The film Philomena, directed by Stephen Frears, brings to light only a portion of the injustices faced by unwed mothers in Ireland during the mid-late 1900’s. Due to such heavy religious regard in the State, if any girl was to get pregnant outside of wedlock, she would be forced to leave her home and live in a convent, referred to as mother-and-baby homes, where she would endure many sufferings which were hidden from the public eye. Among these miseries, the most heartbreaking one would be the constant fear of the nuns selling your baby through an illegal adoption and never seeing your own child again. After leaving the convent, many of these women would hide their shame and keep this part of their life a secret.
The plot of this film follows the true story of a 19-year-old girl, Philomena Lee, who suffered such pain and a life of silence and sorrow after her child was taken from her in one of the many illegal adoptions at the Roscrea Abbey, the convent where she was placed upon becoming pregnant. The film was released in 2013 and takes place in present-day Ireland as the, now,
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This means that its original purpose was not to teach its audience about historical truths of the past, but to entertain. Hollywood has a purpose, and that purpose is to make money. To do this, filmmakers do not have a choice but to tinker with the history of our times. If a filmmaker was to create an exact visual representation of the written history, the film would be quite boring. Therefore, filmmakers must dramatize their works in order to create a successful movie that will achieve its original purpose: to entertain while bringing in high revenue. In Philomena, Frears uses intense lighting and dramatic music, among other features, to aid in this dramatization, adding suspense and excitement in the
The film opens on modern-day Louisiana and tells the story of a circle of friends on the wedding day of Shelby Eatenton (Julia Roberts) daughter of M'lynn Eatenton (Sally Field). Shelby suffers from type one diabetes.
All they had left to prove their children’s existence in this world were photographs and clothing which they wore on their bodies, and what began as wearing a diaper on their head, over the years became the white handkerchief that made the mothers easily noticeable for tourists and the media. Without knowing the whereabouts of their loved ones or being able to bury them, because with no body, they never existed, it was like they were never born. Amnesty International definition of disappeared is, “To disappear is to vanish, to cease to be, to be lost” If these children were never born and didn’t exist then these woman are not mothers and they too didn’t exist. This not being a real valid understanding in the feminist world and as it goes many scholars have a strong position that the mothers use of their traditional role as mothers to gain a political footing hindered the feminist
Harwood’s works challenge the patriarchal, societal view of motherhood as a role of delight, joy and fulfillment, revealing the hollow façade of meaningless that often comes with domestic suburban roles. She explores the role of women in her contemporary Australian society, criticising and challenging the expectations that women must be restricted to the domestic sphere in this patriarchal society. Harwood’s graphic description and evocative imagery conveys the hopelessness of many women. Home of Mercy explores how females are dehumanized as the pregnant, unmarried girls have ‘sinned’ in the eyes of society and
“There is no protection. To be female in this place is to be an open wound that cannot heal. Even if scars form, the festering is ever below” (Morrison 163). Toni Morrison, in her novel A Mercy, suggests that women in 17th century American society were constantly subjugated as inferiors no matter their class or privilege. Although Rebekka and Widow Ealing were both privileged, white women, they still faced the societal pressures that harmed the mother-child relationships among the slaves – Lina, Florens, and Sorrow. Each chapter of A Mercy is told from a different character’s perspective, allowing readers to understand the similarities among the female characters’ standpoints during this time period. By depicting the tribulations of motherhood that extend beyond society’s narrow stereotype, Morrison exposes how societal pressures of the late 17th century America influenced the complexities of motherhood.
The early twentieth century was a turning point in American history-especially in regards to the acquisition of women's rights. While the era was considered to be prosperous and later thought to be a happy-go-lucky time, in actuality, it was a time of grave social conflict and human suffering (Parish, 110). Among those who endured much suffering were women. As Margaret Sanger found out, women, especially those who were poor, had no choice regarding pregnancy. The only way not to get pregnant was by not having sex- a choice that was almost always the husband's. This was even more true in the case of lower-class men for whom, 'sex was the poor man's only luxury' (Douglas, 31). As a nurse who assisted in delivering
The next main factor in the story is society's attitude towards illegitimacy. Any woman who bore a child out of wedlock was treated with disgust and held an air of shame and disgrace. This caused those who did happen to have their children out of wedlock to give them up and send them off to orphanages in hope their child would be alright. A lot of these single mothers tried to send their children to one such orphanage called "The Coram Hospital". An example is when Melissa, a young girl just found out she was pregnant and says "'And Mama? What about Mama? The disgrace. We'll both be thrown out. Destitute." This is a good example of the consequences of illegitimacy. If anybody found out about such circumstances the mother and her acquaintances would be thrown out and homeless. The writer includes this factual information in the story and it entwines
Because immigrant parents could not afford to keep their babies, they were abandoned to the street where there was “not one instance of even a well-dressed infant having been picked up…” (Riis, 68). With majority of the abandoned infants coming from such poor conditions and left in even worse, those in the upper and middle class became horrified with the circumstances immigrants were living in when they came to America. Because very few men could not find jobs and women were culturally forbidden (with their native culture) to work, many women worked as “nurses” for abandoned babies, possibly even ones they may have left themselves (Riis,
The modern world is in the midst of reconstructing gender roles; debates about contraception, reproductive freedom, and female inequality are contentious and common. The majority now challenges the long established assertion that women’s bodies are the eminent domain of patriarchal control. In the past, a woman’s inability to control her reproductive choices could come with ruinous consequences. Proponents of patriarchal control argue against reproductive independence with rhetoric from religious texts and with anecdotes of ‘better days,’ when women were subservient. Often, literature about childbearing fails to acknowledge the possibility of women being uninterested in fulfilling the role of motherhood.
In Dorothy Parker’s short story “Lady with a Lamp”, she focuses on showing the struggles of a woman that chose to have an abortion in the 1930s’. An example from Parker’s story referring to issues with pregnancy in the 1930s’, “I don’t see how you could possibly have done anything else. I know you’ve always talked about how you’d give anything to have a baby, but it would have been so terribly unfair to the child to bring it into the world without being married” (Parker Pg. 148). In the 1930s’ having a child out of wedlock was highly frowned upon, as well as abortion being illegal at the time. This story is very relevant to mothers in present day,
“The most important force in the remaking of the world is a free motherhood.” This quote from Margaret Sanger highlights many first wave feminists views about the restrictions of motherhood, marriage, and household responsibilities. Many women saw being a mother as a chore or as something out of their control. Sanger fought these restrictions through bringing birth control to the general public who suffered from poverty due to large families. Others, like Charlotte Perkins Gilman, wrote social critiques in her texts “The Yellow Wallpaper” and Herland to bring attention to how society treats women and ideally how motherhood should be. Both of these women believed motherhood was a responsibility of women and they should take it more seriously to create better future generations. This goes beyond the suffrage and equality movement because it dictated that women’s sexual emancipation was equally important as women’s legal emancipation. Being a mother was considered a woman’s most crucial task at this time, therefore the power behind female sexual education and birth control challenged society to feminist.
"Desiree's Baby" is not a mere tragic short story by which a reader may be entertained by its ironic and catastrophic ending. It is a story of a crime and brutality against women of all generations to come, depicting vividly how a woman may suffer and conceal her anguish for the sake of others. It is a story of innocence slain mercilessly by the unscrupulous power of harshness that directly governs human societies.
Motherhood was an expected part of the wife’s life. Woman would have a large number of babies right after each other although some babies would not survive. “High mortality rates must have overshadowed the experience of motherhood in ways difficult to
That job has very little honor in this community. “Three years, Three births and that’s all. After that they are Laborers for the rest of their adult lives, until the day that they enter the House of the Old… The Birthmothers never even get to see new children” (p. 22). Today, some women decide to become surrogate mothers of other women’s babies because of several reasons, such as sympathy for the couples who cannot have children of their own or financial reason. However, to carry other women’s children gives surrogate moms great senses of responsibility. They writhe in not only soreness of body, but also agony of mentality. The psychological pain by giving their babies to other women is greater than that of body. Thus, some surrogate mothers refuse to give up their babies sometimes.
With recent developments in Northern Irish legislation for ‘on demand abortions’, the debate between pro-life and pro-choice has been thrown back into the media and the morality of abortion scrutinized under the eye of third wave feminism, which has reclaimed the 1970’s slogan of ‘The Right to Choose’. The following essay intends to discuss how abortion is always an option and never a morally wrong act, as it is the mother’s choice to do with her body what she wishes and such the fetus has no right to leech off the mother when the host is not willing. In this discussion one shall, as Thomson did in ‘A Defence of Abortion’(1971), accept the stance that a fetus is a person from conception, to avoid that issue all together.
A shocking part of history a women had to struggle was during the history of post World War II . Author Ann Fessler interviewed various of women who went through surrendering their newborn child for adoption. That was the only option or either you were going to be married at a young age. Parents had high expectations for their daughters to behave and follow the regulation of society.