Essay on Heart of Darkness

The novel, Heart of Darkness, by Joseph Conrad, portrays a dark and somber theme throughout the entirety of the book. Even in the end, the darkness is still there. But even so, the end is difficult to understand. The ending is very vague on certain perspectives. Conrad intentionally does this, not to detract from the rest of the novel, but to sum the entirety of his main point up.

Furthermore, when Marlow first arrives at the Central Station, he spots the manager. “His eyes, of the usual blues, were perhaps remarkably cold, and he certainly could make his glance fall on one as trenchant and heavy as an axe” (Conrad, “Chapter 1,” Paragraph 52). Consequently, after Marlow states that the manager's eyes are very intense, it appeared as if the manager transpired someone who was quite aggressive and very scary. Correspondingly, the characterization of the manager continues to be as someone who invigorated anxiousness, “he was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness” (Conrad, "Chapter 1,” Paragraph 52). Not to mention, although he inspired uneasiness and anxiousness, Marlow describes the manager as someone who occurred to be an extremely uneducated person that sustained the manager profession owing to the fact that he was never unhealthy. “He had no learning and no

1. The setting of the story begins on the Nellie, a ship. The turn of the tide is significant because it gives the men on board extra time to talk, and Marlow begins telling his story. In addition, symbolically, the turning of the tide conveys a change, and perhaps, foreshadowing of the story. The author spends a lot of time dealing with light because it is the main symbol in the novella. Light and darkness are universal symbols that represent good and evil. Although not explicitly stated, those who have the light are those who are “civilized”, and those who have the darkness are those who remain “uncivilized”, particularly the people living in Africa.

Some critics believe that in Heart of Darkness Conrad illustrates how ‘’the darkness of the landscape can lead to the darkness of the social corruption.” This statement means that if the environment is dark, then the people in that environment will match the surrounding feeling, which is dark and depressing. For example, if it is a gloomy rainy day, most people feel tired and not as happy. If it is a bright sunny day, the most people feel motivated to get things done and joyful. Yes, this statement is believable because I have noticed that the weather, my surroundings, and even other people’s behaviors around me affect my mood. Today, for instance, it rained all day and the sky was dark, as a result I slept throughout the whole

Mahatma Gandhi once said, “A man is but the product of his thoughts; what he thinks, he becomes”, preaching to his admirers a foolproof formula: think advantageously, their lives will become fruitful but think adversely, their lives will become fruitless. Gandhi’s exhortation, stating that the thoughts a person fills their head with will bleed into the type of lives they live, proves true in both the stories Heart of Darkness, by Joseph Conrad, and Mountains Beyond Mountains, by Tracy Kidder. Kurtz, the idol in Heart of Darkness, and Paul Farmer, the hero in Mountains Beyond Mountains, adapt this formula in paradoxical fashions. Kurtz’s adaptation is to exploit the misfortunate that he comes into contact with, the natives of the African Congo,

Psychoanalytic criticism originated in the work of Austrian psychoanalyst Sigmund Freud, who pioneered the technique of psychoanalysis. Freud developed a language that described, a model that explained, and a theory that encompassed human psychology. His theories are directly and indirectly concerned with the nature of the unconscious mind. Through his multiple case studies, Freud managed to find convincing evidence that most of our actions are motivated by psychological forces over which we have very limited control (Guerin 127). One of Freud’s most important contributions to the study of the psyche is his theory of repression: the unconscious mind is a repository of repressed desires,

* Rising Action – the brutality Marlow witnesses in the Company’s employees, the rumors he hears that Kurtz is a remarkable and humane man, and the numerous examples of Europeans breaking down mentally or physically in the environment of Africa. * Climax – Marlow’s discovery, upon reaching the Innes State, that Kurtz has completely abandoned European morals and norms of behavior. *

Joseph Conrad’s Heart of Darkness and Toni Morrison’s Beloved chronicle tragic journeys of the self and soul. Heart of Darkness explores one man’s quest into the Heart of Darkness, where he uncovers the truth of human nature. Mr. Kurtz, a remarkable man who represents all of Europe, deteriorates into a beast after being isolated from the rest of society in the depths of the jungle. Beloved comments on the atrocities of slavery and the perpetual dehumanization of black people. Sethe, an escaped slave, slits her daughter’s throat to save her from a life of slavery. Sethe’s resolve renders her an animal in that moment. Both Mr. Kurtz and Sethe are forced to grapple with this fundamental truth of humanity, that a jungle resides within the souls

Madeline Vanzant Dr. Adriane Bezusko ENG 3243 5 May 2015 Annotated Bibliography Liberal Humanism, Formalism, New Criticism Liberal humanism, formalism, and New Criticism are literary theories based on the practice of close reading – studying a text in isolation. This practice maintains that the meaning of a text exists within the text itself. These literary theories share the same principle but use different methods. Liberal humanism places a strong emphasis on teaching morals, suggesting the moral of the text should be readily understood.

“[H]is soul was mad. Being alone in the wilderness, it had looked within itself, and, by heavens! I tell you, it had gone mad” (Conrad 100). In Heart of Darkness, Joseph Conrad portrays man as he perceives him to be, a dark animal consumed by the evil in his heart. Conrad, being an atheist, understands no ultimate authority for right and wrong, but he does see corruption in the hearts of men.

"Men! The only animal in the world to fear" (Lawrence). Mankind is subject to change in respects to their environment, but throughout history, people have acted in such inhuman ways that it is irresponsible to blame their choices on their situation. D. H. Lawrence's statement requires a man to look inward and see the animal-like darkness in themselves. In, The Heart of Darkness, Joseph Conrad reveals the capability that man possesses to lose all form of reason, restraint, and humanity. Every character in this novel experienced a drastic change of heart when placed in the Congo jungle. In his novel, Conrad uses the literary elements of setting, symbolism, and character development to illustrate the theme that when humans are surrounded

In Section II of the novel, Conrad parallels Marlow’s travel deeper inland to his psychological journey further into the unknown wild. Marlow states that moving inward is like “travelling back to the earliest beginnings of the world, when vegetation rioted on the Earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest” (Conrad 49). This connection with traveling back in time is an important message about the novel’s setting. As Marlow narrates the river on a different river in a different land, the notion of traveling backward in time alludes to the fact that England’s past is compared to Africa’s present, a territory being conquered by a more civilized group of people.

“The bitterest contradiction and the deadliest conflicts of the world are carried on in every individual breast capable of feeling and passion” (Raskin 116). It is possible that those with the best intentions can create some of the deadliest atrocities as passion can take control over one's emotions. This emotional instability can be seen in Heart of Darkness as Joseph Conrad illustrates how one’s “passion” of saving others slowly turns into madness that causes hundreds of fatalities. We wonder, what could cause a man, such as Kurtz, in Heart of Darkness, to enter another country with the best intentions, to become so violent and be the reason behind thousands of brutal and torturous killings without

Joseph Conrad’s Heart of Darkness is a text that is filled with various uses of literary devices to develop the effectiveness of the novel. In the passage, three main literary devices are present; imagery, allusion, and a frame story. Marlow begins his story with an allusion. He references the Romans, who first landed on the river Thames, and ponders the experience and meaning of arriving in a new world. He slowly says to the shipmates “I was thinking of very old times, when the Romans first came here, nineteen hundred years ago […]

Although, as a society, we discourage the process of not judging a book by its cover, we have all been guilty of doing it at some point. The first item we look at when we pick up a new book is the title and the cover as a whole. These are two key components when it comes to using our heuristics to decide if a book is worthwhile reading or not. With only two items to judge by, each has to hold significant importance in order to draw a reader into reading the novel. Heart of Darkness by Joseph Conrad represents a mysterious title to draw readers into reading the novel, but hold a much more significant underlying meaning which represents many elements in the novel, while also symbolizing external concepts in the overall plot. The title represents many important elements such as the character of Mr. Kurtz and others, to the setting of Africa in the novel, and to the concept of the evil nature of imperialism outside of the novel. Through the title, Conrad has created significance for elements of the novel creating a very large impact on readers of the book.