recreate the “vampire” in a new, modern light. For example, in Stephanie Meyer’s Twilight, the vampire’s image is altered from the attacker to the protector. This is due to the fact that one of the main characters, Carlisle Cullen, turns people who were in life threatening situations into vampires and raise them to do good and to prey on animals rather than humans.

Yet, during the 20th century there were lots of crime and violence that happen. Which I think represent the vampires. Meaning, they were the ones who are killing innocent people that just want social power. Which made people fear that walking at night was very dangerous.

A rogue vampire goes on a killing spree and in order to stop him, his “blood moth” is ordered to hunt him down and kill him, but he’s conflicted about killing the man he cares about. STORY COMMENTS BLOOD MOTH isn’t a classic vampire horror story. It presents with an original and intriguing voice. BLOOD MOTH attempts to add a new hook to a familiar genre with the idea of a rogue vampire and that his “blood moth” servant is the one ordered to hunt him down and destroy him. There’s definitely conflict and tension in this premise.

Presently, my hunt across the country for this creature was going to end in this city. The vampire I was trailing was quite the trouble maker. In fact, he had over fifty deaths he had caused, and all of them leaving a bloody trail to follow him with.

For years, the vampire has been a mysterious creature. We have all been infatuated with the appeal of immortality and distinctiveness that vampires possess. Many writers have visualized what vampires are supposed to look like and how they act. The common description of a vampire is terror, violence, viciousness, and fear. Nina Auerbach, writes that “There is no such creature as ‘The Vampire’; there are only vampires” (Saler 218). This statement recognizes that vampires differ tremendously in behavior, motivation, and culture. Because vampires are a fictional character, depending on the writer, the vampire will be different, even if they are