Herman Melville 's ' Moby Dick '

Valerie Holliday’s essay ‘Masculinity in the Novels of Philip K. Dick’ discusses Dick’s use of masculinity and gender, and parallels it to his life and socio-political exploration.

Perhaps, in the following essay I put a quart into a pint pot, because I intend to puzzle out, or rather, find and give a deeper insight into Walt Whitman's sexuality that is still a question on agenda. There are readers and critics who state that it is a shame to humble his poetry to this level, but I think that he was homosexual in his era the topic cannot be left untouched, because therefore this factor was very influential on his everyday life, thinking and hence on his poetry, too.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

Throughout the 1950’s, the United States belonged to the Leave It To Beaver era. Families were structured around a strong, hard working father and a wonderful homemaker mother. Children were brought up with solid ideologies on what society expects from them and were warned about living a different and dangerous life. Only one-year separates Tennessee William’s Cat on a Hot Tin Roof and James Baldwin’s Giovanni’s Room from there publishing dates during this decade of unwavering beliefs. These texts were seen as extremely controversial during their time due to their themes of homosexuality. Sexual orientation was an awkward topic during such a “to the book” time period and these texts pushed the limits, making them remarkable and memorable works. Both Tennessee Williams and James Baldwin explore the panic men experience while trying to comprehend what sexual orientation they belong to and highlight the masculine gay man. These texts also examine the woman’s role in the mist of it all.

In the novel Moby Dick by Herman Melville, there is an untold truth about racism. The “whiteness of the whale” and Ishmael’s relationship with Queequeg suggest more than what meets the eye. Moby Dick was written approximately 10 years before the Civil War in America, a time when the fight over race was more relevant than ever. Although some may argue that race cannot be argued in Moby Dick, an article from The Massachusetts Review says, “the novel is a a floating Babel of racial types” (Bernard). The order of the Pequod demonstrates the hierarchy of race in the world at this time. Due to the focus on the “whiteness of the whale”, the broad-mindedness of the characters, and the secondary position of the colored characters.

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman

In The Paradise of Bachelors and The Tartarus of Maids, Melville subtly criticizes women in the working or public space, while positively depicting men in a domestic space. Melville’s contrast of the paradise of bachelors and the Tartarus of maids, clearly demonstrates how men were perfectly allowed and able to exist in both spaces without degrading their reputation, questioning their manhood and without consequence made both spaces their own. This is not true for women who step outside the domestic space.

One of Herman Melville’s biggest personal secret is that he was queer. He had a wife, but also wrote love letters to his male interests. It is safe to say Melville was bisexual, but no one will know for sure. In Billy Budd, Sailor, Melville wrote in a gay character, which is Claggart. Dana Silva, a publisher in Agora, in her paper “Exploring Homoeroticism in Herman Melville’s Novella Billy Budd, Sailor,” published in Agora, explains:

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

Throughout the 19th and 20th centuries, many authors have written about the struggles and hardships of those who make up the homosexual or LGTB communities in their daily lives and pursuits, some of these struggles are presented in the book, Gender and Sexuality: Perspectives on LGBT History and Current Issues in a Changing World. All of these authors presented in this book seemed to have a talent for writing and putting their frustrations about their society, but also their take on the world around them. They present their writings in formats which sometimes a majority of society accepted and may not have even realized that the material presented possessed an underlying message of sexuality which deemed it acceptable for most audiences to read. These writers did not only focus on gender topics but focused on other issues that surrounded their daily lives, bringing to the attention of their audiences. LGTB authors, such as Tennessee Williams, Patricia Highsmith, and Langston Hughes, write on the same types of topics, but have different ideas and representations on their specific communities in their literary writings as well as shaped American Literature with their plays, novels and poetry.

Melville's novel, Moby Dick, has only men. Melville's men's club sails a sea whose gender changes often and whose personality is resolutely enigmatic. The feminine in Melville¹s novel hides her face in a veil of stars and behind a cloud of words.

Walt Whitman is considered one of the most important writers in the history of American Literature. The people of his own time called him a radical, a madman, and a pornographer. These days he is greatly appreciated and entitled as a fearless prophet of a new stage of human development. Sometimes Whitman would be in a slump and he felt that he needed to deflect the people who inquired too directly. This even meant using examples of homosexual elements in his work, as well as unbelievable stories of him having affairs with numerous women and fathering many children, unknown to him. Throughout these sorts of times W. Whitman has gone through both resentment and flattery, nevertheless showing us

Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.