Helen And The Role Of Helen In The Iliad

As Helen said “Have you a favorite mortal man there too?”, she regarded Aphrodite as the embodiment of sexual desire, implying that Aphrodite was trying to use her immortal power of lust to enslave Helen as the sex partner of Paris. Holding the one cardinal idea that she is not supposed to be a sex slave, Helen used her words to punch Aphrodite right in the face, as she replied “Is that why you beckon here beside me now with all the immortal cunning in your heart?” But with the infuriated reply “Don’t provoke me — wretched, headstrong girl! Or in my immortal rage I may just toss you over, hate you as I adore you now…”, Aphrodite had implied that she could either love or hate Helen. More importantly, Aphrodite also noted that if Helen chose to be hated, then Aphrodite as an immortal could use her power to make other people hate Helen, as she said “withering hate from both sides at once… then your fate can tread you down to dust!” This had really left Helen with a great shock, as she could not afford the consequence of being hated by both the immortals and mortals. So as a result, she had no choice but to obey Aphrodite and return to Paris, failing to establish her agency. Bear in mind that Helen was the daughter of Zeus and she got such treatment, it could be even worse for other

Paris is offered Helen by Aphrodite, and so he takes Helen as his wife from Menelaus. Paris may not have known that taking Helen would have resulted in the Trojan War; however, he still accepted Helen as a bribe, making him an extremely greedy person. After seeing all the bloodshed and lives at the hands of Paris, he should’ve realized that he needed to return Helen. Anyone with the lowest sense of morality would realize that the right thing to do is to return Helen. Paris was lucky enough to be saved by Aphrodite after he was nearly killed by Menelaus. In the last few lines of Book 3 it is clear how the people feel about Paris and what Paris needs to do:

Thesis statement: Within the Iliad, the consequences of Helen’s actions and the motif of beauty are demonstrated through her self-blame, passions, and conflicting intentions, which ultimately results in the destruction of Troy.

At the beginning of the story, the gods are debating what to do with the Greeks after they pillaged Troy, but more specifically, violated Athena’s shrine. Athena asks for help and says to Poseidon, “I want to help the Trojans who were my enemies, and make the Greek army’s homecoming a bitter one.” (Euripides 63). To which Poseidon replies, “You’re so fickle. Your mind leaps here and there: now you hate, and now you love, and both in excess.” (Euripides 65). Even Poseidon admits to the “fickleness” of the goddess since her allies during the war were the Greeks. This lends itself to show that Helen could be telling the truth about the goddesses having an argument about the beauty of each other and Aphrodite forcing Helen to run away with Paris. Helen also helps her argument by pointing out that the fight was preordained by the gods based on the prophecy about Paris, and then blames Paris’s mother and father for letting Paris live, rather than slaying Paris and trying to stop the prophecy from coming true. Through the many effective arguments, Helen shows that she did not ask to be carried away by Paris and that she liked Menelaus. Menelaus seems very weak compared to Helen, especially since he seems to not be able to make up his mind whether to kill her or not. In the end, Menelaus seems to decide on letting her live, though he still tells

The Iliad and The Odyssey are tales written by Homer centered on the drama of the Trojan War. First poem deals with the time during the end of the war, while the latter, which occurs roughly ten years later, explains the disastrous journey of Odysseus fighting his way back home. The character of women in the Odyssey is to exhibit the many and diverse roles that women play in the lives of men. These functions vary from characters such as the goddess ' that help them to the nymphs who trick them. Women in the Iliad exhibit their significance in the lives of the ancient Greeks because they are so prominent in a world so dominated with military relations.

The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.

In The Iliad by Homer women in the Ancient World period were seen as possessions and property of men and consequently they were inferior to men. The Iliad begins in the 10th year of the war and starts off with Achilles and Agamemnon fighting over their war prizes, Chryseis and Brieseis. Chryseis’s father, priest of Apollo, asked Menelaus for his daughter back or he would pray to Apollo to send a plague to the Greek camp. Menelaus finally gives Chryseis back because

In Homer’s work, the Trojan War is fought not for conquest or wealth but for the honor of the Spartan king Menelaus after he had his wife taken by Paris of Troy. In the eyes of the Greeks, this was a slight on his honor worthy of war. Early on in the work, Helen despairs at being the cause of the war. She laments

Women form an important part of the folk epic, written by Homer, The Odyssey. Within the story there are three basic types of women: the goddess, the seductress, and the good hostess/wife. Each role adds a different element and is essential to the telling of the story.

Often times in ancient works, women do what they must to reach their goals. In the Odyssey and the Theogony, women use deceit to achieve their goals, with the difference being that in times of trouble Penelope is able to create and enact multiple plans on her own while Rhea must ask for help. While Homer gives some agency to his female characters, Hesiod does not.

as the woman for whose sake the Trojan War was fought.But Helen is something more than that.She is depicted within a framework of multiple

The Iliad and Odyssey present different ideals of women, and the goddesses, who are presented as ideal women, differ between the two epics. The difference in roles is largely dependent on power, and relations to men, as well as sexual desirability and activity.

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

The suspected start of the war- over the abduction of Helen, Queen of Sparta- was caused entirely by a godly conflict over who was the most beautiful- Hera, Athena, and Aphrodite. Paris, son of King Priam of Troy, was selected to judge. He chose Aphrodite, who in turn gave him Helen, who was her equivalent in beauty amongst humans. In both versions, Paris is portrayed as a wife stealing, thief in the night. His brother Hector and he were on a peace mission in Sparta on behalf of Troy visiting the king, Menelaus, when Paris ran off with Menelaus' wife, Helen. This action divides the Gods who constantly meddle with the mortal's lives. Naturally, Aphrodite is on the Trojans' side, as was her lover and God of War, Ares, and Apollo. Although Zeus, King of Gods, tried to be neutral, he was pro-Trojan. Hera, Queen of Gods, and Athena help the Greeks because they were mad that Paris chose Aphrodite. Poseidon, God of the Sea and Zeus' brother, also sided with the Greeks whenever Zeus was not looking. An example of this constant intrusiveness of the Gods in the Iliad was when King "Menelaus hurls his spear, lightly wounding Paris. Paris' helmet strap becomes caught at his chin and Menelaus has nearly dragged him away before Aphrodite intervenes, breaking the strap. She then wraps Paris in a mist, sets him in his own perfumed bedchamber, and hurries to catch Helen" (Bloom 13). Of

Homer’s Iliad is undoubtedly focused on its male characters: Achilles, primarily, but also Hector and Agamemnon. Nevertheless, it seems that the most crucial characters in the epic are female. Homer uses the characters of Thetis, Andromache, and Helen as a basis for comparison to the male characters. Homer wants his audience to see and understand the folly of his male characters in choosing war over peace, aggression over kindness, and honor over family. While the behavior of these characters clearly speaks for itself, the contrasting attitudes and behaviors of the female characters proffer an alternative; in comparison, the reader can hardly fail to concur with Homer’s message that war, aggression,