Heathcliff Character Analysis

Heathcliff is a character with a bad past, which shapes him to be the person he is; his history also affects his relationship with those around him. I felt that Heathcliff is a very important character who has a special antiquity, which points Withering Heights in the direction that Brontë intended it to be.

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Heathcliff is a character defined by his sympathetic past. Growing up as an orphan from a tender age, deprived of a structured family and family support system, exposed to the negative influences life offered, it is almost a certainty that his behaviour will not be that of an ideal gentleman.

These male protagonists represent two different types of heroines. Both Heathcliff and Mr. Darcy appeal to the readers the most because of the way they approach their love situations. Heathcliff is seen to have the reversed role of Darcy, meaning, he did not grow up wealthy and he is fighting to be with Catherine who is of superior society. He also catches the audience attention in the beginning of the novel. He is seen to be cruel, anxious, and mysterious. Not until later does the reader find out that Heathcliff loves and romantic towards the

Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).

Through the actions Heathcliff pursues throughout the entirety of the novel, it is furtively easy to only see him as a malicious brute. In retrospect, the further along one continues throughout the novel, the more it feels as if Bronte is encouraging readers to hate the protagonist; this, however, is not the case. This is evident from the commencement of the novel, through the author’s vivid depictions of the ways in which Heathcliff was brought upon society, starting from his introduction to the Earnshaws. “They entirely refused to have it (Heathcliff) in bed with them, or even in their room; and I had no more sense, so I put it on the landing of the stairs, hoping it might he gone on the morrow------This was Heathcliff's first introduction to the family” (Bronte 59).

Brontë shows how cruelty passes through generations through Hindley’s mistreatment towards Heathcliff. From the moment Mr. Earnshaw adopts Heathcliff, Hindley enters a state of melancholy and loathes that his father clearly favors Heathcliff over him. Mr. Earnshaw’s adoption of Heathcliff upsets Hindley, his father clearly favors Heathcliff over him. Consequently, Hindley reciprocates this hatred when he meets Heathcliff, comparing him to satan and wishing for his death. Heathcliff, unable to act against these cruel words, silently absorbs them. This interaction reveals traits of each character: the maliciousness of Hindley’s character, who hates on the young Heathcliff without reason; and the timidity of Heathcliff, fostered by his inability to stand up for himself. Although timid at the moment, Heathcliff assimilates this cruelty so that he can inflict it upon others, just as Hindley does the same to him. This depicts how the victim of suffering develops into the bearer of cruelty. Soon after Mr. Earnshaw’s death, Hindley assumes control of his household and unleashes even more cruelty on Heathcliff. In a fit of

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

As Heathcliff seeks his revenge, he becomes fiendish and is constantly associated with diabolical feelings, images and actions. The use of the imagery reinforces the inhuman aspect of Heathcliff. He regrets saving the infant Hareton. Nelly recalled that his face bore the greatest pain at he being the instrument that thwarted his own revenge. He takes perverse pleasure in the fact that Hareton was born with a sensitive nature, which Heathcliff has corrupted and degraded. Heathcliff's pleasure at this corruption is increased by the fact that-: "Hareton is damnably fond of me". Heathcliff's cruelty is also evident when he hangs Isabella's dog despite her protestations. His attitude is devoid of fatherly feeling. He sees him only as a pawn in his revenge and his main

As soon as Hindley’s father dies, Heathcliff is taught the true meaning of hate by Hindley. As Heathcliff ages, his hate for Hindley grows inside of him, along with a need for revenge. Heathcliff’s need for revenge allows him to formulate his diabolical plan for taking over both the Grange and the Heights, upon return from his three year sojourn. Heathcliff’s ability to gamble the Heights away from Hindley foreshadows the unyielding power of Heithcliff’s hate when fueled by revenge. Thus establishing hate as the source of Heathcliff’s revenge.

Bronte, The author of the Wuthering Heights, expresses many themes and morals in her book. The one most important in the Wuthering Heights is the theme of love and cruelty. The main characters, Catherine and Heathcliff, show these actions time and time again. They occur because of the other, much like the yin and the yang. Love leads to cruelty and cruelty leads to love. In Wuthering Heights, there are two different types of love shown: platonic and passionate. Both of these types of love lead to cruelty to other characters. As Heathcliff states boldly within the first few chapters of the novel, love’s cruelty survives even beyond death. “Cathy, do come. Oh do – once more! Oh! My heart’s darling; hear me this time, Catherine, at last!”

This later Heathcliff is characterized by a coldness, by an incapacity to love and ultimately by consuming passion for revenge against those who have abused him. Just as he begins life, he ends life as an unloved, lonely outsider.

The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic

When Hindley takes over Wuthering Heights he basically turns Heathcliff into a poor slave that wasn’t aloud an education. This classification is one of the main reasons that Catherine choose to marry Edgar instead. After she married she soon became pregnant. She gets very sick and 2 hours after the baby is born, Catherine dies. This is when Catherine truly becomes a forbidden love. Heathcliff is so devastated by her death that he shouts “Catherine Earnshaw, may you not rest, as long as I am living! You said I killed you – haunt me then! The murdered do haunt their murderers. I believe – I know that ghosts have wandered on earth. Be with me always – take any form – drive me mad! Only do not leave me in this abyss, where I cannot find you! Oh god! It is unutterable! I cannot live without my life! I cannot live without my soul!”

Hareton Earnshaw, a victim of Hindley, Heathcliff, and Cathy, stands up for himself, shocking the reader’s perception of his character. Hareton is a victim of his father’s alcohol abuse and gambling addiction. These addictions are a result of Frances’ death and the reader becomes sympathetic towards Hindley; however, Hareton is the innocent victim affected by the lack of care from his father. Hareton is a toddler when Hindley holds him over the railing of a staircase, threatening his life. Once Hindley dies, Heathcliff takes on the responsibility to care for young Hareton. He does not know that he is being used as part of Heathcliff’s plan to get revenge on Hindley for abusing him as a child. Heathcliff wishes to keep Hareton ignorant and uneducated in an effort to degrade him. When describing Hareton, Nelly, the house servant, says, “He appeared to have bent his malevolence on making him a brute: he was never taught to read or write; never rebuked for any bad habit which did not annoy his keeper; never led a single step towards virtue, or guarded by a single precept against vice” (Bronte 152). Hareton is a victim to society because he is kept an uncivilized and ignorant young man. The reader feels sympathetic towards him because he is made to be an inferior