High Renaissance Art

Religious artwork has been prevalent throughout all of history. Christian artwork has been ever changing and evolving based on what it going on during the time period in which the work was created. In Romanesque artwork, art was imaginative and involved mysticism along with themes that represented their fears of the end of the world. In Gothic artwork, the art turned away from evoking fear and instead had the goal of bringing people into the church. In the fourteenth century, the religious art responded to the crises of the time period. During the Renaissance, artwork shifted to an interest in realism, which can be seen in Raphael’s Madonna and Child with the Young Saint John. The medium for this work of art is oil paint. it was painted in 1500 and is 47 inches in diameter.

The Renaissance occurred in Europe between 1400 and 1600. This event began in Italy during the Medieval period and then expanded to the rest of Europe, marking the start of the Modern age. The Renaissance began in Florence Italy in the 14th century. It was a cultural movement that had an enormous impact in Europe during the early modern period. The Renaissance’s influenced politics, science, literature, art, philosophy, religion, music, and other aspects. Around the 13th century in Italy started the Renaissance’s art influence. Leonardo da Vinci, was known as the "Renaissance man," because of his art masterpieces and his studies in other fields during this time. Italy wasn’t a political concept in the

Nyctophobia; the fear of the dark. However, it’s not exactly the fear of darkness itself, but rather, what could be lurking within it. Now, the Dark Ages weren’t actually “dark”, but it was a time of rapid decline in Europe in which historians don’t have much information. After the fall of the Roman Empire, Europe was thrown into a never ending battle of hardships. From the Black Plague to the loss of beloved heroes and heroines, the country really was left in the dark, until a flicker of hope emerged offering a new beginning: the Renaissance. The Renaissance lasted from the 14th to the 17th century and was an era of “rebirth” in European history. During this period, culture throughout Europe underwent a dramatic reformation where classic

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

Renaissance art entailed perspective sculptures, painting, and decorative art. Notable artists are Leonardo Da Vinci, Raphael, and Michelangelo (Szalay, 2016). Because humanism was such a large attribute during the Renaissance time period, humanism was captivated in art. Light and perspective of art allowed for depth of field. According to document 4, “Linear perspective is a mathematical representation of three-dimensional space on a two-dimensional picture plane.”

Three dimensional art was accomplished during the early southern renaissance by the use of the technique linear perspective. Linear perspective is type of perspective in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a vanishing point on the horizon. An artist with the name of Masaccio created a new movement in Florentine painting with his fresco, or a painting done in watercolor on wet plaster on a wall or ceiling, Trinity. The artwork gave an illusion of a stone funerary monument and altar table set in a framed niche on the wall. The use of the vanishing point located at the eye level of the viewers of the church allowed for the viewers to see the art as if they were looking

The most notable feature of the far left, Italian Renaissance image is its emphasis on classicism in its design. The dome-shaped building in the background of the painting recalls that of the Pantheon of ancient Rome. The anatomy of the figures is extremely realistic and proportional, suggesting classical Greek and Roman sculpture. There is a symmetry and perfection in how the figures are arranged, as the man and the women are apparently exchanging rings in celebration of marriage under the auspices of a priest. The figures have a three-dimensional quality which contributes to the idealized, yet realistic texture of the work.

Leonardo da Vinci clearly displayed this idea through his new techniques and styles of portraiture, clearly seen in the Mona Lisa, allowing the evolution of medieval art into modern day artwork. Leonardo da Vinci used things such as Chiaroscuro and sfumato to create a natural landscape and 3D form, first used by him. He used these techniques to create a smooth transition from the figure to landscape, using oil paint and idealism to give the painting a more realistic feel. He used the pyramid design and pillars on either side to focus the viewers on the woman in the portrait, while also using the light and dark tones on the figure to give the background depth. The new colours used as well as the shading and blending of paint give the painting a new sense of realism and

Ferrara is a small city in Italy, almost comparable in size to Portland, ME. This city is known for its many buildings from the renaissance era in which at the time was ruled by the Este family. The Este family is known for building the Diamanti Palace, as well as the famous Este Castle. The Castello Estense, also known as the Este Castle is a historical building in the center of the city of Ferrara, Italy. This medieval castle served as a fortress for the Este family during the late 1300s. This castle is an important part of Ferrara’s history because of the part it played in the growth of power that the Este family gained throughout the 13th century. Throughout the

The idea that the Reformation was not just a religious movement, but an extension and/or development of the Renaissance was easily depicted during the Middle Ages. The term Reformation implies renewal and/or rebirth which was an apparent theme during the Renaissance. This can be seen in the art work of Renaissance artists as the influence of classical subjects and themes were revived. Additionally, the idea of individuality and humanism were also key parts of the Renaissance as well as the Reformation. Furthermore, teaching that the work of justification in our lives is work of grace, greatly influenced the work ethic of the people during the Northern Renaissance. Therefore, it’s clear to see that although the Reformation’s major focus was

The Renaissance movement was also significant in that it influenced the developments which occurred in philosophy, literature, music and science. This influenced Leonardo Da Vinci to created one of his most accomplished works of all time “Mona Lisa. “Mona Lisa” was an portrait oil painting created in the early 1500s and is widely considered to be the greatest artwork of all time. Leonardo Da Vinci used gaze and demand within the artwork. This allows the audience to feel interactively connected to the artwork and the character. Leonardo Da Vinci achieved an unusual effect of having Mona Lisa's smile alter depending on the angles the audience looks at the artwork. The use of perspective also gives the artwork a three dimensional feel. This allows the audience to see idealised female form as well as the themes and values of the Renaissance. The artwork “Mona Lisa” by Leonardo Da Vinci had a focus on challenging the International Gothic Style as well as representing the values and attitudes of the world at the time.

This period housed many depictions of the Virgin Mary, including Cimabue’s Enthroned Madonna and Child. Mary was seen as the perfect example of feminine virtue, showing chastity, piety, humility, and maternity. Images of the Madonna, or Mary, whether sculpture or painting, encouraged women to live up to her. Mary wasn’t the only woman that was looked up to in Renaissance art. Women could be portrayed as witches, saints, temptresses, or members of the working class, and their image would still be an encouragement to dress and behave properly. (Jacobs)

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

Leonardo’s most famous painting by far is the Mona Lisa. It is a simple portrait of a young woman whose identity is unknown. She is sitting in front of a mountainous nature scene dressed in the clothing of the time. The most captivating aspect of the mysterious young woman is her very subtle smile. Not only is this a beautiful painting superficially, but also it is filled with many puzzles that art historians have been studying for years. One of the most interesting is the mismatch in the horizon of the background. The left side is significantly lower than the right. So if the observer focuses on the left side of the painting, she appears to be much taller and more erect than if he focuses on the right (WebMuseum). Da Vinci was a master of using perspective to trick the eyes of the observer.

In the painting I chose, you can see a hint of a smile on Cecilia’s lips as she looks at something the viewer cannot see. Artists started using new techniques to make their art look more realistic. Perspective was a huge role to transform a regular painting into a more 3-dimensional looking one. This made it look like you were actually in the painting, for example something that is farther away will look smaller than something right next to you. The subjects in “The Lady and the Ermine” are in ¾ view, which demonstrates the use of perspective. Balance and proportion were also important; this is when drawing subjects are the correct size when compared to each other. As you can see, the ermine is the proper size compared to the lady. Many artists also starting using light and shadows, or also known as “chiaroscuro”, in their works to add drama, perspective, and timing to their art. Leonardo showed this very well in all his paintings, not just in the one I chose. The shadows are very evident in this painting, Leonardo even went as far as adding shadows to the creases in Cecilia 's fingers. In 1470 oil paint was brought to Italy, and artists started using them due to their beautiful rich color, which helped increase detail and depth. In addition, in paintings textures and patterns had started to appear. I you look at the painting I chose, you can see that there are patterns and designs on the lady’s dress, and you can see