Hello Aurelia Romare Bearden Analysis

When I first looked at this painting, I thought to myself, "It's boring. It's boring to look at. Why paint a picture of an empty bedroom?" However, once I started looking at all the elements, my mind changed.

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

One of the aspects I believe unifies this painting is, as I talked about above, the continuation of the blue of the woman’s clothing continuing up into her hair, which gives the piece a sense of wholeness and relativity. There is also balance in this piece, for while the woman’s head is offset, this is balanced out by the elongation of her shoulder and arm in the right side of the image. Variety is also achieved in this piece through the use of a variation of hues and a lot of tonal difference. Emphasis is placed upon the hair with the use of an unnatural hair colour, as well as the face where light colours are used to highlight and pull the attention. Space is not so much of an active principle in this piece, but is still present nonetheless. Beryl is placed in the middle of the painting, with her taking up roughly 50% of the space, and the rest taken up by background.

Androgyny is the name of one in many beautiful paintings by the famous Ojibwa artist, Norval Morrisseau. Created in 1983, the artwork is 366cm x 610cm in size. Like all of his other works, he painted using mostly acrylic for this one too. Androgyny is filled with natural aspects resulting

I like this painting because of the feeling and memories it reminds me of. The water and rocks remind me of all my childhood memories of swimming in the water and hiking mountains. The bright and light colors create a cheerful and

The texture of the canvas works very well with the subject matter portrayed in the painting. The strong ocean current and the cloudy mountain side are complimented by the canvas. It makes the waves seem like they’re moving against the ship. The ship is nicely detailed as well as the people in the painting. The brushstrokes are very clean and precise on the waves in the foreground. The brushstrokes do create a sense of movement in the painting. The surface of the artwork looks rough where the ocean is painted and where the clouds are painted it appears smooth and soft. This artwork is linear rather than painterly.

1. “St. Luke drawing the Virgin” (c.1435-40) by Rogier van der Weyden. First thing that I noticed about this gorgeous oil and tempera on panel painting was the precise emotional aspect: romantic and simple, yet so exceptionally lifelike. This work surely shows a development from the powerfully

I enjoyed learning about them and looking at it. Prior to doing more research on them, I just thought their work wasn't art and just random things put up/built in places. Now that I know more about it, I am able to fully understand it and enjoy it better. I couldn't live with this in my house, it would take up too much space. Theoretically however, I think I would enjoy having this in my house. I t has a nice meaning behind it and it would be nice to see everyday. It is aesthetically successful in my opinion, it just works so well. I would say this art piece is a mix between formalism and Imitationalism. I believe both are what makes an artwork aesthetically successful. The whole thing, from how it was constructed to the meaning behind it, are the reasons why I think this piece is

When I viewed the piece it automatically attracted my eye. The fact that the artist chose to use BB's was something I had not seen done before. Upon further inspection the art had a deeper meaning it talked about the Numbers of deaths

I chose this work because the several colors and sizes of circles and complicated compositions on the canvas looked as if it has a special context. I can see very careful and thin brushworks in some circles which are overlapped with other circles; in contrast, the background of this work is used a few sloppy brushstrokes because there are some traces of them. The use of color for the background and most remarkable center circle are so dark, but most circles around it are so colorful secondary and tertiary colors. The composition of it is the several sized and perfect circles with the asymmetrical balance which created a mysterious harmony. If I imagine that the piece is a 3D place, I describe that it is a flat geometric shape because I cannot see any shadows and highlights in the circles which give a three-dimensional feeling, but I can see the depth of them by overlapping each other and distance between the circles and dark background. Therefore, there are many two-dimensional circles spread in the deep and wide dark

I selected this painting because the colour contrast of the pink dress against the dark background caught my eye. I also found the expression of the young woman to be interesting.

Why this work of art is interesting to me. What is so striking to me about this painting is that it is so self-effacing. As I pass by I ask myself if it even deserves a second glance, let alone an extended stop in the relatively short time that I have carved out for this museum visit. How can it compete with De Kooning’s snarling woman or Klein’s passionate Siegfried, or the works across the galleries: lovely Mrs. Trevor or tearful Venus or the stark white lavender bordered work across the way? There is no bright color to attract the viewer, no easily apparent movement of line to drive the eye, no story to entertain, no apparent enigma to wrestle with.

This painting has made a major effect on my life and has made my artwork go to a more relaxed level. Instead of just painting a landscape Dali painted a toreador of symbols and some was what he saw on an acid trip. That was not why I picked this painting .

Filled with shades of red, the upper part of the painting comes to create a strong opposition with the black area below it, itself encircled by a darker red. This painting consisting of three floating rectangles in various colour combinations, creates a sombre mood conducive to spiritual contemplation. With the use of Rothko's saturated colours the viewers are moved

When I saw the painting for the first time it grabbed my attention. At first I thought it was the beautiful colors that attracted me to the painting, but it was more. In the picture the shadowy men look scared. They looked as though they were trying to run away from something and this lake that forms into this river that is surrounded by tall grass is the way out, or at least a place to hide until the coast is clear. During that time in my life I felt