Henrietta Johnston : An Amazing Painter

In First Generations Women in Colonial America, Carol Berkin demonstrates the social, political, and economic circumstances that shaped and influenced the lives of women during the seventeenth and eighteenth centuries in the colonies. In exploring these women’s lives and circumstances it becomes clear that geography, race, ethnicity, religion, social class, and other factors less fixed such as war each influenced a woman’s experience differently and to varying degrees. In doing this, Berkin first showcases the life of a specific woman and then transposes that life onto the general historical framework and provides a context in which this woman would have lived. The lives of these women exemplified is also explored and demonstrated through the use of comparison to highlight their different experiences. Moreover, this analysis also seeks to identify the varied sources of these women’s power, albeit for many this power was limited. The analysis is broken up primarily by geography, then by race, and lastly by time and war. While these factors provide the overarching context of analysis, more specific factors are also introduced.

Throughout women in colonial America, Anne Bradstreet was one of the strongest and influential figures of the time. Mrs. Bradstreet lived from the years 1612 through 1672 not knowing she would inspire later generations with her works and actions. Ever since a little girl, Anne’s father, Thomas Dudley, would make Anne write poetry so they could read together. Anne later married Simon Bradstreet, a future governor, at the age of sixteen years old and boarded on the ship Arbella headed to Plymouth, Massachusetts, with the famous sermoner John Winthrop??? In the famous writings of the poet, we learn Anne has a personal and formal writing voice. Anne writes in Iambic Pentameter, Couplets, and Paradox. Anne became a well-known colonial writer not

Anne Bradstreet was America's first noteworthy poet in spite of the fact that she was a woman. Both the daughter and wife of Massachusetts governors, Bradstreet suffered all of the hardships of colonial life, was a mother, and still found time to write. Her poem, "The Author to Her Book," is an example of Bradstreet's excellent use of literary techniques while expressing genuine emotion and using domestic subject matter.

First Generations: Women in Colonial America delivers a broad analysis over American women in the colonial period. It is evident that married women in colonial America were not considered equal to their husbands or to society in general. The rights of American women have come a long way in regards to civil rights. The control a woman in early Colonial America had over her own life was linked to race, religion, and class. Berkin organizes the first chapters according to race and region. Other chapters are organized by African American women, New England, and the middle colonies, Native American Women, and white women in the Chesapeake. Within each chapter, Berkin gives details about one woman from the region. European, Indian, and African women of seventeenth and eighteenth-century America were protectors of their native land, pioneers on the frontier, like-minded immigrants, and courageous slaves. They were also, as most scholars tend to leave out, just as important as men in shaping American culture and history.

In “In Search of Our Mother’s Gardens”, Alice Walker looks to educate us on the hardships that almost all black women face when trying to express themselves through things such as art. She delves into many sociological and psychological concepts that have affected black women throughout human history. These concepts and ideologies created a realm for mass exclusion, discrimination, and oppression of many African American women, including Alice Walker’s Mother, who Alice utilizes as one of her particular examples. The writing thematically aims to show how these concepts of sexism, racism, and even classism have contributed to black women’s lack of individuality, optimism, and fulfillment for generations. The author does a tremendous job of defending and expanding upon her arguments. She has a credible background, being a black woman that produces the art of literature herself. As well as being raised by one, Walker’s first-hand experience warrants high regard. Therefore, her use of abstract and introspective language is presented clearly and convincingly. Also, her use of evidence and support from sources like Jean Toomer, Virginia Woolf, and Phillis Wheatley, all produce more validity for her stance through poems, quotes, and even experiences. All these individuals have their own accounts pertaining to the oppression of black women and their individuality. Successfully arguing that the artistry plights of black women described in “In Search of Our Mother’s Gardens” are

After marriage, the husband was considered lord and master of the family. But not all the women were meek and submissive. By the 1700's, the woman’s status had rapidly improved in colonial America. A wife and child made as much as a man did. Although women did not have equality with men, their status greatly improved from their status in Europe. A woman’s station in life was determined by the position of their husbands or fathers. The women of the poorest families, compiled to work in the fields, stood at the bottom of the social ladder. One of the surest signs of the accomplishments a family had made, was the exemption of their women from the fields. Before 1740, girls were trained in household crafts and the practical arts of family management. But afterwards they began to study subjects that required reading and studying such subjects as grammer and arithmetic. The women of the upper classes occupied themselves mainly with planning the work of the home and with supervising the domestic servants. Along with these tasks the women also baked, nursed, and sewed. But there were many social restrictions placed on the women of that time. One such restriction was that a wife, in absence of her husband, was not allowed to lodge men even if they were close relatives. For

In early America, women were expected to take care of the household and of the children. However, writers such as Anne Bradstreet and Judith Sargent Murray wanted to emphasize the importance of education for women. The two texts by these authors that will be discussed are the poem, “The Prologue” by Anne Bradstreet and the essay, “Desultory Thoughts upon the Utility of Encouraging a Degree of Self-Contemplacency, especially in Female Bosoms,” By Judith Sargent Murray. A theme seen prominently throughout both texts is fairer treatment of women through education. Although both women do believe in opportunity for women in education, Bradstreet focuses more on the idea that women should have more acceptance in the intellectual world by men while Murray however, emphasizes the importance of women to be raised properly which resulted in them understanding their self-worth.

There was an actual inventory taken of each woman’s home. This candid look into the lives of these women shows us the differences as well as what ties them together. Whether on a farm, the frontier or in town, these women shared the same daily duties. These included the ever important meal preparation, the building and regulating of fires, animal and garden tending, mothering the children and spinning to provide clothing and essentials for their family. This look into their homes showed that no matter if you have two rooms are four, ornamental decorations or punch bowls for entertaining, spinning wheels or none, each woman’s role and duties were just as important as the other. The fact that one woman had little in wealth made little distinction of her from the other two.

In her journal article, “The Evolution of White Women’s Experience in Early America,” Mary Beth Norton submits there is a common misconception that the initial empowerment of 17th and 18th century Colonial America women was completely and solely influenced by the unique economic factors and disrupted social framework of New World life--arguing instead that this revolution of empowerment was the result of a more complex set of factors.. Thus, as Colonial American society was one in which all members of the family had to work together in order to survive, it has been

The seventeenth century was full of challenges; political, social, and economical. Across the board individuals struggled to live, although the conditions had much improved from the beginning of the colonies. Women in particular had a difficult time fitting into this patriarchal this society. Women were defined by men and were seen as an accessory to men. In the colony of New England women were learning how to have a silent voice, while still maintaining the proper role of time. The way women were seen by men, who ran the colony, and the way men thought, not only about women, but also about the world would sculpt the society and the

The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is

1. The first essay clearly shows the impact that an ideology of domesticity on women in New England in the 1830’s. The writer at first calls this time period a “paradox in the “progress” of women’s history in the United States”. During this time apparently two contradictory views on women’s relations to society clashed, unusually, those two being domesticity, which essentially limited women, giving them a “sex-specific” role that they must abide to, this mostly being present at the home with their husbands and whatever kids they may or may not have had at that time, and feminism, which essentially tried to remove this domesticity, trying to remove sex-specific limits on women’s opportunities and

Perusing once more from nineteenth century working class sexual orientation parts, which consigned ladies solidly to the private universe of the home, students of history saw the white frontier lady's cooperation in a preindustrial family unit economy as empowering. A comparative propensity to romanticize the hard existence of Native American ladies differentiated their opportunity and impact with the patriarchal structure within which European ladies lived. Despite the fact that comparisons are perhaps unavoidable, they can cloud the complexities of ladies' lives both the assorted qualities that described them and the purposes of shared belief they shared. Such examinations likewise divert consideration from the historical changes that shaped these ladies' lives: the triumph of Native American, the importation and oppression of Africans, the monstrous relocation of European, and the financial and political developing of the British settlements. This period secured by the following section, the progressive time of 1750-1800, was likewise thick with changes that capably influenced the lives of

In the early nineteenth century, women were expected to be, “‘angels in the house,’ loving, self-sacrificing, and chaste wives, mothers and daughters or they are… ultimately doomed” (King et al. 23). Women of this time were supposed to be domestic creatures and not tap so far into their intellectual abilities (King et al.). The role of women in the nineteenth century is described:

Anne Bradstreet, a well-educated woman, strong in her Puritan beliefs, captured her thoughts by writing poetry, which included works such as “Contemplations” which was preceded by “The Prologue”. Written in the mid 1600’s as the colonies were beginning to form, Bradstreet’s poem included themes of religion, nature, and family. Although she claims to have written them without the intent of publication, a collection of her poetry was printed in 1650. She identifies her struggles with faith, yet writes from the view of a faithful woman who recognizes the superior role of men in her society. Although appearing to be modest and undermining her talents, it seems evident that Bradstreet was, in reality, confident that as a well educated women she was capable of writing just as well as a man. Although it is claimed that Anne Bradstreet did not intend for her writing to be published, her poetry utilizes a feminist tone and theme of higher education conveying her hidden desires to prove herself as a female author.