Hero's Journey Avatar Analysis

In Oscar Wilde’s The Picture of Dorian Gray, William Butler Yeats’ “The Song of Wandering Aengus” and George Orwell’s 1984, each literature piece exemplifies all of the connections in Joseph Campbell’s 17 Stages of a Hero’s Journey in order to demonstrate the changes in the character’s development and the motivation behind their transformation.

All heroes around the world go through a journey of their own. Those journeys can be a physical, , mental, emotional journey, and lots more. These types of personal journeys are demonstrated in an epic poem, The Odyssey, by Homer, an interview, The Hero’s adventure by Joseph Campbell and Bill Moyers, a short poem, Courage by Anne Sexton, a graphic novel, The Odyssey by Gareth Hinds. They all show how journeys can be transformative and show a person’s strengths and/or weaknesses.

Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the

The archetype of the Hero’s Journey holds a prevalent pattern in the works of “Initiation” by Sylvia Plath, “A & P” by John Updike, and “Everyday Use” by Alice Walker. These works all follow the 17 stages of Joseph Campbell’s Monomyth which are separated in three stages; separation, initiation, and return. The main characters have different characterizations; however, they all follow the basic structure of the Hero’s journey archetype. There are many similarities and differences between the stages that are shown through many context clues and literary devices in each work. The Hero’s Journey archetype expressed in these literary works follow a similar and direct narrative pattern.

Spiderman, Batman, Superman, Wonder Woman, Cat Woman; when you hear the word hero or heroine that is who you think of. The most famous heroes of all time, as well as the not so famous heroes such as Hazel, fit the archetype of a hero; they are all courageous, resourceful, and strong-willed. Most people don’t notice that almost all action/adventure movies and novels are the same. All of their stories fit the archetypal pattern of a heroic quest. A heroic quest consists of twelve steps that the hero completes throughout his or her journey. In this essay, I will be explaining the parallels between Watership Down by Richard Adams and the archetypal pattern of a heroic quest; as well as the parallels between

Taking the time to pick apart the hero’s actions and thoughts can make the journey much more interesting and easier to understand. By understanding the basic characteristics and the stages of the hero’s journey we can not only understand the story more but we can also understand ourselves more. We can learn new ways to relate to heroes and our peers we did not know of before. In conclusion, the hero’s journey is a great way to learn a new lesson or two, learn more about yourself, and be entertained at the same

It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization.” The 12 stages of this are ‘the ordinary world’, ‘the call to adventure’, ‘refusal of the call’, ‘meeting with the mentor’, ‘crossing the threshold’, ‘tests, allies and enemies’, ‘approach’, ‘the ordeal’, ‘the reward’, ‘the road back’, ‘the resurrection’ and finally ‘return with the

Two books can seem completely different from each other when judged by characteristics such as genre, plot, and theme. However, if people were to look at the books together and as a whole, they might notice one striking similarity between the two. That striking similarity is known as the hero’s journey. First observed and documented by Joseph Campbell, the hero’s journey is a concept in which heroes, or people who commit actions for the greater good, follow a three-step cycle known as departure, fulfillment, and return. At the first stage of the hero’s journey, the hero receives a call to an adventure that takes him from the comforts of his home. Next, at the most important stage of the hero’s journey, the hero begins to experience life

In the year 2009, James Cameron wrote and directed one of the most remarkable films I have ever seen ‘Avatar’. This science-fiction saga has a story line that is engaging and captivating for its audience. Avatar took place on a moon called Pandora. Humans discovered very valuable natural resources on Pandora and did whatever it took to obtain what they needed from Pandora. The people of Pandora are Na’vi’s, a 10 foot tall, blue-skinned humanoid alien group that lived in the rainforest or Pandora. The Humans found a way to interact with the Na’vi’s by artificial yet organic avatars that were controlled with a human mind and conscience. Jake Sully, a paraplegic marine who was given the task to manipulate the Na’vi’s into leaving their home. Sully entered

The “hero’s journey”, coined by Joseph Campbell, is a pattern in the plot structure of literature, myths, and oral tradition in which the hero is consistently faced with similar obstacles and achieves many of the same goals. The first part of the hero’s journey is “The Call.” The hero is usually living a very comfortable and easy life, unaware of the journey ahead. The hero is then faced with a situation or dilemma which eventually causes them to seek change. The hero, at this point, tends to refuse the call to adventure in fear of the unknown. Once the hero has been given the strength to push past the unknown, they have entered the threshold. The hero will experience many challenges and temptations where the hero is tested, eventually reaching “The Abyss,” the most difficult challenge. The hero is then transformed by these trials and returns home to every-day life and begins to contribute to their society. The novel, Their Eyes Were Watching God by Zora Neale Hurston, the protagonist, Janie, experiences the hero’s journey first-hand through overcoming obstacles and transforming herself. In Their Eyes Were Watching God by Zora Neale Hurston, the heroine Janie overcomes many obstacles and is therefore transformed into a self reliant woman.

However, since the hero is part of society, the journey is also one of personal development. On a more psychological level, one could suggest that the hero’s quest is symbolic of all personal conflict. Conflict begins when a problem arises that must be dealt with. Most people, at first, refuse to come to terms with whatever this problem may be, and attempt to ignore it. With enough mental determination and/or aid from an outside source, however, one can bring themselves to cross the first threshold, and begin their journey into the heart of the problem. For example, victims of rape or other types of abuse must face what is haunting them in order for it to be exorcised properly.

It shows how Jake is persistent and dedicated to his job, even if it always seems like he is in over his head. Jake, however, also departs from the film noir tradition when he lets his emotions get the best of him. The greatest example of this is seen during the exchange between him and Evelyn when he is trying to find out the truth about Katherine. Resorting for the first time to violence against a woman, the near desperation with which Jake pushes Evelyn to confess is an expression of his fears and anxieties about being completely lost amidst the lies that surround him. The result is the humanization of Jake Giddes’ character. He simply is not perfect, and ultimately fails to see the bigger picture of what he is involved with until .

hero's journey is not solely “applicable to fiction but also to the journeys that everyone goes

He demonstrates his propensity for extreme cruelty. Although he is a part of the generation, ironically he is different from the rest of them. He realizes the uselessness of the Lost Generation's way of life. He tells his friend Robert Cohn, "You can't get away from yourself my moving from one place to another." (19) Jake doesn't think highly of Cohn, but he puts up with him anyway. Interestingly, Cohn is also attracted to Brett and this fuels Jake's already heightened feelings of inadequacy; thus Jake takes a condescending attitude toward Cohn. Jake describes Cohn as weak and inexperienced, timid and easily intimidated by a strong woman (Frances). This condescending attitude toward Cohn is nothing but the reflection of Hake's very own insecurities about his manhood.

The film Avatar (italics on titles - plus remove the bold writing on your paragraphs and remove all the planning above when you submit the final) directed by James Cameron is the story of Jake Sully; the man who is asked to take the place of his twin brothers place at Pandora for a scientific experiment. At the start he was very hesitant toward taking his brothers (apostrophe) place, there were times when he felt like not continuing with the program. Along the way he faced a series on tests, allies and enemies. The end result is what he was starting to want near the end of the movie.(the more formal term is film)