Hemingway's Trifles

In “A Clean, Well-Lighted Place” the narrator describes the importance of the cafe compared to all the other places that are open to convey the idea of loneliness and despair. Through the use of imagery, symbolism, point of view and, allegory Ernest Hemingway establishes a connection between the older waiter and the deaf guy, as he illustrates the significance the well-lit cafe brings to their lonely night. As the waiters discuss their thoughts on being open so late, the older waiter claims to be one of those who enjoy the aura of the cafe being open so late compared to other places. “With all those who do not want to go to bed. With all those who need a light for the night.“ The role the cafe plays to diminish loneliness and despair does not go unrecognized by the older waiter and deaf guy who find their escape in that clean well-lit cafe. Loneliness screams louder at night for those who walk through it by themselves. They look to find comfort in a well-lit place with a calm and pleasant aura. The feeling displayed between the old deaf man and older waiter does not register with the younger waiter who does not understand the search of finding peace found in the cafe. The younger waiter has a wife to go home to as the older deaf man and older waiter have nothing and that is their escape from their dark loneliness, the cafe. Since it is clear that Ernest Hemingway has established that the old deaf man

Dexter starts as a lower class and Judy starts as an upper class when they first interact. Expectations are assumed, such as the upper class sees the lower class as servants and the lower class sees upper class as ridiculous. When they meet in the middle, they conflict in their lower and upper classes. After Dexter leaves for college, Judy stays in the upper class and he slowly joins the upper class. When he comes back home, he and Judy interact and become friends. However, when Dexter realizes that Judy misuses him and treats him badly, he leaves her even though he loves her. Because he’s part of the upper class and is able to, Dexter goes to parties and clubs where he forgets about her and mingles with other high class members, eventually finding a fiancee named Irene Scheerer. Soon, Judy comes back looking for the Dexter, “I wish you’d marry me.” This is an example of collision between classes. Judy now recognizes how rich Dexter really is and wants him. After the war, Dexter is talking to a man named Delvin who mentions the wife of one of his friends, “‘Judy Simms,’ said Delvin with no particular interest; ‘Judy Jones she was once.’” Delvin mentions how he is sorry for her, which surprises Dexter. He is told Judy married into the lower class to a man who “drinks and runs around.” In Winter Dreams, the lower and upper class characters interact, meet, conflict, and soon split. Judy Jones and Dexter Green have

The play Trifles by Susan Glaspell is an interesting story about a woman named Mrs.Minnie Wright. Mrs. Minnie wright does not actually take part in the scene but is actually the main character throughout the play. The focus of the play is about whether or not Minnie Wright did in fact murder her husband, John Wright or did he commit suicide. Throughout the scene, they bring in people to look over or find evidence that can be used to give testimony at her trial. Mrs. Minnie wright should be found innocent of her husband's death, It does not matter if she had a part in his death or not. The fact that she was not happy because of her husband's attitude towards her tells the audience that she was not happy and was a captive in what was supposed to be her home.

The younger waiter believes he has “no regard for those who have to work.” On the contrary the older waiter also doesn’t belong to a family and attempts to explain “he stays up because he likes it” “it’s clean and well lighted” the light acting as a metaphorical parallel to the comfort the café offers in his otherwise dark life. Seeing as the older waiter understands him he does his best to make the customer feel he belongs and build a relationship with him. He realises that not everyone shares the same perspective realising “it’s not only a question of youth” but in this case a question of lack of relationships allowing sympathy and explaining his actions.

There is an apparent unity seen between the old man and the older waiter. Opposite from the young waiter, the older waiter and old man seem devastatingly lonely and worn out by life. While the young waiter is rude and insistently talks down to the old man, the older waiter defends him. He too understands and appreciates a clean, well-lighted café opposed to a bar or bodega. The older men understand each other without there being any communication between them. In the final line the reader is able to truly understand the older waiters view of his own morality, “He disliked bars and bodegas. A clean, well-lighted café was a very different thing. Now, without thinking further, he went home to his room. He would lie in the bed and finally,

Wright life of isolation and abuse is a factor that makes Mrs. Peters shift her judgment from supporting the course of law that would stipulate the conviction of the suspect Mrs. Wright. Mrs. Hale who is with Mrs. Peters speaks on how her neighbor Mrs. Wright was living every day sad and isolated by saying “Not having children makes less work—but it makes a quiet house, and Wright out to work all day, and no company when he did come in” (1079). In fact, Mrs. Hale later express her guilt for not visiting the isolated Mrs. Wright “I wish I had come over sometimes when she was here “ (1079). Mrs. Peter is so moved by the stories that Mrs. Hale tells about Minnie Foster before she married, we also see in Russell Glaspell’s “Trifles” “Mrs. Hale subtly suggests that Mrs. Wright is not the sole agent in the death of Mr. Wright “ (1) that she decides to talk closer and in hushed voices to Mrs. Hale so as to protect Minnie Wright from any chauvinistic attitudes that may justify revenge as the reason for murder. This is also stated in Russell Glaspell’s “Trifles” “foreshadows the conspiracy of the three women and their efforts to control the outcome or the fate of all characters”

In “Trifles”, a division between the two sexes is quickly established as the men enter the house and huddle by the stove while the women remain still by the door. As the men start their detective work the women wander around the house to gather some of Mrs. Wright’s belongings. While searching for her belongings, the women discover an empty birdcage and find a dead bird in a “pretty box” (Glaspell, 956) inside of Mrs. Wright's sewing basket. Mrs. Hale jumps at the sight of the bird’s neck and Mrs. Peters points out how “somebody-wrung-its-neck” (Glaspell, 957) similar to the way Mr. Wright was found earlier. Mrs. Wright's murder of her husband can be seen as an act of feminine revolt against the male-dominated society. Another example of women defying against patriarchy is of Mrs. Hale and Mrs. Peters hiding the evidence that can prove Mrs. Wright to be guilty of her husband’s murder. Before their departure from the Wright’s house, as the men are returning, the sheriff suggests that the county attorney take a look through the items Mrs. Peters had collected for Mrs. Wright. However, he decides that anything collected by the women cannot have much significance and overlooks it. His assumption that the women would have came forward if they saw any possible evidence costs him. The sheriff’s belief is that women derive their identity solely from their relationships with men; the dominant gender.

The older waiter is much more understanding of the old man’s situation. He knows what it feels like to be lonely. He knows the desire to stay in the light that staves off the darkness, a darkness that brings thoughts of how lonely you really are. There is an emptiness in him can only be filled with the cleanliness and light of the café. He feels that this is the same for the old man.

     Detectives are always looking for little pieces of evidence when investigating a crime. After all, it is this evidence that can turn a trial around, whether be it for the good or bad. This is especially the case in Susan Glaspell's Trifles. When Mrs. Hale comes across little pieces of evidence, she passes them off as being "trifles", hiding them from the detective. She is the sole reason that very little evidence is collected that would convict Mrs. Wright, and can be believed to have some sort of involvement in the murder of John Wright.

Mrs. Peters and Mrs. Hale both make the choice to protect Mrs. Wright from the men’s investigation. They believe they are making the right decision in not telling the men because they believe that Mrs. Wright was in an abusive relationship and the killing of her canary finally caused her to snap. In Marina Angel’s analysis of “Trifles”, she says “The symbolism is again clear. Minnie Foster ‘was kind of like a bird herself’… But Mr. Wright had been rough with her” (Angel 805). The dead bird that Mrs. Peters and Mrs. Hale find is a symbol for Mrs. Wright herself,

In the play titled Trifles, by Susan Glaspell, Minnie Foster Wright is being accused of murdering her husband, John. In this production, Mrs. Wright is consistently referenced, and although she is not witnessed, she is very recognizable. There are important symbols in this play that signifies Mrs. Wright and her existence as it once was and as it currently exists to be. Particularly the canary, this symbolizes Mrs. Wright's long forgotten past. Additionally, the birdcage, this symbolizes her life as it currently exists. Certainly the quilt is a symbol, which is an important clue on how Mr. Wright was killed. In addition, the rocking chair, this symbolizes her life as it has diminished throughout

Trifles Gender roles for women back in the 19th century were unimportant and still this day lacks in minor roles. Men overruled women when it came to doing work such as solving a crime scene, being a police officer, and even an investigator. In the play “Trifles” written by Susan Glaspell in 1916, she illustrates a major point that deals with men and women in society back then. A “Trifle” is defined as something that is unimportant. This means Glaspell’s message to her intended audience was to explain how men don’t pay attention to women because they believe that they are not needed for certain types of work skills.

In Susan Glaspell’s Trifles, Minnie Wright is accused of killing her husband, John. The sheriff, Henry Peters, and the attorney, George Henderson, come to investigate the murder along with the key witness and neighbor, Lewis Hale. They are accompanied by Mrs. Peters and Mrs. Hale, who have come to collect some of Minnie’s personal items to bring to her in jail. The men find it strange that John is strangled when there is a gun in the house. They also find it puzzling the way the murder happened and are hoping to find out why. Although they are sure the wife is responsible, they have yet to find a motive.

This story was written by Hemingway in 1933. It details an evening's interaction between two waiters, and their differing perspectives of life. Hemingway uses an old man as a patron to demonstrate the waiter's philosophies. Hemingway is also visible in the story as the old man, someone who society says should be content, but has a significant empty feeling inside. What follows is a line-by-line analysis, putting emphasis on the philosophies of the waiters.

The old man once had "youth", "confidence", "a job" and a wife. However, by now, he has nothing but money, which is not able to comfort his loneliness; he has nothing but an old body, which people think that it is nasty. His niece looks after him. But all they care about is his money. The reason that they saved him from the suicide is the "fear for his should."(111) The older waiter sees the dark truth of life from the old man. Like the old man, he has stared into the Great Nada, "...It [life] was all a nothing and a man was a nothing too..." (114) Unable to bear the darkness of his world, the older waiter is "reluctant to close up because there may be some one who needs the cafe" (113), as he wishes also to remain in the light.