Hip Hop Vs America Analysis

Hip hop, the creation of electronic sound and enticing language is a style born from the African American and Hispanic cultures. It formed in New York City from block parties and the participation of the youth culture. This style of music began as a minimal change in rhythm to a globally popular culture consisting of graffiti art, dancing, and music. Hip hop was not only a type of tasteful music, but it also became a benchmark in history. When this style of music was created, it served as an outlet for those who did not have a voice, particularly the minority groups. These groups were given rights that they deserved just like everyone else. In the 1970’s is when hip hop began to spread, creating not just

According to Wikipedia, Hip-hop music, also called rap music, is a musical genre consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching, breaking/dancing, and graffiti writing. Hip hop is also characterized by these other elements: sampling (or synthesis), and beatboxing.

Black self-contempt seeping into African American culture is irrefutable, as is the fact that it is misconstrued, unchallenged, and undervalued. The unparalleled intense emotion of internalized self-hatred currently plaguing the minds of numerous Blacks is not an ordinary phenomenon developed from centuries of evolution. It is not a nameless occurrence empty of a coherent justification. It is simply the consequence of an intentionally condemned system of suppression and control. An enormous scheming method used for preserving the present grand image of society. Oh, what treacherous lengths has America traveled to conceal this horrific secrete. As the wealthy, influential, white elites continue to define the standard of true living through

stuff, so I don't listen to that genre all that much, but there are many

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Do you remember a time, during which hip hop music was a voice against African American oppression? Honestly, it is hard to tell nowadays. Even though hip hop was a concept coined my American artists, it is rooted in many cultures among different nations. It is one of the only nationalistic movements that have not lost its fundamental heritage throughout the test of time. Hip hop music has always been a voice for the voiceless, but in the past decade, the music genre has declined into commercialism. While these mainstream artists are cashing in their paychecks, young, talented artists, like the SaveMoney Crew are reinstating the consciousness in rap that has been missing for some time now. I believe that the majority of mainstream rap has changed for the worse because rappers are largely making music about meaningless things like extravagant purchases, hard core drugs, and sexual exploits, instead of using their position and influence to advocate against police brutality, discrimination, and the struggles inherent in a life of poverty like the underground movement spearheaded by the Savemoney Crew and other young, socially conscious rappers.

What movement changed the world and created many traditions, movements, and even lifestyles? Hip-Hop. This is a name for four elements, created in the late seventies, which includes turntablism, emceeing, graffiti, and break dancing. Hip Hop attained widespread popularity in the 1980s and ’90s. Today, many view this as just “Rap,” but Hip Hop is not just music, it is a cultural movement that influenced America in positive ways. These influences can be seen in the traditions, fashion, art, music, and lifestyles of America. It is important to recognize the voice of an otherwise underrepresented group and how it influenced lifes.

Hip hop’s recieved a bad reputation within the last decade. It is known to negatively influence the younger generation. In the article, “America’s Hip Hop Double-Standard” Perkins asserts that the real issue is that men, black and white, no longer are able to financially support their families. This could be leading to poor behavior and decisions, and could be cqausing people of all ages to listen to hip-hop. In other words, Perkins believes that “as a genre, it references, violance, poor choices, drug use, and a general disrespect towards authority and towards women. The fact that its popularity at all just says a lot about us” (“Does Hip”). Maybe if hip hop wasn’t around, the degrading of women wouldn’t be so bad, maybe drugs wouldn’t be

Wholesale crime, Homicides, Deadly drugs, Guns, Violence, Disease, Really dangerous people roaming free, the overall urban demoralization and decay of social and institutional standards. This has been the Obamas hip-hop desecration of America where no one cannot hide the facts that in eight years our nation has been overrun by gangs, drug dealers, and the purveyors of vulgar sub-culture anti-law order

KRS One once said, "Rap is something you do, Hip-Hop is something you live." The difference between how Hip-Hop is portrayed (rap) and what the Hip-Hop movement is, is that Hip-Hop is a lifestyle but the Hip-Hop we see on television is a media creation. We have to look at hip-hop as a whole culture and rap as something that comes out of it. Although Hip-Hop was originated by a mostly Negro constituency, it has evolved since its creation into a "worldwide forum through which family, community, social and political grievances" (HHC) can be voiced through various art forms. Today, the Hip-Hop movement (if looked at as it's meant to be looked at) plays a very positive role throughout the political and social spectrums in America, and is

In the world of Hip-hop, artists have the ability to shape the image and status of women in our society. Over time, these music videos have misrepresented women and portray them as sex symbols or material objects. In these music videos, women wear provocative clothing to pacify the desires of males further

Hip-hop culture began to develop in the south Bronx area of New York City during the 1970s. It had a significant influence in the music industry. Hip-hop music generally includes rapping, but other elements such as sampling and beatboxing also play important roles. Rapping, as a key part in the hip-hop music, takes different forms, which including signifying, dozen, toast and jazz poetry. Initially, hip-hop music was a voice of people living in low-income areas, reflecting social, economic and political phenomenon in their life [1]. As time moves on, hip-hop music reached its “golden age”, where it became a mainstream music, featuring diversity, quality, innovation and influence [2]. Gangsta rap, one of the most significant innovations in

Hence, allowing diversity within the same culture can be a critical aspect, in accepting the way of life for different groups of people, who makes a choice of pursuing certain values, styles of clothing and attitudes in a given society. Based on this argument, music that is played by a section of the society can be a presentation of their values, attitudes, and ways of doing things in life. Therefore, when looking at whether hip hop is a culture for the black, Latino and other white adolescents living in suburban areas, diversities can be a key in arriving at a conclusion in this discussion.

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

One negative global implication that commercial Hip Hop in the U.S. produces is the characterization of young black women in four different personas: Diva, Hoe, Gold Digger, and Bad Bitch. When young black women hear music and see music videos that promote sexual conduct, they take on one of the different personas that is illustrated in the music and treat themselves as sexual objects. This characterizations affects the black community worldwide because this causes young black girls to be more sexually active at a much younger age, this results in teen pregnancies and