Henry Moore Two Large Forms Analysis

I think about how the world had betrayed this women. They made this woman plump and empty, she does not even have a face. This statue is nude showing everything to the naked eye, she does not have a desirable body. This sculpture shows how much a woman was respected back in the day, which was very little.

The piece I decided to analyze is the famous sculpture, Laocoön and his two sons. I decided on this particular piece for a few reasons, one being the emotion we see on the subjects’ faces, and the other being the importance for future art. When I began this research I could not have possibly understood the relevance this piece had on the art that was yet to come.

I can only tell by body language that they want to spread heroism between men and women. The use of marble links the sculpture to the glow and smoothness of the male skin. In this sculpture, it appears to be characterized by imagery aimed at the sense of the marble statue. The standing sculpture appears to be relaxed, while the median line makes an angle. While standing upright, the figure’s feet are place in a certain way that brings a shifting effect or movement and a stable poise.

The style of this sculpture falls under impressionism. The dimensions are ( 113x 57.8 x 40.5 cm). This particular sculpture was actually entered in a competition that was intended to design a monument that was meant to honor and salute the heroes of Paris who took part in the Defense of Paris during the Franco-Prussian War, although Rodin did no win the contest this monument was still able to be installed in Verdun in the 19th century to show appreciation to the French soldiers of World War I. When you look closely at this sculpture you will see a female who has wings and to me this symbolizes an angel, she is over top of a warrior of some sort who seems hurt or wounded, possibly dead. This female may be his guardian angel or something. The lady with wings seems to be screaming because her mouth is wide open , I am not sure if this is a cry for help or a rejoicing moment.

The piece I chose to write about is called Anti-Mass by Cornelia Parker who originated from London, created this piece in 2005. She was also raised Catholic which really gives you a sense of this sculpture. It is located at the de Young. What really made me chose this piece is because of how massive it was when I walked up to it. It seemed so intense when I looked at it and at the same time it looked so surreal. Now with this piece, you would need to walk around it at least twice to really feel how it is huge when it comes to the size, its hanging from the ceiling and continues till its only a few inches off the ground. Walking around it is when you really understand the size since its three-dimensional.

A bronze sculpture consisting of just six rectangular shapes and a semi-rectangular base, this piece is very simple, and its minimalistic structure is similar to that of Malevich’s Supremacist Composition: Airplane Flying. From a certain angle, the sculpture resembles a figure stumbling and falling over the base, depicting some sort of motion. In this sense, it is similar to Boccioni’s Unique Forms of Continuity in Space, which sought to use air currents to symbolize a moving figure. The simplistic yet abstract nature of Shapiro’s work makes it feel right as home in the Modernist Revolution, despite the fact that Shapiro’s sculpture was made in 1991, more than 70 years after the Modernist Revolution occurred. In addition, Untitled is unlike any other “figure” sculpture we have studied thus far. Just about every major sculpture we have covered resembles some form of a human-like body, whether they be an actual human or a divine figure. Even Unique Forms of Continuity in Space possesses what appear to be legs, a head and a torso. The odd and minimalistic composition of Untitled means that is possesses no definite form resembling a human and could very well be meant to resemble something completely unrelated to human, quite possibly an inanimate object or even something that was not meant to be resembled. It is the only work of its kind present at the sculpture garden, and as such, it carries far more mystery than any other work

The fact that the sculpture is a bronze also impacts the meaning of the piece. Not only does the medium help make the piece more structurally stable and prevented it from breaking, but it also creates a more rigid and

The woman depicted in the sculpture stands straight and tall. Her large scale along with her posture gives her a powerful appearance. Her expression is serene and composed. She does not exhibit much emotion. Instead, she is shown as being stoic and controlled. She looks straight ahead, and her entire body points forward.

From the base of the arm climbing upward are third-dimensional sculptures of men, women, and children shaped in almost a skeletal like form. Each face is carefully crafted to project sadness, agony, or despair. Every expression tells their story.

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported

This sculpture is of a women breast feeding her child. The face of the two people is elongated, as well as the breasts of the mother. This is common to all African Art because they wanted representation of what is being expressed. In this particular sculpture, a supernatural power is being called upon. The power has been asked to protect the mother and child, and to

At first, this work of art made me feel happy and slightly mischievous. Then I learned that Amalia Pica lived under a dictator in Argentina; this changed the way I saw the sculpture. I believe that the piece is meant to symbolize that there is always someone listening, even if you are unaware. This give me an eerie feeling

From an historical perspective, this piece is an excellent example of early classical Rome. You can sense the respect and admiration that the average Roman citizen had for Augustus, in the fine details of the sculpture.

Our world is full of so many grandiose monuments, eye-catching sculptures, and stunning statues, each having an individual story to tell. Thousands of them have been created however, only a small number of them are actually extraordinary and picture-worthy. This paper will compare and contrast two of those picture-worthy sculptures. Furthermore, I will examine the aspects of each of these sculptures. I will compare and contrast what each of them represents, the differences in texture, their size and their tone.

Art is all around us. There are many different forms of art. It can be something created, captured, or it can be already existent. Not a single person is to say what makes something art because there is a different definition for everyone. However, there are a couple factors that come into mind whenever someone decides to declare something as art. In this essay I will be comparing and contrasting four different pieces of art. I will be discussing each art piece’s form, time period of creation, intention or purpose, and value. These four pieces of art are Michelangelo’s Pieta, Fountain by Marcel Duchamp, Mark Rothko’s No.61, and the “Oyster Dress” by Alexander McQueen. These works of art come in all different shapes and sizes but they are valued