Henrik Isben's A Doll's House Essay

A Doll’s House was published in Norway in 1879 by Henrik Isben. He is known as the father of Modern Theatre. He is also referred as the father of realism. The play is very interesting because of the funny dialogue, Ibsen 's view of the place of ladies in the public eye and the unique characters. The main characters of the play is Nora Helmer and her husband Torvald Helmer. Imagine what it would be like to live in a doll 's home? It 's a house in which you are controlled and have no energy to settle on any solid choice; It 's a house in which you are a play thing for another person 's amusement. This sounds a ton like an awful marriage, so it 's a house in which your husband holds the satchel strings, in a manner of speaking, and abandons you with no influence over your family 's accounts. In fact, your husband keeps you on a tightrope. Such is the perceived life of Nora Helmer.

In A Doll’s House, by Henrik Ibsen, is a play about the personal revolution of a Norwegian housewife. Nora appears to be happy with mindlessly obeying her husband, until it is discovered that she has a secret debt that she has hidden from him. Krogstad, Nora’s loaner, threatens to reveal the debt to her husband. When it is inadvertently revealed, Nora realizes the lack of depth of her husband’s feelings for her and leaves their established household and family to find her own personal identity. The theme of A Doll’s House is that societal norms restrict personal freedom.

Deborah Tannen Author of “Sex, Lies and Conversation” says “Men tend to talk less at home and this pattern is wreaking havoc with marriage” (Tannen, Sex, Lies and Conversation:1) also says “If their husbands don’t adapt, the wives may look to their friends or family for that kind of talk” (Tannen, Sex, Lies and Conversation:3). In the play we can see, Dr. Rank a close friend of Torvald visits almost every day in their house. He knows Nora never gets enough accompany from her husband and takes that advantage to get more close with her. He is the first person ever to tell Nora that there are others who can easily give up their life for her and made her to realize how important she can be. Interestingly, Nora welcomes Dr. Rank and says “I always have an hour to spare (Ibsen 870)”. In fact, her relationship with Dr. Rank helps us to understand that there definitely lies a distance between Torvald and Nora. For Nora, Dr. Rank is the only person she is able to reveal her true self. Nora feels she can speak with Dr. Rank in a way she can never speak to Torvald. She could also talk more seriously with Rank and by the same time feels so relieve around him. Dr. Rank also is the most important character for Nora's transformation who acted as an adviser for her, helps her to realize her personal feelings. On other side, Nils Krogstad, Torvald's childhood friend

Evidence of Mrs. Linde's hard life can be seen in the conversation occurring between herself and Doctor Rank, a friend of the Helmer's. In contrast to Nora's life of little trouble and frivolity, Mrs. Linde has worn herself out, both mentally and physically:

In Henrik Ibsen’s play A Doll’s House, pointedly captures the reality of the Victorian Era within the play. Nora Helmer, the protagonist of the story, represents the typical women in society during that era. The audience’s first impression of Nora is a money obsessed, childish, obedient house wife to her husband, Torvald Helmer. However, as the play progresses one can see that Nora is far from being that typical ideal trophy wife, she is an impulsive liar who goes against society’s norm to be whom and what she wants. Her husband is illustrated as the stereotypical man during the 19th century, as he is the dominate breadwinner of the family, who too deserts his position as the play reaches its end. A key theme that is brought to light in A

Nora plays with Dr. Rank 's emotions; though by accident, she does so more than she had intended. Nora becomes desperate for money at one point and intends to use her sex appeal and subtle charm to get some from Dr. Rank. Nora is in the process of flirting

It is also believed that Rank's illness is a product of his morally corrupt father, which widens the connection with society's ignorant beliefs. On the night of Rank's final examination, one can see the symbolic connection between Rank's death and the "death" of Nora and Torvald's marriage. This can clearly be seen in what happens after the statement Nora makes about receiving Rank's calling cards telling of his coming death, "That when those cards came, he'd be taking his leave of us. He'll shut himself in now and die" (1604). It is with this extremely symbolic statement that the reader can see the connections between Rank, the death of a society which does not allow honesty in marriage, and the end of pretending by Nora. Almost immediately after Nora makes the statement about Dr. Rank, she decides to perform a final "examination" of her life and lets the letter from Krogstad be revealed. It is through the symbolism of Rank that the reader sees the deterioration of society as it was known by the main characters.

Quote: After Kristine hears of how regularly Dr. Rank visits the Helmer’s household, she advises Nora by saying, “Now listen, Nora; in many ways you're still like a child. I’m a good deal older than you, with a little more experience. I’ll tell you something: you ought to put an end to all this with Dr. Rank.” (Ibsen 1271).

Dr. Rank’s death has become an opportunity for Nora to gain his assistance by preventing Torvald finding out about the debt. Nora trust Dr Rank more than her husband. When Nora teases Dr. Rank with the stockings, this can be taken as a sexual gesture which results in betrayal against her marriage. Her promise to dance for him shows her flirtatious ways. Dr Rank and Nora are close friends because he loves Nora genuinely.

Further into the play, it can be seen how Nora feels comfortable in Rank's presence and shares insight on personal details about herself that she would think twice before sharing with Torvald. At one point in the play, she admits to Dr. Rank: "Torvald is very like being with papa." (196), which shows how Nora is completely herself around Rank's company-and how Rank treats her with dignity, something that lacks in Torvald's treatment of her. This quote also contributes to the theme of honour as she does not wish to further dishonour Torvald any more than she already has, as honour is of overwhelming importance to Torvald and it is what motivates his behaviour towards Nora in the first place. Therefore, Nora does not feel comfortable enough to

In the passage from Henrik Ibsen’s A Doll’s House, Dr. Rank and Nora have a complex relationship. The two have a relaxed relationship but the feelings are only felt by one side. Dr. Rank, ill and limited on time, has feelings for Nora. He wants to convey that he loves her while also respecting hers and Torvald’s relationship. Nora is playful and more open and mature with Dr. Rank, yet, he is misled. Nora pushes Rank away when he tries to explain his feelings. Dr. Rank has kept his feelings to himself especially because he has syphilis and Nora is married. They are also both friends of different genders and situations. The passage demonstrates the one sided feelings and maturity level of both sides.

Here, Nora pulls together the tragic circumstances. She sees that she was never truly happy in the house, just content. Her father kept her as a child would a doll, and Torvald continued this when they were married. They formed her opinions for her, set expectations to which she was supposed to adhere, and wrote a vague script of how she was supposed to act. She was like a puppet, with no thoughts or actions of her own. When she finally realizes the injustice being done to her, she decides to free herself.

Nora Hemler – The protagonist of the play and the wife of Torvald Helmer. Nora initially seems like a playful, naïve child who lacks knowledge of the world outside her home and a bit of a ditz. When her husband, Torvald, calls her things like his "little squirrel," his "little lark," and, worst of all, a "featherhead," she doesn 't seem to mind. Experiences and knowledge have enabled her to see her position in her marriage with increasing clarity and finds the strength to free herself from her oppressive situation.

A Doll’s House was published in Norway in 1879 by Henrik Isben. He is known as the father of Modern Theatre. He is also referred as the father of realism. The play is very interesting because of the funny dialogue, the unique characters, and Ibsen 's view of the place of ladies in the public eye. The main characters of the play is Nora Helmer and her husband Torvald Helmer. Imagine what it would be like to live in a doll 's home? It 's a house in which you are controlled and have no energy to settle on any solid choice; It 's a house in which you are a play thing for another person 's amusement. This sounds a ton like an awful marriage, so it 's a house in which your husband holds the satchel strings, in a manner of speaking, and abandons you with no influence over your family 's accounts. In fact, your husband keeps you on a tightrope. Such is the perceived life of Nora Helmer.

Her final goal was so important to her, protecting her family, she knew she had to do whatever was necessary, even if that meant not being true to her husband or society. In the end, she realizes that it was more important to her husband his reputation, than what it had meant to Nora, all she had done for the love of her family, concluding to the raw truth that her husband didn´t really love her: he loved what she represented before society, a loving, faithful wife that compelled to all his expectations. She knew that to love her children, she needed first to understand and love herself, a thought way beyond and ahead of time, for a woman in the late 1800´s.