Heart of Darkness: Futility of European Presence in Africa

Europeans tore through America in the 1700s and destroyed the lives of Native Americans, and yet their culture remained principled with a high level of respect and honor. This is shown in a meeting that was held by the six nations of the Iroquois, where Chief Red Jacket gave a speech on the Native Americans view on missionary stations that the Europeans wanted to set up. Red Jacket explained their past with the first settlers, “We gave them corn and meat; they gave us poison in return” (1). These first Europeans set the tone for how these new colonist treated the natives. They took what they wanted and left a trail of death and destruction in their path. However, the natives acted in return with upstanding respect and treated these missionaries

The above epitomizes what Marlow thinks about what colonialism really brought to Africa.  Some Europeans may have genuinely believed in the idea of colonialism as being noble, but this "belief in the idea" cannot save the horrible actions of colonialism or make them acceptable.  Indeed this false belief in an idea, rather then the practicalities of colonialism only aids to brutality of such actions.

European powers shamelessly exploited the people and resources of Africa in the 19th century. They often tried to justify their actions by using ideology, religion and moralism. After the end of the African slave trade, the development of steam power, and medical discovery, European nations started exploring not only the coast but also the unmapped interior of the continent. In this essay, I will explain the main driving forces behind African Imperialism. The Western europeans countries all competed for land and resources because of their self interest. They sought natural resources, and technology gave them the ability to exploit them. The philosophy of national pride however, was the primary reason. (Main document) (Doc C, D & B)

The unknown and uncharted topography of the African continent first beckoned Conrad’s narrator, Marlow, into its depths in his boyhood: “Now, when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration” (Conrad, 5). When Marlow was grown and Africa was no longer a blank space on the map, but rather “a place of darkness,” there was still one river there that drew him especially, “a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land” (Conrad, 5-6). This same deep place that had seduced Conrad’s ivory hunting Kurtz into the horrors of its savage embrace had, in 1890, lured Conrad himself into adventure that turned him from sailor to writer (Smith, 25) and severely effected his health for the rest of his life (Conrad,v). As the voyage up the Congo proved fateful for the development of Conrad’s narrator, Marlow, it was equally fateful for Conrad’s individuation, as he reflects in his letters “Before the

Around the year 1897 Edward Morel noticed something that would change the way the modern world viewed the colonization of Africa and the supposed “humanitarian” work there forever (Hochschild 1). Morel worked for an English shipping company that was responsible for cargo going between the Congo Free State and Belgium. What Morel noticed was that ships from Africa were filled with rich, exotic goods like rubber and ivory, but the ships headed to Africa from Belgium were filled with military members and various firearms and ammunition (Hochschild 2). Morel made the conclusion that the cause of this odd “trade” between Europe and Africa was slave labor. European colonization of Africa was a slow, arduous process resulting in the deaths of

Marlow further degrades Africans by depicting the natives as simplistic and prehistoric. "The prehistoric man was cursing us, praying to us, welcoming us—who could tell?" (Page 137). The natives are so primitive that they are denied language. Marlow chooses to question African culture by asking "who could tell?" instead of trying to grasp the native's signals because he believes the man's ideas are insignificant and shouldn’t be taken seriously or that the African is too insane to have anything allegeable to

Joseph Conrad’s Heart of Darkness has allowed me to view the world through a multitude of new lenses. In seeing Kurtz and Marlow’s disintegration when removed from society’s watchful eye, I began to understand that all people have a streak of darkness in them under the right circumstances. While the narrator, and many readers at the time of this novella’s publication, believed that the African natives being colonized were “savages”, this book sheds light on the true brutes in this scenario: the thoughtless Europeans. The other complexity that I never truly understood until reading this book, is the idea that there is a single story told about Africans in Western literature. Africa is portrayed as weak, primitive, and impoverished in most books

The process of colonization in the Americas was a complex and complicated series of events, each driven by the varied interests of an array of European empires. For some, the Americas were a world of untold riches, while for others, this discovery allowed for missionary efforts to convert Native Americans to their faith. Regardless of the reason, violence against the many Native Americans who inhabited this “new land” was a common colonization tool to achieve these means. Direct violence is the most well-known approach, one that Spain wielded so effectively that the Black Legend was created to attest to their cruelty. Yet, the violence used was not all direct in nature. Cultural violence, which England employed itself, was used just as often. Overall, though the Black Legend has led to Spain being viewed as the most violent colonizer in the Americas, England’s use of indirect violence through engagement in the fur trade and missionary efforts was just as destructive to Native Americans.

The novella, Heart of Darkness by Joseph Conrad, is a piece that pushed the envelope of its time due to an oppositional stance on the forced imperialism of primitive and/or impoverished countries. The protagonist of this story is the self-proclaimed explorer, Marlow, who decides to leave the heart of light and purity (Europe) and take a job as a steamboat captain in the dark jungles of the Congo Free State in Africa. Upon his arrival, Marlow begins to see the impact of Belgium’s intrusion on the Congo by means of implementing slavery, commandeering ivory (a valuable resource), and presenting a negative attitude toward the primitive population. Marlow eventually becomes obsessed with an ivory

This chapter in Africans and Their History by Joseph Harris presents some of the roots of the stereotypes and myths about Africa in the past and for the most part are still held today. Harris discusses how the “greats” of history, geography, and literature starting a path of devaluation of Africans that writers after their time followed. Harris also denounced the language that these “greats” used to describe and talk about Africans. He asserts that this language inherently painted Africans as inferior and subhuman.

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

Marlow tells his shipmates on the boat (the Nelly) that the natives passed him “within six inches, without a glance, with that complete, deathlike indifference of unhappy savages” (16). Marlow’s story of his experience exhibits how the Europeans captured the natives and forced them to work; to strip their homeland of its resources and natural beauty. When the Europeans colonize Africa, they do not want to help the African people, but exploit them and put them to work for their own desire of obtaining ivory, rubber, and other resources and goods. As the Europeans imperialize the area, they do not build culture or assist in the development of the Congo region, but break down culture as they enslave the natives and take away their rights, along with stripping the area of resources and natural, earthly beauty, which is conveyed through the cruel physical treatment towards the natives. This treatment is also presented through the literary devices that Conrad decides to use to reveal the experiences of the natives to the

In Joseph Conrad’s Heart of Darkness, he explores the hypocritical and false nature of colonialism. Throughout the novel, almost everyone but Marlow continually describes colonialism as a noble endeavor, yet Marlow’s experience while in the Congo constantly and thoroughly disproves such claims.

Marlow’s aunt characterizes the Africans as “those ignorant millions,” playing into the civilizing mission ideals of the time, the justification for colonization as spreading civilization to uncivilized people, a typical rationale used for the colonization of Africa. The description that this statement by his aunt causes Marlow to feel uncomfortable illustrates the fact that he does not agree with the civilizing mission sentiments or his aunt’s statement about the “ignorant millions” who are the Africans. Recounting his journey on the Congo River, Marlow describes, “The smell of mud, of primeval mud by Jove, was in my nostrils, the high stillness of primeval forest was before my eyes; there were shiny patches on the black creek,” (Conrad, 26). The use of the word “primeval”, which means, “of or resembling the oldest ages of history in the world,” suggests that Marlow sees Africa as a place that has been around since the beginning and holds a rich past. The diction of this statement proves that Marlow sees Africa as a place with a vast history in the culture, landscape, and

Marlow tells a story of his first trip to Africa on a steamboat with a company that gathers ivory. The real adventure begins as he goes on a journey to the Congo to find a man known as Kurtz, who he has a weird obsession with upon hearing about him. Like the framing device of the novel, the idea of the Company and trading of ivory seems structured from an outside point of view. The Company appeases their journey by calling it “economic trade” and “civilization” for the savage. But through the journey, Marlow witnesses the cruelty of the Company. The structure’s underlying chaos and corruption gives rise to the hypocrisy of imperialism in the novel. The “economic trade” and “civilization” relates to the frame of the novel while Kurtz and the actual