The author of the essay “High-School Confidential: Notes on Teen Movies,” David Denby, purpose was to explain the stereotypical high school movie genre. Most teen movies follow certain criteria that some may feel has little reflection on what high school is truly like while others may feel these movies are exactly what high school is like. In typical teen movies, there are usually the cool kids, the popular cheerleader with the jock boyfriend, and that outsider nerd or outcast. Where that cool kids control the playground and the outcast just try to fit in and be part of the cool clique or stay as far away as possible and avoid humiliation. The film “Easy A" proves to follow this exact pattern that Denby speaks of, just as stereotypical as any other teen film.
The movie chosen to be written about was “Easy A” where the director, Will Gluck, directs a film about a student, Olive Penderghast, who feels bad for those who do not necessarily fit in. Therefore, she allows them to spread rumors about her and certain sexual exploitations. In doing so she becomes the school’s most talked about student, while jeopardizing her reputation, while at the same time making some financial gains. She first pretends to lose her virginity to a friend who is too afraid to come out and say he is gay, causing praise for him and humiliation for her. This rendezvous begins a whirlwind of endeavors and a chain reaction of situation she would soon regret. Luckily, in this movie, there is also a
Identity; Romance; Segregation; Beauty; Friendship; Within the film industry’s classic interpretation of female adolescents, these elements of teen culture are typically represented. A film’s demonstration of themes such as relationship tensions or social status struggles are that which attracts the popular viewership of female adolescents, for they are personally dealing with similar experiences. Furthermore, in continually representing the aforementioned traditional elements of teen culture, the film industry seems to make it so films’ story-lines and characterizations adapt to and directly reflect the era in which the film is set. This adaptation is significantly demonstrated in the popular teen films The Breakfast Club (1985), Clueless (1995), and Mean Girls (2004) as they each clearly and diversely characterize young women based on the distinct time period and the cultural attitude towards teen girls of that time. The Breakfast Club (1985) details five high school students in Illinois, a nerd, a jock, a bad boy, a weirdo, and a
In an essay published in the New Yorker in May 1999, entitled “High-School Confidential: Notes on Teen Movies,” writer David Denby analyzes movies targeted towards teenagers and the stereotypes associated with them. He begins his essay by describing the archetypal characters in high school genre films: the vapid popular girl and her athletic male counterpart, and the intellectual outsider and her awkward male counterpart. He then describes the reality of teen life, and compares it to the experience depicted in these films. Next, he analyzes the common theme that the geeky characters are the protagonists, and suggests there are such because of their writer's personal experience and a history of geeks being ostracized. Finally, Denby analyzes the tropes in
Olive quickly gains popularity when most of the student body witnesses, from the other side of the door, her having sex at a party with a boy from school. Little does everyone know that it is all a ruse to get them to think that Brandon, her fake sex partner, is not gay in hopes that this very public display of sexual activity will prevent daily beatings at school and it works! (Perry et al., 2011)
It has not been too long ago that I still remember my adolescent years. I always remember the unintelligent things I did that I wish could change, but this Psychology class made me realize that all adolescents go through the same things I experienced. Adolescents are known to try to find their identity, go through peer pressure, make mistakes, and try new things. The move I picked that closely represented what adolescents go through was “Mean Girls”. Some of the scenes in the movie seem a little exaggerated, but it has happened in certain high schools even though I had not experienced it personally.
High school, the best times of our lives. But in every situation others don’t experience it as the time of their lives. In specific, the so called, “Loser, Nerds, Outcasts." Sometimes the perception that most high school movies convey for this certain group are the reality. In this article "High school confidential: Notes on teen movies" by David Denby, He describes the functions of an everyday American high school. David Denby uses very effective language and rhetoric to provide the minds of the opposing side. A sample of the rhetoric skills he uses is stereotypes, ethos, and pathos.
High school in real life is full of surprises, but according to David Denby in his article "High School Confidential," High School in the movies is very predictable. The typical Hollywood "High School Scene" opens with the jock and the cheerleader characters. Blonde and buff, the Jock and the Cheerleader are superficial and proud to proclaim it. They are popular and perky, and always too good to be true. The cheerleader is usually the enemy of the hero or heroine. She is generally rich, blonde, and queen bee of the social circle, with no sense of selflessness. The jock is usually the bully, muscular, good looking and not very smart.(Denby 343) In an essence, the male counterpart of the cheerleader. The Jock and the Cheerleader are almost
The movie I chose was Easy A because there are many psychological concepts this movie that relate to real-life events and it covers many theories we learned about in this class. Easy A was released in 2010 and directed by Will Gluck. It’s about a teenage girl named Olive who accidentally admits to her friend Rhi that she was having sexual relations with boys. She felt pressured into lying since her friend had already engaged in sexual acts with her boyfriend. A rumor then spread and many people in the school then ignored Olive because they thought what she did was an immoral act, but the guys started giving her more attention. I feel that this applies to many
In the 1920s, when movies were a brand new concept, people went to see the pictures in order to escape from their lives. In these movies, everything worked out in the end and they depicted happy, perfect lives. As the Depression raged on, movies were a distraction from the wear and tear of normal life. With the movie Freedom Writers, however, that is not the case. Freedom Writers tells the impossibly true story of a first-year teacher, Erin Gruwell, and the difficulties she faced in her classroom of supposed hopeless cases. In Long Beach, California, her students dealt with gang violence, drugs, and racism in their everyday lives. They lived in constant fear. The movie emphasizes how Gruwell wrestles with the public school system, motivates her students to learn, and changes their lives in the process. Directed by Richard LaGravenese, it came out in 2007 with stars such as Hilary Swank, Patrick Dempsey, and April Hernandez gracing the screen (IMDb). In contrast to the early movies, Freedom Writers deals with issues that are still a problem today, such as a focus on the majority instead of helping students who need extra assistance or encouragement.
The movie thirteen touched many important factors of adolescent’s development. Some of the ones I want to concentrate in this paper are: family system, developmental tasks, and peer pressure.
‘The Perks of Being a Wallflower’ fits into the romance and drama genres, but the movie truly shines in its role as a coming of age film. ‘The Perks of Being a Wallflower’ tackles the hardships and pain that growing up can sometimes make you feel, and depicts high school in the most realistic way I have seen for a while. Other coming of age films like ‘Clueless’ and ‘Mean Girls’ portray high school in a sort of innocence, with issues going on in the protagonist’s lives only occurring during their times at school. This film doesn’t sugar coat things. It shows Charlie’s struggles from all different angles of growing up and
The Breakfast Club contains important themes that resonate in many people, particularly teenagers, one of those themes being alienation and acceptance. This film perfectly portrays the alienation many students feel in high school, whether popular or unpopular, and follows it up with acceptance as they see they are not alone and find those who can help them. These themes are portrayed both through the characters and the way they act and what they have been through as well as in the movie as a whole. In 1985, when The Breakfast Club was made, this portrayal of the isolation of high school was very important for teenagers to see, and today in 2017, it is still insanely important. From then to now, high school has been a hard time for many
In every high school film, there are always the teenage stereotypes that are seen. In The Breakfast Club, the five students each represented the major stereotypes that people join with high school. Claire was considered the preppy popular girl, John was considered the bad boy, Allison was considered the weird emo girl, Andrew was considered the school’s best athlete and jock, and lastly Brian was the nerd. The crazy thing about this was that those stereotypes didn't even match the students, those stereotypes are what they used to hide their real identities. John wasn’t the real bad boy, he was insecure and scared. Claire didn't like being popular because she hated to agree with everyone, she wanted to be herself but she couldn't around certain people. Brian didn’t want to be the nerd, but his parents made him become one. Brian was just as cool and chill as the other students but he could never show
The movie The Breakfast Club takes viewers on a comedic tour of the ups and downs of adolescence. The Breakfast Club, directed by John Hughes, focuses on the events that unfold between five very different high school students during a Saturday detention. Even though the movie was shot in the 1980 's the characters portrayal is still relatable in a way to a lot of people today. Director John Hughes takes us on a comedic ride with what seems like another typical "teen movie" while still portraying a few life lessons along the way and exposing some truths behind stereotyping.
A concept of a stereotypical teenager in the 20th century was to grow up through childhood but not surpass the values, beliefs and attitudes of a typical adult. In the 1998 film, the audience is shown a great selection of characters, symbolism and setting which reinforces the idea of a teenage role that shows a new perspective that affects society.
The lie adults tell you, that these will be the best years of your life, is merely a cover-up for the real truth: high school is awkward, embarrassing, heartbreaking, and anything but easy. It’s a time where teenagers are exposed to an early mockup of the real world, both the good and bad, wrapped up into a not-so-neat four year package. Writer and Director Rian Johnson’s Brick (2005) is a tale that is both dark and dramatic, where Brendan (Joseph Gordon-Levitt) is out for answers after the murder of his ex-girlfriend Emily (Emilie de Ravin). Johnson carefully chooses stylistic elements from the film noir movement and merges them into a modern neo-noire thriller taking place in a modern high school setting. Brick is a dark interpretation of high school life borrowing from film noir’s stylized interpretation of the world as a dark place filled with violence and despair. The film’s achronological structure works to underscore the theme exploring the hidden amoral side of people - where the line separating good intentions from tainted motives becomes fragmented in pursuit of the truth. As Brendan’s incessant desire to find the person responsible for Emily’s murder unfolds, we unravel the details about the murder in a way which reveals much more than Brendan ever expected to find out.