Hegemonic Masculinity In Soplo De Vida And Before Night Falls

The United States is made up of an astounding assortment of people of all different types, boasting one of the most diverse populations compared to anywhere around the world. Of these different peoples, toxic masculinity affects each group differently, with an especially profound effect to be found when studying those who identify as Latin- or Hispanic-American. While attempting to homogenize the many unique and beautiful facets of various Latin and Hispanic cultures is a disservice, they tend to share many traits which can be simplified, including their ideas on gender roles. In many Hispanic cultures, there are strong gender roles and ideas about gender that are traditionally built into every aspect of the culture, especially in the form of “machismo”, or the Hispanic ideas of masculinity. In some cultures, “…women are supposedly submissive… men are characterized by verbal and bodily aggression… and sexual dominance,” (Cantú 150). When combined with the gendered expectations and stereotypes that are increasingly prevalent in American culture, young Hispanic-American boys are growing up with an overwhelming volume of standards being impressed upon them from all sides. This same phenomenon can be seen again in African-American communities and cultures, with the already painfully present standards of white American masculinity being taken to another level by a culture which serves to pile on an even stricter set of standards on to its men. As with the Latin American ideas of

During the discussion, several new pieces of information were presented. In this presentation we learned much about Colombian culture in the 1950s. Looking at Latin America at the time we see that violence was at a high with the fact that organized gangs were being established. Because of this we can see how the society in the book so easily accepted the slaughter of Santiago. Also in Colombia we see that they have a strong religions background in the Catholic church. In all religions we see routines, which is why it is also easy for the people of the novel to follow the routines and orders brought on from higher officials.

Many studies on masculinity have often revealed how Machismo is embedded in the Latino culture within the United States. Machismo is defined as a strong sense of masculine pride as exhibited by Latino men. In the Latino culture, machismo is not only accepted, but always expected. In any study that investigates the Latino group, machismo is a subject that cannot be ignored.

Machismo, or male chauvinism, is a concept that characterizes many Latin American male behaviors, most importantly those associated with masculinity and pride. This concept, most likely introduced to New Spain by Spanish conquistadors who embodied these traits, was then adopted and integrated as a part of Mexican culture going forward. Because of male masculinity prevailing over feminine traits during the 17th century, misogyny and the oppression of women became a norm in Mexican culture. Struggling to be valued in Mexico, women turned to literature and art to voice their opinions and expose the machismo in Mexican culture. Through literature and art, is where feminism in Mexico arose and is continually strengthen in. This paper will discuss the ways in which Mexican feminist literature and art over time have exposed and challenged machismo, misogyny, and the Mexican patriarchy since the Spanish Conquest.

In Junot Diaz’s short story, “Drown” masculinity is a cultural imperative that prohibits young men, particularly those of Latino decent, from being able to express love in a meaningful way, or follow the desires of their heart. There are several factors prohibiting them from this pursuit. The absence of a father figure in the narrator’s life, and indeed in the life of many young Latino men, lead them to develop their own ideas of masculinity based on scant memories of their father prior to abandonment, or a fictionalized version told to them by others, as proposed by critic John Riofrio. Riofrio also asserts that this

True masculine force goes back, in family stories from the Dominican Republic, with Trujillo's dictatorship shaping manhood perception in the Dominican culture. Oscar is incapable of rising to male-standard imposed by

Masculinity is a set of attributes, qualities, characteristics, behaviors or roles generally associated with boys and men. Throughout this novel we are faced with different point of view, individual behavior and the perfective of different men in the Dominican society. How they act and their behavior towards their Dominican women. Oscar early days started pretty well, as he was winning his way with girls at a young age of seven years (7yrs), "Oscar was something of a Casanova" (Diaz pg 11) one of those young and charming preschool lovers who was always trying to kiss

It is obvious that machismo is an integral part of the Latin culture, particularly when Junot Diaz depicts Oscar’s lack of machismo. However, this differentiation helps Oscar on his path to self-discovery. Oscar is able to stand as an individual instead of blending into the masses. While most Dominican men are concerned with looking manly, Oscar focuses his attention on literature, an aspect of himself in which he is proud. Oscar also helps Yunior on his path to self-discovery by teaching him responsibility.

T.S. Eliot’s The Waste Land explores modernism, specifically focusing on the troubling of binaries and the breakdown of the traditional. The boundaries between life and death, wet and dry, male and female, and more are called into question in Eliot’s conception of modernity and the waste land. The blurring of gender boundaries—significantly through Tiresias and the hooded figure scene in “What the Thunder Said”— in the poem lends itself to Eliot’s suggestion that traditional masculinity breaks down and decays in the waste land. Traditional masculinity is further challenged through Eliot’s criticism of hyper-masculinity and heterosexual relations in the modern era through allusions to the myth of Philomela and the “young man carbuncular” scene in “The Fire Sermon.” Along with this, Eliot stages scenes charged with homoeroticism to further challenge ideas of traditional masculinity. Homoerotic scenes such as the “hyacinth girl” scene in “The Burial of the Dead” and the Mr. Eugenides scene in “The Fire Sermon” suggest an intensity and enticement towards male-male relations, while also offering a different depiction of masculinity than is laid out in the heterosexual romance scenes. Through scenes depicting queer desire and homosexual behavior, Eliot suggests that masculinity in the modern era does not need to be marked by aggression and

The notion of hegemonic masculinity has altered the field of gender studies and many academic arenas. An idea popularized by R.W. Connell, hegemonic masculinity has played an integral role in the emotional development of American men, articulating the impact that this societal construction has had on the concept of American masculinity. It is a contested topic, yet the impacts that it has in terms of sexuality, struggles for power and political leadership, and gender identities are valid (Connell 830). Although difficult to fully achieve, it acts as a guiding force for the stereotypically masculine. Hegemonic masculinity assumes the subordination of all other forms of masculinity, placing it at the top of the social hierarchy. At the same time, the idea of hegemonic masculinity has served as a bridge between the growing field of men’s’ studies and female studies (Connell 829). Several authors share the premise that men in American society conform to the standards of the social construct of hegemonic masculinity.

Masculinity is described as possession of attributes considered typical of a man. Hegemonic masculinity is a form of masculine character with cultural idealism and emphasis that connects masculinity to competitiveness, toughness, and women subordination. Masculinity hegemonic is the enforcement of male dominion over a society. Masculine ideology dates back to the time of agrarian and the industrial revolution in Europe when survival compelled men to leave their homesteads to work in industries to earn a living for their families while women remained at home to take care of family affairs (Good and Sherrod 210). Women did not work in industries then because industrial labor was considered too physical beyond their capacity. This led to

In the novella Chronicle of a Death Foretold, the author Gabriel Garcia Marquez, uses the element point of view supported by certain motifs to portray society and how its gender roles affect the narration. The author’s choice in doing so is important simply because the novella is based on a real life story which occurred in Sucre, Colombia, in 1951, where he had lived. The incident happened while Gabriel Garcia Marquez was in college studying journalism, just like the narrator of the novel. Marquez happened to know some of the people involved, which gave the novella more significance. In the mid twentieth century, Colombian culture had various aspects due to its diversity and how society had evolved while still containing traditional

There are many existing literatures on women and weightlifting. This research will be focusing on how hegemonic masculinity has set ideas of gender roles and how these women challenge the social discourse that they face being a muscular or look ‘manly’.

Masculinity and femininity are unescapeable. We are taught how to be masculine or feminine from birth but for men, the highest form of masculinity achievable is hegemonic masculinity. In this essay, I will define hegemonic masculinity, discuss how it perpetuates homophobia by restricting the way men interact with one another and by the use of the word fag, and how it perpetuates gender inequality through the expectations of violence, no emotions, and being breadwinners.

Gabriel Garcia Marques provides a unique platform in his novella, Chronicle of a Death Foretold (COADF) to analyze facets of traditional Colombian values. The characters provide context regarding particular sectors of religion, cultural values and social norms throughout the novel. Marquez highlights a multitude of cultural juxtapositions throughout all of his novels, however, COADF in particular comments on the social hypocrisy of religion and the double standards due to gender norms throughout the novel. In the novella, Angela Vicario’s character highlights misguided principles and helps to understand how women and other groups of people in the country are maltreated. Common themes throughout the novel often victimize Angela Vicario, such as sexual identity, alcohol abuse and religious scrutiny. Marquez conveys these themes through imagery, symbolism, allegory and most especially periphrasis. This paper will effectively highlight how these factors demonstrate the cultural discrepancy in allowance of freedoms and the roles of women in the novel, and broader country.