High Renaissance Painting In Florence And Environs, 1490-1550.

Religious artwork has been prevalent throughout all of history. Christian artwork has been ever changing and evolving based on what it going on during the time period in which the work was created. In Romanesque artwork, art was imaginative and involved mysticism along with themes that represented their fears of the end of the world. In Gothic artwork, the art turned away from evoking fear and instead had the goal of bringing people into the church. In the fourteenth century, the religious art responded to the crises of the time period. During the Renaissance, artwork shifted to an interest in realism, which can be seen in Raphael’s Madonna and Child with the Young Saint John. The medium for this work of art is oil paint. it was painted in 1500 and is 47 inches in diameter.

The Renaissance occurred in Europe between 1400 and 1600. This event began in Italy during the Medieval period and then expanded to the rest of Europe, marking the start of the Modern age. The Renaissance began in Florence Italy in the 14th century. It was a cultural movement that had an enormous impact in Europe during the early modern period. The Renaissance’s influenced politics, science, literature, art, philosophy, religion, music, and other aspects. Around the 13th century in Italy started the Renaissance’s art influence. Leonardo da Vinci, was known as the "Renaissance man," because of his art masterpieces and his studies in other fields during this time. Italy wasn’t a political concept in the

“No painter can paint well without a thorough knowledge of geometry” (qtd. in Butterfield 27). The Italian Renaissance is famous for its art which includes unique style of painting and sculpting, however, the Renaissance made significant remark on the use of scientific techniques which also can be considered as the influence of classical ideas. Although, classical ideas were not advanced like in the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior towards the secular ideas, instead of vague ideology like

The Italian Renaissance was a movement that occurred between the 14th and 17th centuries. At the end of the 14th century, a handful of Italian thinkers declared that they were living in a new age. They declared that the barbarous, and unenlightened times were over (also known as the Middle Ages) and that the new age would be a “rinascità” or rebirth of learning and literature, art and culture. The major characteristics or feature of the era when it came to the arts were Classicism, Light & shade, Perspective, Realism & expression, and Emphasis on the human body. When it came to the culture and architecture, and learning they referred to the Greek and romans, and Humanism.

Going from the intense darkness of the walls and tile in the space beforehand to the bright and engagingly light room once you open the door is a very intense chance. It creates an awakening of excitement and alertness in your journey throughout the gallery. While this transition is nice in this aspect that it awakens you to the art its not the most desirable simply because it is rather drastic and can be a little to much to handle for those with sensitive eyes that need to wait to adjust completely to the new lighting intensity.

Before you can compare and contrast the art of the Italian Renaissance to the artworks of the Renaissance in the North, you have to understand the roots of the Renaissance. Renaissance has a special meaning, referring to a period of the grand florescence of the arts in Italy during the 14th century and progressed and migrated, in the 15th and 16th centuries, to Northern Europe. The Renaissance was stimulated by the revival of the classical art forms of ancient Greece and Rome. The “re-birth of knowledge,” better known as the Renaissance, can be contributed to the teachings of the Humanists at the time.

The most notable feature of the far left, Italian Renaissance image is its emphasis on classicism in its design. The dome-shaped building in the background of the painting recalls that of the Pantheon of ancient Rome. The anatomy of the figures is extremely realistic and proportional, suggesting classical Greek and Roman sculpture. There is a symmetry and perfection in how the figures are arranged, as the man and the women are apparently exchanging rings in celebration of marriage under the auspices of a priest. The figures have a three-dimensional quality which contributes to the idealized, yet realistic texture of the work.

In tenth grade, I was given the opportunity to travel to Italy for ten days. While I delighted my tastebuds with all kinds of Italian cuisine, my brain feasted on an abundance of knowledge presented in architecture, history, art, and inventions; most of which emerged during the Italian Renaissance. The Renaissance was a time period concerned with exploring the unknown, expressing creativity by means of art, and using imagination, as well as intellectual curiosity to create techniques and theories. For these reasons, if I were capable of traveling back in time, I would visit the time period of the Italian Renaissance.

Italian Renaissance revealed more of the humans that most of their art revolved around them nature, and reality painting nude and so forth. The Italian was more of real life art that looked real like I mention. They focused on beauty, mind, and power of humans. I did see how they felt that GOD was important, and people should have a relationship to their faith. Art was more of commissioned by the Catholic Church I think that it was more of seeing a visual picture for the artist. They wanted more than a painting they wanted it to come to life

The Early vs. the High Renaissance - I've decided to go with Piero Della - Francesca Battista Sforza and Frederico Da Montefeltro vs. Raphael Agnelo Doni and Maddalena Strozzi. Paintings. Despite their many differences, there are also some similarities between the portraits made by these two artists. Discussing pg. 620 (20-31) Piero Della Francesca Battista Sforza and his wife and Frederico Da Montefeltro, an Italian artist during the Early Renaissance, Fifteenth Century in Uffizi, Florence. The artist showed the small panels that resembles Flemish painting in their detail luminosity, their record of surface and texture, and their vast landscapes. as mentioned on page (620) the reason why they are turned side ways is due to male in the portrait

The Renaissance is the rebirth of Europe, and considered as the beginning of modern history. In this era of time, people looked back and studied the Greek and Roman knowledge, skills, attitude, and art, while stepping out of the Middle Ages artwork techniques and creating new techniques to breathe realism, individualism, humanism, mannerism, and more into the art. The Middle Ages artwork majorly focussed on the religious aspect of the art, leaving out the techniques to make the art look realistic. However, the Renaissance artwork used many new techniques that they developed, like chiaroscuro, the use of light and shading, to create an effect that the Middle Ages artwork had not seen before. The art shows how the Renaissance evolved from focussing

The Italian Renaissance was a significant era for art, because of the many famous artists of extraordinary skill who changed the craft forever. One of the notable figures that emerged from this great timeframe was Giotto di Bondone. Giotto was born around 1266 in Vespignano, Italy. Very little is known about his life as a child. As a thirteen year old boy, he was said to be a prodigy, so he was able to become the apprentice of Florentine Cimabue, a master of art. While di Bondone was traveling, word of his talents spread like wildfire, and he became so well known that his gift was said to be better than that of his masters.. His earliest works were a series of frescoes on the Saint Francis Church of Assisi in the mid 1290’s. As Di Bondone continued to paint the walls of prominent churches and chapels, his talents becoming more and more well known. Three years before his death, the people appointed him the Magnus Magister (The Great Master), the head Florentine architect and the Chief of Public Works. Giotto was believed to be one of the key influences on the Renaissance and Gothic art, because of his trailblazing technique, palette, and style.

During the late Fifteenth, the number of woodcarvers were more prevalent than butchers (“Patrons and Artist in Late 15th-Century Florence”). This example indicates that art was a more prioritized commodity than meat, which subsequently means artists were greatly valued. People who treasured art ranged from upper class to middle class, or lower class (“Patrons and Artist in Late 15th-Century Florence”). Much of the artists that were called by patrons in the courts because their projects came from southern Netherland cities such as: Burges, Brussels, Ghent, and Toumai (Davies et al. 476). Apparently, the patrons harbored a lot of jealousy of the unique status their artistic charges, that of independency in addition to the privileges

In the early beginnings of the 14th century, creativity began to bloom anew in Europe. A rebirth of cultures had begun to spread all over. This sudden change was called The Renaissance and it began in Italy. The Renaissance is a commonly known period of time and is the prime example of culture. Work from the Renaissance showed more individuality than ever seen before and much more expression than in the past.

The Renaissance time period was home to many new ideas in art. This includes new artists bringing forth ideas that had yet to be discovered and made popular. New themes and types of art were also being brought forward during this period.