Essay about Hemingways Themes

As one of the greatest writers in history, Ernest Hemingway is known for writing many novels and novellas with important messages. Hemingway was also known for his courage and bravery during his lifetime. He was a soldier in the First World War, the Spanish Civil War, and the Second World War. One of his most famous books, The Old Man and the Sea, won the Nobel Prize in Literature in 1954 and is based on the true story of an elderly Cuban fisherman. There are many lessons that are in the book, but perhaps the most important that Hemingway wants to convey is to never give up and be persistent in reaching your goals, even if things seem hard. He conveys this message over the book with various characters and one important quote, “A man can

One way Christ and Santiago are similarly related to each other is through their actions. Near the end of the book, Hemingway describes Santiago on his way back to his shack as “...falling down the hill with the mast across his shoulders.” (Hemingway 89) This portrays a picture alike to that of Jesus Christ on His way up the hill to Golgotha. As He was falling down with the weight of the cross on His shoulders. Another example on a broader scale of alikeness can be found in the book as Hemingway shows Santiago's willingness to capture the fish even if it meant sacrificing everything including his very own life all because of the love he had for the fish. Coincidently, Jesus is willing to sacrifice His life for those He loves, all those who believe in him. Along with the few related actions between Christ and Santiago, Hemingway alludes to a number of events that persisted for a similar amount of days to incidents taking place in the Holy Bible.

During the time period Hemingway was writing The Old Man and the Sea, fear was present in society, e.g. The Red Scare. The fearless perseverance of the novel’s main character, Santiago, contrasts the feelings of Americans during the forties. Through reverse psychology, the valiant actions of Santiago in his perils with the marlin he was fishing, alleviated some of the unease present in American minds. The instilled the thought process of not blanching what is possible. Santiago narrates his moral correction along the lines of the same topic, “Now is no time to think [fear] what you do not have. Think of what you can do with what there is.” The quote elucidates Hemingway’s opinion of apprehension and how he found no place for it throughout the sixty-one years of his life. Events concurrent with the lives of Fitzgerald and Hemingway in their personal lives and the views of the public gave way to the formation of the plots in The Great Gatsby and The Old Man and the Sea. The structure of both novels adds to the claim: Fitzgerald and Hemingway are two of the best modernists in their

Another component that stood out in the novel to make Santiago’s death appear evident was his image as a Christ figure. There were multiple times in the book that Hemingway compared Santiago to Christ. For example, when Santiago returns to shore, “he shouldered the mast and started to climb (121)”. This is similar to when Christ carried the cross bar on his shoulders up to Calvery. Santiago fell three times on his way back to his hut, as did Christ. Hemingway’s comparison of Santiago to Christ implies that Santiago will die just like Christ did.

Ernest Hemingway’s most popular novel, The Old Man And The Sea, was about a strong and heroic man who had a goal of saving the people from the fish drought. To start off, he was the strongest fishermen, which made the boy idolize him even more; just like the people idolized Jesus for his strength. The old man set out to save

Hemingway personifies the sharks to counteract the Marlin after being killed, as their presence of stalking the Marlin tests Santiago’s diligence. In the story, Santiago’s industrious efforts pay off, as he attains the long awaited Marlin. Far from home, the old man makes the treacherous return to society, shortly confronting numerous sharks, all for which he doesn't respect comparative to the Marlin. When two sharks begin attacking, Santiago shares his adverse notion towards the sharks as “They would hit a man in the water, if they were hungry, even if the man had no smell of fish blood nor fish slime on him” (108). Furthermore, the old man's depiction of the sharks delivers as a connotation of their lack of pride, as they feed upon what Santiago’s diligence caught. As far as his efforts go, he returns to the favela with nothing but a skeletal shadow of what was, however Santiago feels his journey was not one wasted, more so a figurative paramount of respect and patience. Although, the sharks took what they could from Santiago’s pride, he stuck to what was important deeming the sharks actions invalid. In society sharks have become the lower end of the stick, and I have myself, understood that I have my own sharks. As for me, my sharks come in many external and internal forms, however my greatest shark is those who doubted my ability to succeed. When I suffered from

Ernest Hemingway was considered by the general population, an important figure in twentieth-century American writing. He is most known for his books A Farewell to Arms and The Old Man and the Sea. All through his career, he got both critical and famous acclaim for his books, stories, and poems. In light of his ceaseless rising fame from his books or individual life, his public image once in awhile. Be that as it may, he was still respected for the enhancing of his general assemblage of work by intensely recounting from his experience as a major gamer seeker, a bullfight enthusiast, and as deep-sea fisherman. He additionally has credited that the music lessons his mom demanded him to take as a kid were valuable to his written work (Scribner Laidlaw 2).

Another comparison that parallels Santiago to Christ is the notion that Santiago is Christ. As Sheldon Grebstein notes, "The writer cannot refrain from emphasizing a correspondence between his noble fisherman and Jesus Christ" (91). An example of this is when Santiago sees the first of two sharks and says, "Ay," "There is no translation for this word and perhaps it is just a noise such a man might make, involuntarily, feeling the nail go through his hands and into the wood" (Hemingway 99). This is a reference to the crucified Christ, when the nails pierced his hands on the Cross. Both men allude to the fear of suffering. In the case of Santiago, the sight of the sharks frighten him because he knows they can cause harm. For Christ, after he is nailed to the Cross, he knows there is more agony to endure. Subsequent to the sight of sharks, Santiago completes his voyage on the sea and returns to land. Darkness approaches and this is more than simple lack of sunlight. As John’s Gospel notes, when Judas leaves to set in

Sometimes people turn towards dangerous comforters, yet Santiago finds all that he needs in life within the sea. He loves the challenge, adventure, and beauty that it confronts him with and feels the happiest when he is there. Although he experiences an internal struggle with it, it also brings him internal happiness. Hemingway uses Santiago’s relationship and character to express how it is possible to stray away from the typical human connection and find true happiness within other aspects of one’s

Ernest Hemingway is an extremely talented author whose classic novella was a very inspirational piece. The Old Man and the Sea, was a short novel that involved Santiago, an old fisherman who was unable to fish for eighty-four days, going on a fishing trip to see if his luck would change around. He results in catching an eighteen foot Marlin, but faces many obstacles when attempting to take him home. The book was filled with vivid details and superb language, motivational themes, and a dynamic main character who thrives through it all. With this said, Hemingway’s The Old Man and the Sea deserves an A for his incredible ability to write.

In the biography “Ernest Hemingway-Biographical” (1969), Horst Frenz asserts that Ernest Hemingway was an influential writer who left behind a legacy of classic novels. Frenz develops his ideas by describing Hemingway’s unique childhood, famous array of novels (“The Old Man and the Sea”) , and concludes by discussing Hemingway’s distinctive writing style (“spare dialogue”). Using specific details and personal stories, he explains Hemingway’s notable contributions to society in order to portray Hemingway as an American hero who has influenced countless people. Frenz’s audience includes those who have read Hemingway’s works and those who seek more information about him, as he describes Hemingway’s life in an informative tone.

Earnest Hemingway symbolizes perseverance and pride through the marlin and its interactions with the old man. Santiago’s main goal in his journey was to prove to himself and to others his superiority as an angler. Acquiring this fish not only achieves this goal, but also provides him with a sense of security and pride of his reputation as well. After a couple days of battling the fish he states, “’I’ll kill him though,’ he said. ‘In all his greatness and his glory’” (66).

Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in

Cutoff from the modern world for nearly 31 years, Cuba has become home for many of life’s worst qualities. In the books The Old Man and the Sea, as well as To Have and Have Not, Earnest Hemingway portrays life in Cuba in various disconcerting ways. Through accounts of loss and death, Hemingway creates stories of true disparity in both novels. And it is through poverty, the cornerstone of both The Old Man and the Sea as well as To Have and Have Not, that the lives of numerous Cuban citizens are reduced to an utter hell.

Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway