Heywood Broun's The Fifty-First Dragon

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

Sir Gawain is known for his knightly integrity, but by failing to uphold his agreement with Lord Bertilak, he is demonstrating that human perfection is impossible to maintain. By failing to give the girdle to Lord Bertilak-when he returns from his hunting trip, Sir Gawain is not abiding by

Essay with Outline  Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is self admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be least of any" (Sir Gawain, l. 354-355). To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in

The castle grounds are an unusual contrast to the surrounding winter landscape, and this is the first of many unusual characteristics that the mysterious castle has. The castle grounds are described as: “fair and green, in a goodly park with a palisade of palings planted about for two miles and more, round many a fair tree” (Norton, 312). The description of a castle surrounded by lush fauna in the middle of winter is anything but normal. Sir Gawain rides to the great castle and is quickly greeted by a porter. He asks the porter to tell the lord he seeks harbor, and he is soon granted permission to enter the castle. Gawain is royally greeted by the castle’s inhabitants; however, the treatment he receives from the attendants and knights is most unusual because no one knows who Sir Gawain is (or at least they shouldn’t; however, they seem to know that Gawain is a great knight). The lord of the castle soon comes to greet Gawain. Gawain is then taken to a luxurious room where he is undressed, given new clothing, and eats a magnificent dinner while warming by a fire. The following day Gawain identifies himself to the lord and his court. The people laugh and are in high spirits. They seem as if they already know who Gawain is, and know the purpose of his visit. The castle’s inhabitants describe Gawain as “the father of fine manners” (Norton, 315), and he seems to be highly regarded by all of the people of this strange stronghold.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

Gawain knows that he has become unloyal and never wants to forget to be unloyal ever again. This shows that Gawain's

In Sir Gawain and the Green Knight, Sir Gawain courageously steps up to play the green knight’s game. The green knight clearly lays out the terms of the game to Sir Gawain: Sir Gawain can give the green knight any blow with any weapon and a year later the green knight will return the same blow. A year passes and Sir Gawain boldly puts on his armor and embarks on his journey to receive his return blow. After traveling for months, Sir Gawain stumbles upon a castle where he is graciously welcomed. The significant change in clothing of Sir Gawain from armor to soft clothing suggests a failure to the expectations placed upon him by his pentangle and allegiance to Camelot.

You really have to look back to grasp what exactly Gawain was putting at risk when he stood up to the challenge to save King Arthur. Not only was his pride and reputation at stake here, but his life as well. And he was the only one of Arthur's court who stood up. He could have just as easily been content to let Arthur have his go, but he showed such vidality and courage by coming forward. ( King Arthur had to since he was the King and had to stand up for his court or be put to shame.)

By portraying Gawain as noble and honorable, the poet is able to shock the reader with actions that are uncharacteristic of a chivalrous knight. The first of these conflicting actions is obvious in the temptation of Gawain by his host's lady. This lady, the huntress, seeks to pursue Gawain in order to fool him into actions that contrast the knightly ideal. She will do anything to accomplish these actions in him, even through sexual temptations. With another man's wife pursuing him, Gawain must be courtly to the lady, but at the same time must deny her advances. This unavoidable conflict creates a fear within Gawain. Upon discovering that the lovely lady was approaching him in bed, Gawain lays a sleep, in order to "try her intent" (1199). This action reveals Gawain's fear that his host's lady is pursuing him. This unavoidable fear causes his failure of courtliness, for Gawain would have claimed a kiss from the lady, but did not. The lady ridicules him for this, even though, the situation was unavoidable. Gawain must abide by his morals and abstain from immoral thoughts, while at the same time being a courteous guest. Moreover, Gawain is forced to make a choice between courtesy and adultery, either of which would result in the dishonor of the lady ,his host, or Gawain himself. By choosing to return each of the following kisses received, Gawain is able

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Gawaine really was a coward. One day Gawaine came to the headmaster and asked him for an enchanted hat to make him invisible. Instead of giving him what he requested, the headmaster told Gawaine that he had graduated. Gawaine was confused because the rest of his classmates hadn’t graduated with him. He was told that he had now become a decreed “dragon slayer”.

Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.

Gawain gained his maturity in the most unique way, but it all began with him as a young, weak individual. On one particular day, as a big, monstrous man wearing all green approached the knights of the Round Table, intimidation was felt in every knights under the rule of King Arthur. Soon after arriving, the massive man taunted the Round Table knight’s in order to convince them compete against him in a challenge. In the challenge, any brave person could exchange the Green Knight a swing of an axe for the swing of an axe. No one wanted to stand up to the man in green, for he shot fear into anyone who dared to look at him. During the time of this visit, Gawain could have been considered weak. He was only in the beginning of his journey on becoming mature, and that would not be the only journey he would be taking. After some tension between the knights of the Round Table and the Green Knight, King Arthur accepted the challenge. Knowing of the danger King Arthur was in, Gawain pleaded to take the place of his uncle. He gave his claim, telling the others of his weak status and unimportance in the world. Once the claim was given, the immature Gawain took hold of the green and gold axe, and gave a swing that beheaded the Green Knight. The headless man, to the surprise of all, picked his head off the ground, gave a speech, and left on his horse. Although Gawain exhibited some strength in his actions, he did not become completely mature from the single situation.

Here, Gawain is definitely not trying to avoid the woman. It is almost as if the night has changed him, because something would have to account for this dramatic change of behavior. His behavior here is much like that of a boar. Where Gawain does not physically harm the lady as a boar may, he is, as stated before, much more frontal and direct in his dealings with her. In showing this self-confidence far the first time Gawain has finally indicated to the

Gawaine le Coeur-Hardy and Sir Gawain can be compared and contrasted in their respective stories. In Sir Gawain and the Green Knight, Sir Gawain is portrayed as a faithful and loyal soldier. He is a bit dishonest, but his other qualities as a knight saved him. Overall, the book portrays knights honoring the chivalric code, being noble and good. The Fifty-First Dragon satirizes Arthurian tales such as Sir Gawain and the Green Knight, by displaying Gawaine as an unpromising but honorable knight. Overall, The Fifty-First Dragon portrays knight in a differing perspective, lousy and foolish. The essay shows Gawaine being ordered by his headmaster, essentially to his death. Sir Gawain from Sir Gawain and the Green Knight was not ordered by King Arthur but wanted to take the risk for him. Sir Gawain can be seen as noble, taking a seemingly fatal blow to the neck for his king. Gawaine is ordered by his headmaster to slay dragons