Heart Of Darkness Imperialism

Darkness is everything that is unknown, primitive, evil, and impenetrable.  To Conrad, Africa is the very representation of darkness.  Marlow often uses the phrase, “We penetrated deeper and deeper into the heart of darkness” (Conrad 68), to describe his progress on the Congo.  By traveling farther and farther down the Congo, Marlow and his crew get closer and closer to the epicenter of this foreboding darkness, to the black heart of evil.  Because of Africa’s physical immensity and thick jungles, it appeared to be a land of the unknown where “the silence . . . went home to one’s very heart—its mystery, its greatness, the amazing reality of its concealed life”(56). This portrayal of Africa as both a romantic frontier and a foreboding wilderness continues to dominate in the minds of Westerners even today.

Darkness in the jungle is an evident motif presented in Conrad’s story. Marlow’s observations in his expedition down the steam river consistently exploit the perversion of European colonialism and the effects of imperialism on those who were enslaved. For example, the observation of a French warship firing its cannons ruthlessly in the inland despite that “there wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts” (Conrad, 20). This displays the madness of imperialist endeavors that existed to serve commercial interests. As Marlow continues to witness the moral corruption of the Europeans and the conquest of the natives, the perspective of the job he had so eagerly sought begins to break. His depiction of the natives that were coerced into labor performed to dehumanize their inland is explained when “they passed within six inches, without a glance, with that complete, deathlike indifference of unhappy savages” (Conrad, 23). The farther Marlow and his crew sail down the steam river, the closer they reach their end, but the more morally deceitful their mission becomes. Marlow reveals during their journey how they “penetrated deeper and deeper into the heart of darkness” (Conrad, 57). Conrad is constantly using “darkness” as a metaphor and as a realistic description of life under the dense jungle canopy. He describes Africa as “dark,” in terms of the actual absence of light beneath the heavily-canopied

Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo.  The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles.  Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences colonialism first hand. This essay will explore Marlow's view of colonialism, which is shaped through his experiences and also from his relation to Kurtz.  Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.

Heart of Darkness creates a prejudice way of presenting Africa, Joseph Conrad shows the African Congo through the perspective of the colonising Europeans, who describe all the natives as savages, which perpetuates the stereotype of the uncivilised African in the eyes of the European readers.

Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.

The novella, Heart of Darkness by Joseph Conrad, is a piece that pushed the envelope of its time due to an oppositional stance on the forced imperialism of primitive and/or impoverished countries. The protagonist of this story is the self-proclaimed explorer, Marlow, who decides to leave the heart of light and purity (Europe) and take a job as a steamboat captain in the dark jungles of the Congo Free State in Africa. Upon his arrival, Marlow begins to see the impact of Belgium’s intrusion on the Congo by means of implementing slavery, commandeering ivory (a valuable resource), and presenting a negative attitude toward the primitive population. Marlow eventually becomes obsessed with an ivory

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

Conrad revealed his ideas through his character, Marlow, when we read his experiences traveling down the Congo when he sees the natives and their land that has been untouched by colonialism. Conrad’s lack of concern for the natives may have been a result of his experiences with them during his journey in Africa. Assuming Heart of Darkness’ character Marlow is a representation of Conrad himself, he did saw the native people in both conditions. He experienced them in the Belgium Congo, beaten and broken from the harshness of the colonists and he saw them in their natural state before the effects of colonialism had reached them. One may argue that his lack of concern for the natives was because he had seen them in their homeland and before their home had been changed, and maybe he chose to believe that there was hope left in Africa for its tribal tradition. This statement is simply not true; Marlow fully experienced the devastation left by colonialism in Africa, yet his animosity towards colonialism was still due to the concern for his own people, the white colonists.

A white man named Marlow travels to the Congo during the time of The Scramble for Africa. He describes what he sees and his perception of Africans. He describes their appearance and actions. They are characterized as savages and are not seen as part of the human race. Joseph Conrad, the author of Heart Of Darkness is denounced for his racist remarks and dehumanizing aspect throughout this story. Although Conrad makes racist statements, it is relevant to the time period in which the story took place in. During this time period, the Belgians were imperializing Africa and taking its riches resources. However, the Africans were seen as slaves due to the fact that they were subjugated. The problem with this is that this one image of Africa in history

The author of the novel Things Fall Apart, Chinua Achebe, asserts that Joseph Conrad’s Heart of Darkness, portrays Africa as the antitheses and foil to Europe. I disagree with Achebe’s claim. As I have read Heart of Darkness, that is not the tone or mood that I sense. I see a man who wants more in life, but finds himself in the midst of a possible conspiracy. One example of this is in paragraph 2 on page 8, “I felt somehow I must get there by hook or by crook.” This quote supports my position of disagreeing with Achebe’s claim that Conrad’s novel subtly displays Africa as the antithesis and foil to Europe by explaining that Marlow was a driven man with the self-motivation to get anywhere he wanted in life. He didn’t concern himself with other

    Joseph Conrad's novel Heart of Darkness portrays an image of Africa that is dark and inhuman.  Not only does he describe the actual, physical continent of Africa as "so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness" (Conrad 94), as though the continent could neither breed nor support any true human life, but he also manages to depict Africans as though they are not worthy of the respect commonly due to the white man.  At one point the main character, Marlow, describes one of the paths he follows: "Can't say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

Marlow says that, "They were conquerors, and for that you want only brute force-- nothing to boast of."(p.58 Heart of Darkness) . Marlow compares his subsequent tale of colonialism with that of the Roman colonization of Northern Europe and the fascination associated with such a voyage. However, Marlow challenges this viewpoint by illustrating a picture of the horrors of colonialist ventures as we delve deeper into the novel. White Europeans are used as symbols of self-deception, and we find that Marlow sees colonization as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle darkness."(p.58 Heart of Darkness) This shows how Conrad feels about colonialism through Marlow, because Marlow feels strongly adverse to the actions of the whites in the Congo.

  In Heart of Darkness, Joseph Conrad, challenges a dominant view by exposing the evil nature and the darkness associated with the colonialist ventures. It is expressed by Marlow as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle a darkness." The European colonialists are portrayed as blind lightbearers, people having a façade of progress and culture, yet are blind of their actions. They think they are brining a light to a darkness, yet they are the real darkness or evil. Conrad's critique of European colonialism is most apparent through the oppositions of light and darkness, with the

Finally, I believe that Conrad's Heart of Darkness embodies racism to Africa and for women, in which both are ignorant, silenced and nameless. Conrad's sympathy with Africans under the colonization of Belgium, does not give him the right to represent them and to celebrate English Imperialism. Albeit that people of Africa have different skin color or different shape from the European, they are still human beings and no one has the right to dehumanize them.