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She returns to discussing the match with Francesco’s daughter and states that she likes the fact that Francesco has participated in government, even if his positions have not been important ones. This statement conveys how much of a factor status and power were when considering a spouse and the spouse’s family.

Without money, Bassanio believes himself an unfit suitor for Portia, unable to match any of her other, richer suitors in sexual appeal. It is doubly significant that though he speaks of love and sexual

This makes Shylock, Jessica’s dad very angry because when Jessica marries Lancelot she becomes a Christian.

	Antonio's frustration of missing the thief for a second time fuels the hopelessness in continuing his search. He attempts to forget his predicament by treating himself and his son to a meal and a liter of wine.

It is ironic that Jessica’s actions should prove to be the catalyst that hardens Shylock’s attitude towards Antonio; she has turned Christian just as Antonio believed that Shylock’s bond turned him Christian.

The first event that demonstrates that Shylock is a victim would be that he is ridiculed by his community and his family. Antonio and Shylock were never friends. They always fought because Antonio was a Christian and Shylock was a Jew. They also have different money lending practices which cause a lot of discrepancies. Antonio always mocked Shylock. He calls him a misbeliever and a cutthroat dog. Shylock tells us that Antonio “…call me misbeliever, cutthroat dog,/ and spet upon my Jewish gabardine,” (1.3.108-109). Here Shylock demonstrates that Antonio on a day to day basis mocked Shylock. Later on, Antonio mentions that he will call Shylock that again if he wants to. Another example would be Antonio’s friends. They teas Shylock for his faith and his misfortunes. When Jessica runs away with Shylock’s money and jewelry, he asked the Duke to go help him search Bassanio’s ship for them. Solanio heard

Another example of Portia fighting back is when Portia uses trickery to make Shylock stick exactly to the bond causing him to be condemned to Christianity and to give half of his belongings to Antonio and the other half to

This shows how Shylock is shrewd, by playfully suggesting the forfeiture of the bond which is actually a cunning plan to murder Antonio with the law on his side.

He declares, "I'm very glad of it. I'll plague him, I'll torture him, I am glad of it." (3, 1, 115-116) At the end of Act 3, scene 1, Shylock's true motive is revealed. Shylock says, "I will have the heart of him if he forfeit, for were he out of Venice I can make what merchandise I will." (3, 1, 125-127) All these comments clearly attempt to paint Shylock as a money-worshipping murderer and not as a person.

O my daughter! Fled with a Christian! O my Christian ducats! My ducats and my daughter!’ (II, iix, 15-17). He would ‘rather his daughter dead, and the jewels in her ear!’ (III, I, 81-82). Even though Shylock and Jessica’s relationship is filled with minor affection. Portia’s love for her father is visible and true.

Not only can women pretend to be men, therefore exhibit the commonly associated prestige; they can also exceed men’s capabilities. In the contraband letter, Bellario describes Balthasar (Portia in disguise) as a young man, but urges everyone in the court to "let his lack of years be no impediment" (IV i161) even though wisdom and keen sense are often associated with established adults. At first, Portia seems to support Shylock when she contemplates the case, so he remarks, "How much more elder art though than thy looks!" (IV i250). Portia’s looks are deceptive, but she is actually hiding her sex, not her age. Shylock is unknowingly amazed by a female’s intellect and continues to praise Portia repeatedly when he refers to her as a "noble", "wise and upright", "most rightful", and "most learned" judge (IV i245-303). After Portia shifts her argument to favor Antonio, Gratiano praises her in similar ways. Her intelligence astounds the court. In the final scene, Antonio, Bassanio, and Gratiano "are all amazed" (V i266) when Portia reveals the secret identities she and Nerissa took on. She proves that women can demonstrate more keen intellect than

In Act 2 Scene 4 Jessica decides to leave her father and her home to elope with a Christian man Lorenzo. This strengthens the concept of Shylock being a heartless villain because his child feels she must leave without a word of her desires. This shows that Jessica knows that her father would not listen to or consider her feelings for Lorenzo so she must steal and run away from him. On the night she leaves she says with little remorse ‘Farewell; and if my fortune be not crost, I have a father, you a daughter, lost.’ This shows that her childhood was not happy and that she was ‘ashamed to be her father’s daughter’. This is further evidence of Shylocks heartlessness.

Shylock’s revenge against years of ridicule is what brought about his downfall. In the end, his refusal to accept anything but the bond that was agreed upon caused him to lose his home, his daughter, his fortune and his religion. This is a tragedy indeed.

Portia is the heroine of The Merchant of the Venice. The first mention of Portia was through Bassanio talking to Antigo: “In Belmont is a lady richly left, and she is fair and-fairer of words” (Act 1, scene 1). Even the opinions of other people around her showed that she is indeed a kind-hearted person. Another instant is when Bassanio mentioned Antigo debt, Portia shows deep concerns even through it wasn’t her fault. “before a friend of this description shall lose a hair through Bassanio fault” (). She wants to be helpful to the people she loves therefore thinking of an answer to this horror situation. This not only shows the characterizes of sharp witted, but also the nurturing heart she processes.

Portia: Portia, being one of the main characters and the romantic heroine of the play, must be presented to the audience as a graceful, beautiful and intelligent person. We all know she’s beautiful, that needs no convincing. Portia is usually a fairly self-controlled person who likes to keep problems between her and her trustworthy lady-in-waiting, Nerissa. However there are certain times when she lets slip that she is an anxious person for example when Bassanio arrives at her mansion and is about to choose a casket. She has fallen in love with him and is having great difficulty in trying to conceal that fact. Her anxiety and confusion is what makes her lose her composure. Portia’s other appealing characteristic- probably one of the most apparent- is her graciousness, her amazing way of handling a situation with tact and