Heart Of Darkness Compare And Contrast Essay

   In Joseph Conrad's novel, Heart of Darkness the environment is often symbolic as well as literal. The novel contains both the "frame" narrator, an anonymous member of the "Nellie", representing the dominant society, and more importantly the primary narrator, Marlow, who too, is a product of the dominant society. For the novel's narrator, Marlow, the journey up the Congo River to the 'heart of darkness' is reminiscent of Guido's journey into hell in Dante's Inferno, with these literary allusion always present, through forms of intense imagery. The landscape takes on a hellish nature and the wilderness is personified. Death is omnipresent and this is reflected in the death imagery used

“Journeys, planned and unplanned, are an inevitable part of life. Their consequences, foreseen or unforeseen, play an important part in a person’s growth.”

At the start of the novella, the reader is faced with the frame narrator’s thoughts, feelings and opinions, which in relation to colonialism are rather optimistic and naïve to the reality Marlow later reveals. The setting is the river Thames, London, where the Nellies narrator says "the Thames stretched before us like the beginning of an interminable waterway", going on to say "the biggest, and greatest town on earth", and expressing colonialism as "the dreams of men, the seed of commonwealths". His opinions represent hope, possibility and optimism. This initial description then can be juxtaposed to the end of the novel, after hearing Marlow tale, when he says, the Thames "seemed to lead into the heart of an immense darkness".

Joseph Conrad’s book, Heart of Darkness, Francis Coppola’s film, Apocalypse Now, and Werner Herzog’s film, Aguirre Wrath of God are very interesting productions, each with their own unique point of view and illuminating agenda. The book in itself and the films prove to be an excellent source about violence brought on by imperialism and/or colonialism and how, as a consequence, the definition of civilized and savage becomes blurred. Via the films, “The audience can derive a lot of pleasure not only from listening to melodies and rhythms that create moods and heighten emotions provoked by the story, but also from analysing the ways the music reinforces the symbolic richness of the literary work, establishes new relationships between its elements, sheds a new light on its meanings and multiplies its interpretative perspectives (Marciniak 67). Having said this, that is not to say that Heart of Darkness lacked in keeping my attention. I very much enjoyed the internal and external dialogue that Conrad provides along with his descriptive commentary about the events at hand. Although the films are considered adaptations of Conrad’s book, they both have distinctive ways of getting the same concepts across to an audience. All in all, after reading and viewing these constructions it is clear that every individual is able to create their own outlook on how they prefer to view the delineations of what it takes to be considered civilized or savage; of course, through the mediums

The novel, Heart of Darkness, by Joseph Conrad, portrays a dark and somber theme throughout the entirety of the book. Even in the end, the darkness is still there. But even so, the end is difficult to understand. The ending is very vague on certain perspectives. Conrad intentionally does this, not to detract from the rest of the novel, but to sum the entirety of his main point up.

1. The setting of the story begins on the Nellie, a ship. The turn of the tide is significant because it gives the men on board extra time to talk, and Marlow begins telling his story. In addition, symbolically, the turning of the tide conveys a change, and perhaps, foreshadowing of the story. The author spends a lot of time dealing with light because it is the main symbol in the novella. Light and darkness are universal symbols that represent good and evil. Although not explicitly stated, those who have the light are those who are “civilized”, and those who have the darkness are those who remain “uncivilized”, particularly the people living in Africa.

Some critics believe that in Heart of Darkness Conrad illustrates how ‘’the darkness of the landscape can lead to the darkness of the social corruption.” This statement means that if the environment is dark, then the people in that environment will match the surrounding feeling, which is dark and depressing. For example, if it is a gloomy rainy day, most people feel tired and not as happy. If it is a bright sunny day, the most people feel motivated to get things done and joyful. Yes, this statement is believable because I have noticed that the weather, my surroundings, and even other people’s behaviors around me affect my mood. Today, for instance, it rained all day and the sky was dark, as a result I slept throughout the whole

In contrast to the film, the book portrays its settings with a more emotion and purpose. At the start of the book, before George and Lennie enter, the setting is introduced. The sandy bank and verdurous trees of the Salinas River are described in a tranquil manner, where “the water is warm,” as “it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool” (Steinbeck 1). The description stimulates a sense of relaxation and comfort, which in turn creates a peaceful mood within the scene. Unlike the film counterpart of this setting, the book conveys a positive outlook on the riverbank, which is met with bittersweet irony at the closing chapter of the novel. On a closer basis, the mood of the second setting in

In the story “Heart of Darkness” The author Joesph Conrad contrasts different places and people throughout the story. One of the main contrasted elements that is focused on is Africa and Europe. Contrasting these two places adds depth to the story and also helps complete the theme of the story. Conrad uses this contrast to create the theme of innate evil in every man

interpretation of the darkness in his journey with these words, "True, by this time it was not a blank space any more...a place of darkness. But there was in it one river especially, a mighty big river... resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land...the snake had charmed me." (p. 11) However, in Heart of Darkness, the definitions of lightness and darkness has been reversed. Darkness can be interpreted to stand for the purity and innocence of the natives lifestyle, while lightness can be seen as the corruption, greed, and exploitative ways of the white men. The natives lived by the code of nature in a sort of "darkness," in that they had not been exposed to the corruption of the

   In the opening scenes of the documentary film "Hearts of Darkness-A Filmmaker's Apocalypse," Eleanor Coppola describes her husband Francis's film, "Apocalypse Now," as being "loosely based" on Joseph Conrad's Heart of Darkness. Indeed, "loosely" is the word; the period, setting, and circumstances of the film are totally different from those of the novella. Yet, a close analysis of character, plot, and theme in each respective work reveals that Conrad's classic story of savagery and madness is present in its cinematic reworking.

    Joseph Conrad's novel Heart of Darkness portrays an image of Africa that is dark and inhuman.  Not only does he describe the actual, physical continent of Africa as "so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness" (Conrad 94), as though the continent could neither breed nor support any true human life, but he also manages to depict Africans as though they are not worthy of the respect commonly due to the white man.  At one point the main character, Marlow, describes one of the paths he follows: "Can't say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I

“We will not be free from unfair competition till one of these fellows is hanged for an example,’ he said. ‘Certainly,’ grunted the other; ‘get him hanged! Why not? Anything- anything can be done in this country’” (Conrad 93). This quote signifies what it is like to have the mentality of us-versus-them. Us-versus-them is a way of thinking that can change a completely sane person into someone who is insane and paranoid. They believe that the world is against them, and in order to be safe, they have to terminate anyone who makes them feel threatened. The innocent natives that get in the way of the crazy invaders become enemies that the invaders want to destroy. The novella Heart of Darkness by Joseph Conrad, the movie Apocalypse Now directed by Francis Ford Coppola, and the short story Once Upon a Time by Nadine Gordimer are all post-colonial works that use the mentality of us-versus-them in several unique ways.

In the novel Heart of Darkness, Joesph Conrad uses the symbol of the river to show change and how the the river is deceiving and evil. Conrad uses the Congo river, which in its time was a key element in the conversion of Africa to the imperialistic country it is in the novel. The Congo river allows access into the interior of Africa, referred to as the “Dark Continent” in the novel. The river is more than definitely one of the most important elements and symbols of Heart of Darkness.

Although, as a society, we discourage the process of not judging a book by its cover, we have all been guilty of doing it at some point. The first item we look at when we pick up a new book is the title and the cover as a whole. These are two key components when it comes to using our heuristics to decide if a book is worthwhile reading or not. With only two items to judge by, each has to hold significant importance in order to draw a reader into reading the novel. Heart of Darkness by Joseph Conrad represents a mysterious title to draw readers into reading the novel, but hold a much more significant underlying meaning which represents many elements in the novel, while also symbolizing external concepts in the overall plot. The title represents many important elements such as the character of Mr. Kurtz and others, to the setting of Africa in the novel, and to the concept of the evil nature of imperialism outside of the novel. Through the title, Conrad has created significance for elements of the novel creating a very large impact on readers of the book.