Herman Melville's Billy Budd as Allegory of Good versus Evil
Herman Melville's Billy Budd relates an allegory of innocence versus evil by symbolizing Billy Budd, John Claggart, and Captain Vere as Jesus Christ, Lucifer, and God.
The protagonist in the novel is Billy Budd. The experiences that Billy undergoes throughout the novel parallel what Jesus Christ endured in his life. Melville characterizes Billy Budd as an innocent man physically and mentally. The first feature sailors would notice about Billy were his schoolboy features, with blond hair and blue eyes. His suave looks caused some people to refer to him as "the handsome sailor"(16). Most often sailors were scurvy men, quite often with diseases, who made no effort to
…show more content…
Although Billy was stolen from another ship, he still follows whoever is the leader. Billy's innocence can be seen in one particular scene with Claggart. Billy accidentally spills his soup and Claggart exclaims with heavy sarcasm, "Handsomely done, my lad! And handsome is as handsome did it too!"(36). Billy fails to recognize the sarcastic remark, because he can't understand why a person would try to hurt him. His moral disposition allows him to keep sinful thoughts out of his head.
The similarities between Christ and Billy include their demises. Jesus Christ supposedly said that he was king of the Jews. Then he was tried and convicted of treason, although he was falsely accused in the first place. His punishment was crucifixion on a large wooden cross. Billy Budd suffers a similar demise. He was accused of being the leader of rebellious group planning a mutiny. Outraged by the outlandish charge he kills his accuser with a single blow. Billy is then found guilty of mutiny, and he protected the true mutineers. Billy is sentenced by a drumhead court to hang on the yardarm, which is similar to the cross that Christ was put on.
Claggart, symbolized as Lucifer, is the antagonist in Melville's story, and he draws on evil to prevent Billy from reaching glory. Claggart presents the ultimate mystery in the novel. It is imperative to
Captain Vere knew that Billy did not mean for him to die but he still calls a trial for murder. Captain Vere knew that Billy was not going to revolt as well but because of the mutinies that had been taking place at that time, Vere did not want to show any weakness. Billy could have probably gotten off had he turned in the other men who were actually planning to revolt but he didn’t because of his loyalty to his crew. He lost the trial and was hanged, his last words being, “God Bless Captain Vere!';
Billy is innocent in a sense that he has done no wrong which leads to his blind and naïve view of evil. The Dankster tries to warn Billy that ‘nobody’s friend is Jimmy-Legs’ and by saying ‘he is down on you’ but he does not see Claggart to be a threat of any sort. Billy’s innocence and devotion to good do not let him see the evil in Claggart whom is trying to destroy him but eventually conflict resulting in the murder of Claggart from a blow by Billy.
Caitlin loves Billy’s character even though he is homeless. Caitlin is fascinated with Billy’s character rather than what he has and his status. Caitlin is engrossed in Billy because he is clean. Billy keeps his clothes clean, himself clean and his carriage clean. In the passage Billy’s cave (p. 62).Caitlin says that his carriage is clean and warm. Caitlin is also attracted to billy’s character because he is not a normal hobo. Billy is smart, clean, polite and calm. In the passage Caitlin and mopping (p. 35).Caitlin says that Billy as ‘so calm’ when he exited McDonalds. This shows that Caitlin enjoys Billy’s company despite Billy not having any
Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.
It was very unlike Billy to ever do something so rash; he brought out the best in everyone. Captain Vere felt in his heart that Billy’s actions were a mistake, but he could not be sure. The accusation Claggart made was mutiny, and mutiny was a serious crime. Vere had no proof that Billy was not guilty, so for the safety of himself and his crew, he sacrificed Billy’s life.
One of the literary elements that Melville uses that convey the narrator's attitude towards Bartleby is diction. The author's diction in this short story is very descriptive and is also slightly comical. One of the ways this is used is when the author gently mocks the narrator by having him expose his flaws through his own words. For example, when the narrator talks of John Jacob Astor, a well respected man who complemented him, we
Although Washington could not describe himself as a revolutionist, his present state of external conflict forged him into the figure engraved in our minds today. Herman Melville (1819-1891), author of the literary classic Moby Dick, possessed much experience that contributed to the setting and message of his writing. Although Melville never became a midshipman, or naval sailor, he can attribute a great deal of influence for writing to his life while at sea. Melville's Billy Budd, Sailor tells the story of a young mariner and his induction on the H.M.S. Bellipotent. From unstable relationships to cabin revolt, Billy, the main character, faces a series of conflicts that ultimately creates varying images of him in the differing minds of those around him. In view of all of this, Melville, in Billy Budd, Sailor, communicates to readers the theme that “conflict, internal or external, exists as the framework of destiny,” through Billy's initial reaction to the crew as a result of enlistment on the Bellipotent, the rumor of mutiny, and his
Hawthorne’s use of elaborate symbolism is seen through out the entire story. The naïve man represents all people, who at first are blind to all the wicked darkness in life. The forest is a foreshadowing of evil, and is used to set the atmosphere in the story. Hawthorne cleverly uses "Faith" as the Puritan’s wife’s name to show his readers that even those whom we entrust with our most intimate love and faith often experience the same temptations and desires as the rest of mankind. The Devil’s fire, around which all the townspeople danced, is a representation of all their sins. At the end of the Puritan’s journey his transformation is a symbol of what happens to people when faced with the realization that no individual is sinless. This situation is similar to when a child discovers that its once loving and all knowing parents have flaws, it goes through this transition and it too looses its innocence. Through this gloomy allegory filled will elaborate symbolism Hawthorne conveys his ideas on the darkness of human nature.
According to Romans 13:1-2 Billy was definitely in the wrong of punching Calgart. If Billy would have just kept his cool like a good boy he definitely would not have been in as much trouble as he ended up getting into.
Part of Billy's appeal to his shipmates was due to his unparalleled feats of strength that had become canonized amongst them. Just as Jesus' tales of miracle workings and deeds helped to further His legend, Billy's prodigious exploits and physical attributes in turn furthered his own: "Tales of his prowess were recited. Ashore he was the champion; afloat the spokesman; on every suitable occasion always foremost" (1486). The recantation of Billy manhandling Red Whiskers, who is openly hostile towards Billy, and subsequent winning of his allegiance, can be viewed as an allegorical tale of Jesus winning over the stubborn Simon Peter into His congregation of Apostles. Billy, like Christ, is a symbol of peace and unites the other sailors into a familial contingent: "But Billy came; and it was like a Catholic priest striking peace in an Irish shindy. Not that he preached to them or said or did anything in particular; but a virtue went out of him, sugaring the sour ones" (1488). The familial aspect of the crew is alluded to in the description of Billy not having any known relatives or family members: "for Billy, as will shortly be seen, his entire family was practically invested in himself" (1490). This idea goes along with Christian theology often invoking the image of the
Billy had no mental problems. He was more than capable of having a conversation and could have explained himself to the captain. Billy let his emotions get the best of him. Billy regretted striking Claggart. Billy was punished correctly for the crime he
Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s
Progress is key to living life, but if one is advancing through life with the motivation of revenge, then, in actuality, he or she is truly regressing. Revenge is an extremely corruptive trait. It causes people to do uncharacteristic things that normally would not be done. The perception of right and wrong is blurred and one takes inadvertent actions that may cost friendships, possessions, and even lives. Revenge is often a major motivating factor in the characters that are in the works written during the Dark Romanticism period. One of the most celebrated and influential American authors in history, Herman Melville, was born on August 1, 1819; his reputation was not quite
Donald Yannella, author of New Essays on Billy Budd, says that “at the heart lies an obsession with justice," as is exhibited in Herman Melville’s classics, Moby Dick and Billy Budd, Sailor. Herman Melville was an American author born on August 1, 1819 in New York, New York. The author wrote many books and penned poetry in his later years. Best known for his novel Moby Dick, Melville was not regarded as one of America’s greatest writers until after his death on September 28, 1891. Not achieving his dream job, and with his family in shambles, he boarded the St Lawrence in 1839. His time spent at sea would prove to be useful, as the majority of his books take place on the high seas.
William ‘Billy’ Budd has been described as a ‘Christ’ like character. His physical appearance remains to be a focus throughout, and his perfection is, ultimately, what attracts all the sailors to him. Billy has an innocence to him that many on the ship have lost. However, nothing is perfect as it seems, as Billy’s flaws lead to his demise. Billy’s stutter, as well as his childlike mentality when it comes to aggravated situations show that while God can create seemingly ‘perfect’ beings, Satan and evil also have their say and play a crucial part. Billy’s death in the novella can be considered a mirrored image of Christ’s death in the bible. Even their last words bear a sense of forgiveness. Billy’s final “God Bless Captain Vere!”, (page 86), is very similar to Christ’s, “Father, forgive them for they know not what they do.” Billy’s final exclamation results in a lack of wavering faith and, almost, forgiveness for Captain Vere’s condemning William to death. Additionally, as written in chapter 27, Melville compares Billy to