Historical Perspective Of Django Unchained And Butch Cassidy And The Sundance Kid

Walt Disney’s film Pocahontas is not historically accurate, but there is value in creating cartoon interpretations of American history. As a child, cartoons are mostly important for your development, both physically and mentally. Fairy tales help children understand the complexity of life. These visions use various symbols to teach morals and cognitive skills. Walt’s film was based off the legends and folktales surrounding Pocahontas, it was not meant to be historical but to promote racial tolerance.

Marion Morrison, also known as John Wayne, is perhaps one of the most popular movie personalities ever. He began as a mere stagehand, but by the end of his career he had developed himself as a very successful actor, producer, and director.

The Shawshank Redemption by Stephen King is both a wonderful film and a brilliantly written short story. There are many themes represented in each form of The Shawshank Redemption. The one major theme that interests me in both the film and the story is freedom. Freedom serves a large purpose for both the story's writer and the filmmaker. Both use similar examples to signify freedom, not only in the jail, but also in a larger context about life. There are many events and examples in both the film and the short story that signifies the theme of freedom. The one main difference is when the film uses the director’s technique to portray a feel of freedom for the inmates. The overall three issues used in this essay are all linked to the

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

The film set in the deep South in 1858, about a slave who gains his freedom with the help of Dr. King Schultz (Christoph Waltz), a German bounty hunter, and sets out to rescue his wife from a brutal Mississippi plantation owner is an intriguing story with very graphic action scenes. The plot of the story begins as Dr. Shultz buys Django (Jamie Foxx), a black slave, from some traveling slave owners. He buys Django because he is chasing a pair of outlaws known as the Brittle Brothers and Django is the only person who knows what they look like. As the plot develops, Dr. Schultz and Django become allies and work together to achieve each other’s personal goals; Dr. Schultz wants to track down and

When comparing the two films you can delve deep below the surface and begin to question how much of what we perceive as racism is actually racist or just general bigotry and self-importance. And how much of what we perceive as innocent is in fact insidious by nature. Tarantino switches things around and makes Django, a black male; the main protagonist of the film. By the end of the film he is the sole male survivor and therefore superior to the white characters. While Aladdin, a film about Arabs, has white American voices cast for all of the characters. The villain is the only Arab looking main character, while the hero and heroine are drawn with more Western features or skin colour, “Aladdin looks and sounds like a fresh-faced American boy.” (Brunette et. al. 2006, p. 2).

In The Rita Hayworth and the Shawshank Redemption, Stephen King researches freedom using various frameworks. Freedom was symbolized in the book as pin-ups, rock figures, and Jake. Andy never lost hope that he will be free again. Andy as we know was different from everyone else in prison, that’s what made him stand out. His personality is what made his escape succeed. He didn’t rush for his freedom he was wise to be patient about it. Freedom is your decision, however you must strive to get it. You need to acknowledge what your principle point in life is, if it’s to find genuine freedom, you must give all that you got. In any case, first you have to understand that you are living in a jail. You have to get a look of what's conceivable. When you encounter what genuine freedom poses a flavor like, there is no doing a reversal, paradise is conceivable in this life

Let's face it: The entire story of the United States of America has its dark chapters, passages it does not want to repeat -- not ever.

These two films are alike in cultural significance because they both show the viewer not to believe all that is said about individuals, races, and cultures. In the two films, both tribes were first looked at as evil enemies, but once the two men each took the time to get to know the individuals and the tribes as a whole, they realized that it was all just a lie. The Sioux and Na’vi were actually nice people who just felt threatened by the outsiders. The tribes needed to look intimidating so

My choice of the movie 12 Years a Slave is an outstanding depiction of the lives of slaves in the 1840’s. This film follows the gruesome life of Solomon Northup. A black man born free in Saratoga, New York. Who was fooled, poisoned, and abducted by men who sold him into slavery. The movie is based on the book called “Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New-York, Kidnapped in Washington City in 1841, and Rescued in 1853, From a Cotton Plantation Near the Red River, in Louisiana.”

The movie «12 Years a slave» is based on the book «12 Years a Slave» by Soloman Northup. It's his life story of how he got lured in a trap and kidnapped in 1841. It's about how he was sold into slavery in the south, and what happened during those 12 years a slave .

Shawshank Redemption is directed by Frank Darabot, published in 1995 Australia. The film focusses on the theme of forgiveness and escape. It follows an unusual friendship between Andy and Red set in a 1930’s American prison. The main focal scenes explored include: Brooks suicide and Tommy’s death. The film is to be narrated by Morgen Freeman (Red), it shows the 20 year period of Andy’s imprisonment. As a part of the analysis emphases on the scenes as it introduces the audience to the Shawshank prison and Andy’s first moments when attends to the prison to the very moment when he escapes to Mexico.

For my third quarter book report I read The Green Mile written by Stephen King. This book is about an old man, Paul Edgecomb, recalling his experiences when he worked as the cell block captain in Cold Mountain state penitentiary. Paul was the cell block

Django Unchained is a film that follows the story of Django, who was a slave turned bounty hunter, and Dr. King Schultz, who is a bounty hunter. Schultz purchases Django in order to make him a freeman, due to the information he has about his bounty for Schultz. In return, the only goal Django sets out to achieve is finding and rescuing his wife, Broomhida, after they were separated in a slave deal. Schultz and Django come to find that Broomhida is located at the location of the famous Calvin Candie, who is a cotton-field owner. Schultz and Django then come up with a plan to rescue his wife from Candie.