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L.A. Confidential is a gorgeous, but tough throwback that did right things to Hollywood. Despite the film breaking most of today’s filmmaking rules, it is considered as one film that will keep the audience glued on the screen. The film cited its origin from James Elroy’s nearly impossible to film cult novel. The film raises stars with three main characters. The film embroils the three characters in a vigorously surprising tale, which puts them in a cliché-free true mystery. The movie brings out the true mystery rather that the thriller revealing all the endless complications.

Entertainment Partners Canada Film Services Inc. (EP Canada) is a company that provides payroll services for TV and movie production houses. EP Canada also develops software applications to assist production houses in the creation of payroll. EP Canada has employed various programs such as educational allowances and volunteer off days, to further develop the skills of its employees.

History has proven that when art is made, art becomes timeless. This is the reality with countless of classic films that have proven that when directors utilize various film techniques, they are able to create magnificent shots and scenes. In the film, “All the President’s Men”, the director, Alan J. Pakula employs various techniques that he effectively utilizes to make the political thriller an intriguing experience for his audience. As a political thriller, the film is based on the true story and events of the “Watergate Scandal” that the director tells from the perspective of two journalists that worked for The Washington Post. While Pakula’s film is excellent through the skills used to supplement the

While hundreds, even thousands of excellent movies have been made over the years since motion pictures were invented, there are some movies that stand out among the best. There are various reasons for these standouts, sometimes incredible acting, sometimes impeccable story lines, but in many cases, it is the issues addressed by the movie. Most of the greatest movies contain commentaries or analyses of certain issues, be they moral, social, or otherwise. John McTiernan directed one of these films, The Hunt for Red October, based on the similarly titled best-selling novel by Tom Clancy. The Hunt for Red October, a product of the anti-communist attitudes of the 1980's, is above all a commentary on

“Lights, camera, and action!!” A popular phrase noted throughout the film and cinematic industry, but to directors, actors, and viewers of African American or Black Cinema this famous phrase helped jumpstart a movement throughout the black culture. Starting with radical movies that explained racial undertones and barriers in the United States for freedom and equality, “The Dutchman” and “Superfly” facilitated more than just a wakeup call to individuals of every race, particularly the black people, but they also helped voice the concerns and

It is challenging to create a movie based off of such an acclaimed novel like To Kill A Mockingbird. When reading Harper Lee’s treasured book, readers form the story and its characters in their mind to fit a special plot. Her words exemplified messages that the world still needs to hear. Movies have limitations that novels tend not to, but there are many people and parts of the book that had critical contributions to the beautiful message Harper Lee composed. While both mediums of the story were well executed and tell parallel anecdotes, the messages of understanding, awareness, and bravery were only thoroughly matured in the novel.

I hope that you are convinced to support our dream of making this striking film a reality. The enthralling actors will draw audiences to the cinemas, and the combination of mystery, crime, drama and action scenes will appeal to an extremely wide range of audiences. Therefore this movie is sure to be a big hit with all fans of the crime genre, and will smash the box office

of a CIA operative with an adult, realistic approach that is rarely shown in films. In addition, The

Martin Scorsese’s The Departed, an adaptation of the Chinese film, Infernal Affairs, is an extravagant film. The exorbitant amount of violence and the protracted running time (151 minutes) are staples of Scorsese’s work. Scorsese’s signature excess is on full display in The Departed, but, as with many of his other films, it does not impede the film’s potency. The Departed utilizes superb acting, meticulously crafted atmosphere, and a detailed setting to turn a potentially convoluted storyline into an enthralling cinematic experience.

In this paper, I will compare two movies. The two films that will be discussed are “Inside Man” and “The Usual Suspects”. I will point out the differences in structure and the differences in criminality. The roles that have been played amongst law enforcement and the disappearances of the crooks will also be compared.

Films have the powerful ability to transport the viewer into a new world. The audience is filled with infantile wonder and curiosity as the director and actors construct a reality that is both familiar but detached from the present. But what world will the viewer prefer? When does the viewer question their own world and long for the imaginary one in the film? David Fincher’s 1999 film Fight Club details the life of an unnamed man who is able to break free of his mundane life to become the charismatic, bold, alpha-male he has always wanted to be, Tyler Durden. In his society that has robbed him of his individuality, he creates underground fighting clubs that attract other men facing

Throughout American history, film and filmmakers have turned to society for insight to new ideas on films. Huge movements and monumental points in history, such as The Great Depression, race movements, women’s rights and other points in time are often portrayed through creative films and cinematography. The gangster film was deeply embraced at a time in history where capitalism appeared to be failing, and the traditional concept of the “American Dream” appeared to be far out of reach. Throughout the great depression era, the gangster film genre was heavily relied upon by studios in the 1930’s, as profits slid and it became increasingly difficult to convince moviegoers to spend their hard-earned nickels on a trip to the theater ( ). The fact that the movie industry intended to rely upon increased sex and violence in its features is a striking example of just how perverted the “American Dream” had become.

In the movie Air Force One, the President of the United States, played by Harrison Ford is on his personal plane Air Force One, when terrorist helped by a Secret Service agent hijack the presidential plane. The Secret Service rushes the president to his personal escape pod instead of escaping the president sneaks out of the pod and remains on the plane. The president then does what he can to kill the terrorist and take the plane back. First, This paper will give an overview of the movie and discuss major parts of the movie. Secondly, I will give an analysis as to whether the movie followed the Socratic or Machiavellian view of politics.

Two films will be analyzed in the process of the research paper, Night Falls in Manhattan (1997) and I Want to Live! (1958). Each movie provides a unique look at different genres of the criminal justice system, police drama and prison/execution films, respectively. The following paper will analyze the characteristics of each film using knowledge that was taught throughout the course of this class.

Another characteristic of a spy genre film is the lead protagonist has to be both attractive and smart. All the women want to be with him, and all the men want to be him. The protagonist spy character has to be able to