Henry Gulliver Vortex Sutra By Alan Ginsberg

"Greensleeves" by Alan Spence is a short story describing the life of an elderly lady living alone on the top floor of high rise flats in Glasgow. Spence creates a character readers feel sympathy for through isolation and lonliness, themes that run prominently throughout the story.

In “New Axioms for Reading the Landscape: Paying Attention to Political Economy and Social Justice,” Don Mitchell incorporates old ideas from Peirce F. Lewis’s original “Axioms for Reading the Landscape.” At the same time, Mitchell includes new ideas into his axioms. In Axiom 1, he explains that “the landscape is not produced through ‘our unwitting autobiography’ (as Lewis describes it), but as an act of (social, not individual) will” (2007, 34). He also stresses the idea that landscape should be produced as a commodity. In contrast, Neil Smith explains the main causes behind gentrification. Smith explains how gentrification happens through a process which he calls “rent gap” (1979, 545). In gentrification, the landscape is a commodity because it loses and gains monetary value through disinvestment and investment.

During Mr. Rosenberg’s leave we learned different dramatic elements such as script analysis, stasis and intrusion, dramatic conflict, etc. This helps us to understand the different elements so one day when we have to apply the elements we will already be mindful of them. Additionally, we also learned about the beginning of theater dating back to ancient Greece and their different ways of displaying theater.

In “Why Place Matters” by Wilfred M. McClay and Ted V. McAllister, the authors establish an argument of why place matters more than virtual places brought to us by technological advancements. McClay and McAllister talk about the risks as individuals and society face, when losing connection to physical space. They discuss how a feeling of “thereness” has vanished because people focus on a virtual place. Technologies around us have “absorbed our energies,” is something they mention, and it is what the satellites revolving around Earth are doing. The authors say when we move we have no emotion because we have detached ourselves very quickly from the place. McClay and McAllister reason how we all come from a place or “places” that

A similar idea is used In Bruce Dawes poem “Homecoming”, he uses vivid imagery and other poetic techniques to display his opinion on war. He uses his unique Australian cultural context that helps connect

"yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of hospitals and jails and wars" (Ginsberg 11). Like many authors of the modern literature movement, Allen Ginsberg explores the bomb's psychological affects on many Americans during the 1960s. Modern literature describes the chaos of the 1960s, caused by increasing societal problems and fear of the new atomic bomb. Writings such as The Basketball Diaries, "Howl" and Cat's Cradle express concepts of fear, power, governmental control, and death. Government uses society's fear of death and the end of the world to keep control and power over the people. The atomic bomb generates such universal fear and the corrupted government fails

Soul by Soul by Walter Johnson centers on the internal slave business in New Orleans as well as the slave market as a place of portrayal and oblique connotations built around the commoditization of the physique of slaves .A significant interest in Soul by Soul relates to the slave pen, where slave bodies as commodities determined the identities of black and white persons. Slave transactions were typically about show and filled with meaning-making, which was itself characterized by cost and worth. The paternalism ideology employed the black persons’ physique and slave transactions to imply that white persons were assisting powerless black people in the slave markets. In essence, the ideology suggests that, contrary to common perceptions, white persons were not separating slave families .The slave market history discussed in Soul by Soul relates to that of the antebellum in the South where slave trade was basically about purchases and sales. Those who owned slaves were consumers in the marketplace. Consumer way of life had structured individual identities. Slave bodies were regarded as items to be rated and assessed and were usually the subject of discussions. Every slave was given a made-up and decorated past. The market culture of slavery in that era was based on fantasy just like the ideology of paternalism. Succinctly, the slave market stimulated the self-definition of white persons from the South.

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

Gustav Holst (1874-1934) was an English composer well known for his orchestral suite The Planets. Holst began his trip into the musical world as a young pianist. His father, Adolph Holst, was a skilled pianist who wanted Gustav to succeed at playing as he did. Gustav, however, was impaired by neuritis making it difficult to play for long hours. As Gustav aged he began trying to compose music instead. Gustav failed to gain scholarships to any colleges and his father, after hearing one of Gustav’s small town operettas, borrowed money to pay for his college. Gustav’s influences were pieces such as Wagner’s Götterdämmerung and Tristan and

Space refers to the distance between individuals when they interact. (Giger Newman & Davidhizar, 2002) According to Hall (1966), there are four zones of interpersonal space: intimate, personal, social and consultative, and public. (Giger Newman & Davidhizar, 2002) Each culture could have different rules when it comes to space. Alongside that each person has their own comfort level when it comes to space. A patient’s personal and intimate space can cause discomfort and may result in a client’s refusing treatment or not returning for further care. (Giger Newman & Davidhizar, 2002)

Ginsberg reflects on the satire of people worshipping American culture when it is actually the cause of their trouble. Which glorifies a civilization restricting you to normality, and destroying the best minds. These parts take the reader behind Ginsberg’s belief of the “best minds” American culture changes across the fundamental desires to destroy them.

Throughout his novel Everything Flows, Vasily Grossman provides numerous occasions for defining freedom. In the midst of attempting to give meaning to freedom, Grossman greatly invests in wrestling with the issue of why freedom is still absent within Russia although the country has seen success in many different ways. Through the idea and image of the Revolution stems Capitalism, Leninism, and Stalinism. Grossman contends that freedom is an inexorable occurrence and that “to live means to be free”, that it is simply the nature of human kind to be free (200-204). The lack of freedom expresses a lack of humanity in Russia, and though freedom never dies, if freedom does not exist in the first place, then it has no chance to be kept alive. Through Grossman’s employment of the Revolution and the ideas that stem from it, he illustrates why freedom is still absent from Russian society, but more importantly why the emergence of freedom is inevitable.

Henri Lefebvre (1991) asserted that the production of space concerns the “performances of power through (as cited in Aitken & Dixon, 2006, p. 332). Space is power. Large spaces between the rich and the poor in the buying area underline the performance of space. The representation of space is much more crowded for the poor as shown in the Piazza Vittorio. Gonzaga (2017) would call this the “cinematographic unconscious of slum voyeurism” (p. 102). Representational spaces are filled up with the power of the government and the rich. The scene of the linen being brought up in the warehouse of linen characterizes society’s gross inequality, suggesting that the rich steals from the poor the most. Depicting the poor as they are illustrates the spaces denied to them. If they are concentrated in any space, it is the space of neglect and impoverishment.

In the Alta Loma Hotel in the Bunker Hill district of Los Angeles, writer Arturo Bandini's hotel room window opens onto the ground level, a smog and sand-choked base of a palm tree as his view. Arturo's train of thought

Therefore, in the very beginning, Ginsberg presents to the reader the subject and tone of the poem in the context of this question. Ginsberg’s questions make the audience realize the seriousness of the issues that this poem discusess, such as America, politics, war, humanity, and ethics.