Hesiod's Tale Of Prometheus

Hesiod’s versions of the Prometheus/Pandora story and the book of Genesis’s story of Eve’s act of eating the forbidden fruit both introduce a female figure whose actions are connected with the seeming introduction of evil into the world. At first glance, it appears that the Genesis story is more compelling than Hesiod’s account at explaining the origin of evil because its monotheistic structure makes the logic behind the evils far more clear and straightforward than Hesiod’s logic. The act of disobedience by Eve seems fully her own fault while God (Yahweh) is faultless. However, Genesis is too simple because the story of Prometheus/Pandora is far more complex. The Hesiod story of Prometheus/Pandora is more compelling than Genesis because the conflict allowed disputes between the gods in its polytheistic worldview rather than one god making Hesiod more compelling at explaining the evils of the world.

Another similarity between the two figures is their intention or goal. Both characters had supposedly good intentions that were tainted through the fulfilment of their cause. Frankenstein believed that, "a new species will bless me as its creator and source; many happy and excellent natures would owe their being to me"(32). Prometheus insists that his actions had a similar impact- "I risked the bord attempt, and saved mankind / From stark destruction and the road to hell... And in a single word to sum the whole- / All manner of arts men from Prometheus learned." (Aeschylus). In both cases, these ideas, deluded or realistic, were not the actual or only outcome of their "gifts". In Percy Bysshe Shelley's interpretation of the Prometheus myth, Prometheus is faced with the consequences of his gift of fire (and of creating the human race).

Hesiod’s gods lost their carelessness and gaiety of the Homeric gods, became the moral forces, severe guardians of order and justice, born of Zeus. The role of gods according to Hesiod belongs not only the Olympian gods with human form, like Zeus or Apollo, but the Earth, Sky, Star, Wind, Fight, Lies, Victory, Wisdom, violence, etc. Zeus as for Hesiod is not just carrier of the power, as Uranus and Kronus, but also the embodiment of a long-awaited order, keeper and guardian of ethics. The desire to have a better life and a constant feeling of dissatisfaction are natural for people, and the gods tend, on the contrary, to complicate people’s lives and create new difficulties. Thus, the Hesiod’s style of poetry is close to Homer’s one, but because of the general didactic orientation Hesiod’s poetry is almost out of bright Homeric metaphors, similes and epithets.

In ancient Greek Myths, the description of Zeus’ character can range from a heroic leader to that of a vile dictator, depending on the author’s intention. This contrast is especially noteworthy when comparing Hesiod’s Theogony with Aeschylus’ Prometheus Bound, as Zeus is presented as the world’s protector in the former, while he is portrayed as selfish and ruthless in Aeschylus’ tale.

In the poem Zeus is shown in a very positive light, as he is one of the key characters in the story. The author continually praises Zeus throughout his poem, making the text not only a story of the creation of the universe but also showing characteristics of a hymn to

Throughout both stories, the roles that the serpent and Prometheus play parallel each other. They both are presented as crooked characters from the outset. Both reveal knowledge to humans that the corresponding authority figures did not want the humans to have. The serpent and Prometheus’s

Phaedo is a recount of Socrates’ final hour before his death, written by Plato in the form of a dialogue between Phaedo (Socrates’ prison guard) and Echecrates (1). In Socrates’ final hours we find him surrounded by like minds, pondering what happens to the soul after death, and if death is truly the end or just a new beginning. Those present at the prison include Socrates, Apollodorus, Simmias, Cebes, and Phaedo (2).

Hesiod’s Theogony has transcended generations, delivering to vast audiences the traditional stories of the Greek gods as well as ancient Greek conceptions of the world. One particularly well known aspect of the Theogony, the section that tells the tale of Prometheus, is unique in that it has little intrinsic worth; its value is in its ability to enhance other stories and conceptions. Across the globe, people know well the story of the one who deceived Zeus and stole fire for man, but few recognize its role in Hesiod’s work as a whole. The story of Prometheus serves two primary purposes for Hesiod and his audience. First, it solidifies Zeus’s position as king of the gods, providing one of the first characterizations of his temperament, and

The mythological character and God, Zeus, is portrayed in many ways, by many different people. Hesiod describes Zeus as being relentless in his fury. When he gets mad he unleashes all of his power. If his brother Hades wasn’t in charge of the Underworld, he’d make all of Hell break loose. For example, in Hesiod’s Theogony, which is about when Zeus defeated his father, Cronus, he says, “Then Zeus did not hold back any longer, but now immediately his heart was filled with strength and he showed clearly all his force.” (Morford and Lenardon 85) He tends to treat others, mortals and immortals, very unfairly. Two mortals could do the same exact type of sacrilege towards him, and depending on how he felt that day, he would take two very different approaches to how he would treat them. He also doesn’t take any threats towards him very lightly at all. If anyone ever threatens him, he normally punishes them very severely, if he doesn’t destroy them completely. Hesiod’s approach to Zeus’ behavior is overdramatic, and makes it seem more extreme than it probably would’ve been.

Zeus’ affinity for being the main character of a myth is no different in the epic myth about his fight against Cronus and the Titans or the “Titanomachy.” In this larger-than-life battle Zeus has to overthrow his father Cronus and take his predestined place as king of the gods. In this myth however, Zeus has to grow and overcome many challenges that stand in his way to greatness. Zeus has to ask for help from his mother in order to be able to free his sibling from his father Cronus who had swallowed them whole. After Zeus frees his siblings he has to face the mighty Titans, so he asks the Cyclops and the Hecatonchires to aid him in this battle that lasts

Other Greek traditions hold that there was once a Golden Age during which men knew their fate and lived free from want.  This dream world was crushed, however, when Prometheus gave fire to man and

The Aeneid, written by Virgil, was written in Rome between 30 and 19 B.C. Virgil wrote many of his writings during the time of Octavian, the estranged nephew to Caeser. During the beginning of the times of Octavian and the time of these writings Rome was in a state of civil war, which later turned into the most peaceful place in the world. Many people were torn from their homes and new boundaries were created. It is important to know the culture and gender roles of the people, the person in power, and the system of government in place at the time of the writing.

The role of the gods/fate in human affairs is a central theme in most works of literature. In Greek literature, particularly, the will of the gods is commonly attributed to human experiences. In Oedipus the King, for instance, the oracle’s message that Oedipus will kill his father and marry his own mother suggests that he was a puppet in the hands of the gods, who manipulated the events that led to his fall. However, the character’s fate is not entirely attributable to the work of the gods. In the play, Oedipus meets his fate due to his determination to unravel the mysteries surrounding the king’s death, despite warnings by the prophet Tiresias and his wife/mother, and his quest to prove the oracles wrong in their declaration that he is

Sophocles’ play, Oedipus the King, has risen many questions concerning the main character and whether or not he acts on free will or if his future is predestined by the gods. I am going to test the theory that although Oedipus believes he is acting on his own free will, he is in fact a victim of the gods. I will analyze several different sources that discuss fate and human agency in Oedipus the King and then proceed to build my original argument on the archaic debate.

In the play Prometheus Bound, there were many powerful characters that played a huge role in the rise of Prometheus; there is one character alone that is worth talking about. In the play, Zeus is a relatively new God in Greece. He recently became the God of Olympus. Many of the Greeks come to find out what type of God he will be. When situations arise throughout the play, Zeus shows his ruler ways in not such a good light. He is mostly described in the play to be a cruel, vengeful, and dictatorial God. Even in tough situations, Zeus still acted in a vengeful manner. A great example of his vengeance towards Prometheus, he ordered Hephaesteus to chain Prometheus to a cliff, in hope he will die, but Prometheus is a Titian, therefore he cannot die. This part in particular stood out when reading the play; Zeus shows his cruel, vengeful, and dictatorial