Hera's Role In The Odyssey

Although “The Odyssey” by the Greek poet Homer is very much an epic tale of a man’s heroic quest, women play an incredibly large role. Homer’s epic tale, “The Odyssey” revolves around Ulysses’ quest to return back to his wife, Penelope, so that he may be reunited with her and assume control over his palace, which has been overrun by suitors. Ulysses’ son, Telemachus attempts to regain authority in the presence of the many suitors but finds this difficult and embarks upon his own journey under the guidance of Athena and other deities. The main thrust of Homer’s “The Odyssey” centers upon the adventures of Homer as he endeavors to get back home, which he finally does. He overtakes the suitors through his cunning and the tale ends happily.

Within the masts of ships, the tests of loyalty, and the authority of the social pecking order lays the similarities and differences among powerful female characters. The Odyssey by Homer was written as a sequel to his previous work The Iliad. These books follow The Trojan War and the events following this massive war. Specifically, The Odyssey follows the journey of war hero Odysseus on his way back home to Ithaca. On his campaign filled with trials and tribulations, Odysseus received help from many important women. Bright-eyed Athena, the goddess of strategic warfare, serves as a mentor throughout Odysseus’ journey to his homeland, Ithaca. Calypso, the nymph with the human voice, houses Odysseus on his journey home. Eurycleia, the nurse in his placae, provides care and support to her superior, Odysseus. These three women can all be compared and contrasted to one another because of their close relationships with Odysseus, master of tactics. Odysseus would not have been successful on his journey home to Ithaca if it were not for women such as Athena, Calypso, and Eurycleia.

The cultural role of women in the Odyssey In Homer’s Odyssey the cultural relevance of a preferred woman’s role in society generally stands out in the roles of the female characters of Athena and Penelope simultaneously rejecting the negatively viewed characteristics of Calypso and Circe. The entire structure of Ancient Greek culture boasts its men in more superior roles than that of women. Greek society was largely built upon an idea that good women were only around to faithfully serve and support their husband and that it was very important not to stray from those essential traits. Athena is a very involved character from the beginning of the book when she wants to help Odysseus get back home to Ithaca. However, as fate would put it

The most powerful female force in The Odyssey is the goddess Athena. She, more than anyone else, brings about Odysseus’ homecoming. The poem opens with her pleading with Zeus to take pity on Odysseus. Zeus issues the command to Calypso to free Odysseus. Athena guides Odysseus every step of his voyage to Ithaca. She tells Odysseus that it is she “who always stands beside [him], shields [him] in every

While Athena is divine, she is still a central female character and the way in which she is portrayed makes an impact on the way Homer’s women are perceived.

Athena was the Greek Goddess of many ideas, but she was famous mostly for her superior wisdom, her cunning skills in times of war, and her implausible talent for household tasks, such as weaving and pottery. She was celebrated more than any other God in ancient mythology, was the supposed inventor of countless innovations, and her figure gave reason for Greek woman to gain rights long before others of their time. The goddess of war, the guardian of Athens, and the defender of Heroes; Athena’s impact on the lives of Ancient Greeks is outstanding.

In Homer’s epic poem the Iliad, gods and goddesses play an important role in influencing the lives of humans, and Athena is an important part of the war. The goddess Athena is written mostly as a mortal, where she signifies the personification of war. Both sides of the war know that with Athena, they will not lose. This is probably why she is the most significant minor character. Athena is the most significant minor character because she is brave, wise, and she is a warrior. Athena plays a significant role in the unfolding drama, because both the Greeks and the Trojans know that her favor, they cannot be defeated.

When Zeus wants the Trojans to win, he will turn nature against the Greeks, slay one of their heroes, or send one of their loyal immortals down to turn the tide of battle. If Hera wants to get back at him, she will do the same thing against Zeus's people, the Trojans. In the Odyssey, things are very different. The Gods of Olympus generally will not interfere unless they are asked to such as when the Cyclopes pray to the wrath of Poseidon after he is blinded by Odysseys. The Gods do not automatically view all humans as simple as supplicant whelps, whichever. Athena's conversation with Odysseys are remarkably free of the aloofness and strict affectation that so spread through the discourse between the Gods of the Iliad. They do not have a greater respect for human life in general (witness the casual slaying of Odysseys companions, and the Athena backed bloodbath which occurs when Odysseys returns home) but they have a greater respect

By societal standards today, women are characterized as strong and independent. Women have gained the right to vote and now largely populate workplaces everywhere. Certainly, Homer’s Odyssey cannot be compared to modern times as a feminist piece, it is usually portrayed as the exact opposite. In fact, Homer shows that women are responsible for many problems that arise in the epic. Yet, despite this there are still many powerful female characters. Additionally, most female characters play large roles. This differs greatly from Homeric times, in which women would not have as much power as female characters in the epic possess. Ordinarily, Greek women were represented as docile and obedient creatures who would not leave the trappings of the household. Although women in the Odyssey do show tendencies to conform in these expected, submissive ways, female characters exercise a large amount of power over the events of the Odyssey. This resulted in a collection of strong female characters, a stark contrast with the time. Throughout the Odyssey female characters are characterized as strong through many different ways. Female characters assume positions of power, use sexuality and/or wits to stay ahead, and offer crucial advice and help to Odysseus and Telemakhos.

At the beginning of the story, the gods are debating what to do with the Greeks after they pillaged Troy, but more specifically, violated Athena’s shrine. Athena asks for help and says to Poseidon, “I want to help the Trojans who were my enemies, and make the Greek army’s homecoming a bitter one.” (Euripides 63). To which Poseidon replies, “You’re so fickle. Your mind leaps here and there: now you hate, and now you love, and both in excess.” (Euripides 65). Even Poseidon admits to the “fickleness” of the goddess since her allies during the war were the Greeks. This lends itself to show that Helen could be telling the truth about the goddesses having an argument about the beauty of each other and Aphrodite forcing Helen to run away with Paris. Helen also helps her argument by pointing out that the fight was preordained by the gods based on the prophecy about Paris, and then blames Paris’s mother and father for letting Paris live, rather than slaying Paris and trying to stop the prophecy from coming true. Through the many effective arguments, Helen shows that she did not ask to be carried away by Paris and that she liked Menelaus. Menelaus seems very weak compared to Helen, especially since he seems to not be able to make up his mind whether to kill her or not. In the end, Menelaus seems to decide on letting her live, though he still tells

‘The Odyssey’, like other epic poems, is patriarchally centered. The poem is focused on “godlike” Odysseus and his laborious journey home (Homer __). In Ancient Greece, the time of Homer, women were commonly viewed as part of oikos headed by the male kyrios. They were expected to be submissive, domesticated, and viewed as their master’s property. This raises an important question in the context of this epic: are women only secondary characters that blindly follow the decisions of their male counterparts or do they have the ability to make their decisions freely? Homer, a forward thinker for his time, allowed the reader to make this judgement by including two paradoxical characters: Penelope and Calypso. Penelope, the “faithful” wife of Odysseus, spends most of her time crying and longing for her husband. She is compliant and passive, never making a decision without her husband (homer __). Calypso, on the other hand, takes her sexuality into her own hands. She traps Odysseus in Ogygia and attempts to force herself on him, showing that she does not follow the norms of being an obedient woman. Through the inclusion of Penelope and Calypso, Homer is able to address the view of women in typical epic poems by both accepting it and challenging it in order to redefine what is expected of epic tradition.

Athena shows sympathy for the agony mortals suffer through in life. Athena exposes the reader to this idea by confessing her concerns to Zeus in the beginning of the story, “but my own heart is broken for Odysseus” (book 1 line 67). We learn from this line that the gods are more than beings of vengeance,

One of the female characters in “Odyssey” is Athena. Athena is the daughter of Zeus and the goddess of wisdom, purposeful battle, and the womanly arts. In the “Odyssey” she is portrayed as a helper and guardian of Odysseus and his family. Athena assists Odysseus on his journey home, and Telemachus (Odysseus’s son) on his journey as well. She is also a master of disguise, clever, and wise. This we see

When Athena leads Odysseus back to an Ithaka that he no longer recognizes, she again "poured a grey mist all around him" because she wanted him to be incognito while she informed him of the situation of the suitors and until "the suitors paid up for their crimes." She wanted to protect him from the people who would suffer for his return until a plan had been formulated to seek revenge. Athena also disguises herself as a sheperd boy and talks with Odysseus. However, she

Goddesses may help less able heroes in battle by removing them from the field, or disguising them. Aphrodite rescues Paris [p74] and Aeneas [p100] from the field when they are having difficulties. Goddesses physically influence the weapons being used in battle. In the case of Pandarus breaking the truce between the two sides, Athene stops the arrow fired at from being fatal by deflecting it. Another means by which goddesses help humans is by making people appear more fearful or more beautiful. When Achilles ventures out to the Greek wall in Book 18 [p342] to raise a battle cry, he is joined by Athene, and together they terrify the Trojans.