Hipster Research Paper

Each group defies mainstream culture through the way they look, their philosophy, and their art. The beatniks were present in a time where conformity was most prevalent. Although what they did doesn’t seem like a big deal today, back then it was very taboo. They rejected the idea of “normal clothing.” They dressed all in black and recited poetry in underground clubs. (Guzman) They looked for a deeper meaning to life through poetry and jazz music. The hippies also defied mainstream culture by how they looked. They grew out their hair and for the seldom times they actually wore clothes, they were often loose and colorful. They read poetry and listened to folk music. As I said, they both looked for a deeper meaning to life but the hippies did this through their spirituality. We see this same trend going on with today’s hipsters. There are a few hipster fashion staples such as tight jeans for men and women, plaid shirts, and big sweaters. The hipsters defy mainstream culture by their love for indie folk music. They search for a deeper meaning of life through spirituality much like the hippies. Although they all did it in a different way according to the time, the beatniks, hippies, and hipsters, all defied what was considered mainstream by the way they looked, their philosophy, and their art.

The members of this movement obtained the nickname, hippies, which were greatly inspired by the beat movement back in the 1950’s.

“Hippies were called Flower Children because they gave flowers to communicate gentleness and love” (Salge). The Hippie Movement was a popular counter culture during the 60’s-70’s. Hippies are best known for their practice of psychedelic drug use, interesting political views, where they took up living quarters, and their unique fashion sense.

Baby boomers had a unique culture to themselves. Many baby boomers stepped away from religion. This generation loved rock and roll; a few iconic music artists that had massive success during this time are Elvis Presley, Bob Dylan, and the Beatles (Baby Boom Generation). Many baby boomers rejected traditional culture, leading to the counterculture. People of the counterculture were called hippies. This group of people were often social activists. Hippies promoted conservation, peace, equality, and

A mainstream trend does not merely appear without warning—most likely, the thought behind the trend had been around for a while. According to Gladwell, in order for a trend to grow amidst the influx of newer trends, three types of people must be working hard behind the scenes. In the chapter “Case Study: Rumors, Sneakers, and the Power of Translation”, Gladwell details the roles of Connectors, Mavens, and Salesmen, and how they unknowingly act together as a bridge between hipsters and mainstream media. Gladwell’s assessment of the Connectors is valid, as they play the role of the bridge itself as he/she has to be cogent and merge two completely different strata. An excellent portrayal of this would be Gladwell’s example

This will make not only hipsters mad but also those who know enough about hipsters because they will realize hipsters are not all the way he expresses. One “fact” he states is that hipsters party all night, go home, blog and then party again. This makes the hipster seem very two-dimensional. Expressing and generalizing any group like this will upset them. Secondly, the examples of hipsters he used all come from one party, so obviously all hipsters don’t act like that. The examples he used also do not seem very credible because they seem drunk, but maybe that is the point. When getting quotes, readers would react more positively to named professionals, so it doesn’t seem like they were just taken off the streets. If he wants to get the unprofessional opinions he should have gotten more than a handful, rather get a statistic. He also explains how it is almost impossible to find someone who is a proud hipster, this is just yearning for attention because since hipsterdom is a counterculture people obviously call themselves hipsters and believe that hipsterdom should not be ashamed of. To gain a negative reaction he stereotypes hipsters, which causes those who are, support, or acknowledge hipsters to be angry or appalled by his

I noticed there was a lot of older women at the car show dressed what you would put in the same category of a hippie. I also associate drinking (not much like the alcohol we have today) with hippies. Almost every of age person was drinking or already drunk. Since marijuana is illegal in Tennessee so I didn’t see anyone out in public smoking marijuana. Hippies are known as the free-spirited group and they love to congregate together to create peace instead of violence. During my time in Tennessee I heard a lot of music, it overpowered everything. Guitars and banjos being played, to just a song

This group of youths referred to as hippies developed a whole new "counter-culture," which included a minority of the "fake" hippies who merely saw the "counter-culture" as a fashion rather than something they believed in deeply. The group of hippies proclaimed itself an "alternative society," and favored very simple and communal living which included free experimentation with drugs, free experimentation of sex, and a strong commitment to "peace and love." These political and social changes such as the civil rights movements and the new "counter-culture" had lasting effects on one specific element of the decade: rock and roll music. Rock and roll musicians were not much different from any other Americans in that they were forced to go through the same hardships as the rest of the people, such as racial discrimination and unjust government, or Establishment. The main difference is that many of the "other people" (the people of everyday society) did not have the same opportunity to express their feelings with the world. The frustration with racism and prejudice was blatantly obvious in many acts due to the genre's increasing aggression and hostility. Also, the country's cry for peace and love was exemplified no better than by rock musicians on stage. In their search for something different, the youth and rock musicians attempted to find a path leading them

The “hippies” of the 1960s had many effects on the American society. The visual appearance and lifestyle of the hippies were in sharp contrast to the conservative nature of the older generation, which defined them as a counterculture. The hippie lifestyle was based on free love, rock music, shared property, and drug experimentation. They introduced a new perspective on drugs, freedom of expression, appearance, music, attitudes toward work, and held a much more liberal political view than mainstream society.

Alessia Cara’s music video “ wild things” is an embodiment of my definition for the word hip. Throughout the decades people were considered hip when they were seen defying social norms. The hip groups of the 70’s counterculture were seen defying different types of norms from their dress and music they listened to, to the weed and LSD that they did. Alessia and her friends embodied this style of life. They lived a carefree night, and defied social norms set by parents and adults. As stated in the lyrics they did not care what people thought of them they were going to break loose and have fun. Alessia Cara and her friends defied social norms and had fun creating a movement for others to follow, therefore they're hip. Alessia Cara’s music video

Madonna said it best "I'm a material girl living in a material world".Madonna sang about how she was a material girl and today's society has not alternated much from 80s. madonna was a strong influence to fashion designers like giorgio armani, ralph lauren and vivienne westwood. Ronald Reagan was also president in the 80’s.while reagan was in office he did amazing things like how he end WW2. However, in the 80s fashion was affected by the aids outbreak.

As different eras come and go we can usually decide what they consisted of, more specifically of what was cool in their era. For example, Allen Ginsberg and the rest of the Beatniks were key figures of the Beat Generation and are the people who come to mind when thinking of cool in the 1950’s and 60’s. By looking at them and everyone else from this generation, once can begin to understand what it was like to live in this era – it was clear people wanted to get out of the pretentious bubble that society was enclosing them in. But what does cool or hip even mean in present day? In “Cool Story” by Carl Wilson, he analyzes who or what can be seen as cool today and if its meaning has changed, from having context behind the word or if it is just

According to dictionary.com, the definition of hip hop is defined as, “the popular subculture of big-city teenagers, which includes rap music, breakdancing, and graffiti art.” Also, according to the thefreedictionary.com, the definition of rap is defined as the “genre of African-American music of the 1980s and 1990s in which rhyming lyrics are chanted to a musical accompaniment; several forms of rap have emerged.”

The hippie subculture was originally a youth movement beginning in the United States around the early 1960s and consisted of a group of people who opposed political and social orthodoxy, choosing an ideology that favored peace, love, and personal freedom. The hippies rejected established institutions, criticized middle class values, opposed nuclear weapons and the Vietnam War, were usually eco-friendly and vegetarians, and promoted the use of psychedelic drugs. They created their own communities, listened to psychedelic rock, embraced the sexual revolution, and used drugs to explore alternative states of consciousness. They strived to liberate themselves from societal restrictions, choose their own way, and find new meaning in life.

This paper is an explanatory paper by a cultured gentleman on Avant-Garde art and the challenges facing Avant-Garde. More specifically, it comes off as a rant against the bourgeois and proletariat for failing to appreciate Avant-Garde art and instead preferring to art he calls the rear-guard art or Kitsch. This work was printed by the Parisian review during fall, 1939.