Hip Hop And Rap Music

Hip hop music developed from party DJ's mixing and remixing popular music that was already out. This music was usually from the funk, soul and disco genre. It began during the 1970's in the Bronx in New York City and very popular among African Americans. Spoken hip hop music is

In the article, Hip-hop; Music and Cultural Movement written by Alan Light, Greg Tate stated that “The term Hip-hop refers to a complex culture comprising four elements: deejaying, or turntabling; rapping, also known as “MCing” or “rhyming”; graffiti painting known as “graf” or “writing”; and “B-boying,” which encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as “postural

DJ Kool Herc is credited as one, if not the originator, of hip-hop. Kool Herc brought his Caribbean style when emigrated from Jamaica in 1967. He began this new musical journey with the desire to bring the powerful Jamaican Dancehall sound system to play music at parties and in the streets. In 1973 he had created his own sound system

An innovator in a sense, DJ Kool Herc founded Hip Hop by the early 70’s. MC’s, DJ’s, breakdancing, graffiti and music encompass the five pillars of Hip Hop. Modern inversions interpret these pillars in many different ways. Prevalent through all major cities, graffiti evolved to the murals on the side of buildings, and the creative aspect of music videos. Artists have visions interpreted in the way they decide to imagine their visuals. Breakdancing has become the advance dance crazes that sweep the nations. People in Japan are hitting the “Nae-Nae” because of Hip Hop’s mass globalization. MC’s are the talk show host and commentators of award shows and hosts of events and red carpet specials: media. Dispersion of Hip Hop through channels that connect Blacks across different scopes happens through the media. Modern day DJ’s introduce the new music with sets that keep nightclubs jumping from dawn to dusk. Displaying the

Hip Hop was birthed in the neighborhood, where young people gathered in parks, on playgrounds, and neighborhood street corners, to verbalize poetry over spontaneous sounds and adopted melodies. Hip Hop was not just the music; it was also a way for the young to show their skills in break dancing, gymnastic dance style that was valued, and athleticism over choreographed fluidity. Hip hop was also fashion such as: hats, jackets, gold chains, and name-brand sneakers. Hip Hop was a form of graffiti, to a new way of expression that engaged spray paint on the subway walls as the canvas. In addition, today’s hip hop have changed as where the DJ was once is now the producer as the key music maker, and the park is now a studio.

In order to understand hip-hop dance, it is important to recognize hip-hop music and where it came from. Many scholars of rap music relate the founding of rap to African and African American oral and musical traditions, specifically African griots and storytellers. They link the rhythm of rap to the use of drums in Africa and to African American music in the United States, from slave songs and spirituals to jazz and R&B. Scholars have found very interesting connections between rap music and Black nationalist traditions (traditions historically practiced by black people that serve as part of their racial identity). Rap is similar to the “call and response of the black church, the joy and pain of the blues, the jive talk and slang of the hipsters and jazz musicians, the boasting of street talk, the sidesplitting humor of comedians, and the articulateness of black activists.” All of these African American oral traditions, including rap, can be traced back to West African oral traditions. In traditional African societies, the spoken word and oral culture included poetry, storytelling, and speaking to drumbeats. The links between rap music and African American oral and musical traditions demonstrate that hip-hop music represents more than just sound. It represents history. This aspect of it, in my opinion, makes this type of music very unique and makes it carry more value.

Hip-Hop started in the early 1970's by Clive Campbell, known as DJ Kool Herc, in Bronx, New York. He was born

The genre created in very poor districts, like the Bronx, in New York by African-American and Latino teenagers. They learned how to use turntables by working as DJs at discos. DJs and MCs would play at free block parties. An MC is an abbreviation for Master of Ceremony his/her job is to focus on skills, lyrical ability, and subject. So, during block parties, the DJ would play music and the MC encouraged guest to have fun. Parties went on MCs slowly started to rhyme while they were performing. Hip-Hop was only played live at first until Sugar Hill Gang released Rappers Delight in 1979. Rappers Delight was a huge success for hip-hop. Personally, I consider the Sugar Hill Gang the founding fathers of Hip-Hop.

Hip-Hop is a complex cultural movement formed during the early 1970s by African Americans in the slums of South Bronx, New York (Dyson 6), it propagated outside of the African American community in late 1980s, and by the opening of the 21th century it became the most spread culture in the world. Hip-Hop consists of four elements: Deejay, Break-Dancing, Rapping, and Graffiti. (Kenon 112)

In the early 70's, a Jamaican, DJ known as Kool Herc attempted to combine his Jamaican style of disk jockey, that involved reciting improvised rhymes over the dub versions of his reggae records (Davey 1). He also invented turntables, which kept the music going, with the occasional voice on the top of records, which started the roots of rap music. Over time, the culture broke into mainstream, spread around the world, and young people who did not have much to do, created not only multi-million industry, but have also created a way we can speak to each other all around the world. Hip hop is linked to other music such as rap which is embraced by urban black population. It is raw self-expression, sometimes features expletive lyrics, and violence. “Hip hop artists spoke to despair and pain of urban youth and the poor who were often without a voice. The rappers themselves were, the product of that reality, and it was conveyed through their lyrics” (Muhammad 1).

DJ Kool Herc, also commonly known as Kool Herc is credited for hosting the very first hip hop house party in 1973. Although, this party consisted of playing mostly funk records by James Brown, he radically transformed the way records were played through incorporating only the instrumental version of a song and then quickly switching to the break in a separate song. This way of DJing completely revolutionized the term for the next generations to come and laid the foundation of what current DJ’s follow today. At these infamous parties, DJ Kool Herc would enforce his crowds to partake in a certain style of dance, which was recognized as rapping. He would shout rhymes to encourage the audience to express themselves through dance. DJ Kool Herc

Hip-hop culture began to develop in the south Bronx area of New York City during the 1970s. It had a significant influence in the music industry. Hip-hop music generally includes rapping, but other elements such as sampling and beatboxing also play important roles. Rapping, as a key part in the hip-hop music, takes different forms, which including signifying, dozen, toast and jazz poetry. Initially, hip-hop music was a voice of people living in low-income areas, reflecting social, economic and political phenomenon in their life [1]. As time moves on, hip-hop music reached its “golden age”, where it became a mainstream music, featuring diversity, quality, innovation and influence [2]. Gangsta rap, one of the most significant innovations in

Hip-Hop emerged in the 1970’s upon the arrival of a one Kool DJ Herc. Kool DJ Herc migrated to the United States from Kingston, Jamaica and settled in the West Bronx of New York. Kool DJ Herc was a disc jockey that attempted to incorporate his Jamaica style of disc jockeying, which involved reciting improvised rhymes over reggae records. Unfortunately for Kool DJ Herc New York seemed

Hip Hop music had been around for about twenty years in the United Sates, but it was usually heard at block parties and discos where DJs would loop breakbeats and MCs would add live vocals.

Hip-Hop as a subculture was established by Black Americans, the youth in particular because of their marginalization. Mainstream music was made mostly by White Americans for White Americans on topics they could relate to. Even though Hip-Hop started off as just a beat it transformed into something so much more. Jamaica born DJ Clive “Kool Herc” Campbell,  one of the most influential in pioneering the art of hip hop music, brought over many Jamaican traditions including their tradition of toasting, which laid the blueprint for the actual rapping on instrumentals. Toasting is impromptu, boastful poetry and speech over music.