History and Memory- “True History of the Kelly Gang” &"Charge of the Light Brigade”

Alfred Tennyson wrote the “Charge of the Light Brigade” in 1854 and it is about the battle of Balaclava in the Crimean war. Although this battle had no real influence on the outcome of the war it showed the bravery of six hundred British soldiers who charged into almost certain death. The poem itself is a patriotic ballad keeping up with the tradition of the time. The poem is heroic and romantic.

The Charge of the Light Brigade by Tennyson "The charge of the light brigade" by Tennyson was written about a

The themes of the two poems are portrayed in very distinctive ways. ‘The Charge of the Light Brigade’ explains in a majestic approach, that fighting in war is something every soldier should honour. The poem is

The author’s melancholic, yet, optimistic tone arouses mix feelings from his readers. Bragg clouts his readers’ perception of his father with harrowing, however, coveted recollections of the past. In the author’s comparative recount of the Father’s demeanor, he paints an unsettling, yet a hopeful life of his father:

War is a scandalous topic where peoples’ views differ as to what war is. Some people see it as pure evil and wicked while others think that it is brave and noble of what soldiers do. Looking at poems which had been written by people affected by war help show the messages which are portrayed. The two sets of poems which show different views of war as well as some similarities are “the Charge of the Light Brigade” by Alfred Lord Tennyson, “To Lucasta, on Going to the Wars” by Richard Lovelace and “Dulce Et Decorum Est” by Wilfred Owen, “The Song of the Mud” by Mary Borden. Both these poets use linguistic devices to convince the reader of their view of what the war is. Tennyson and Lovelace show how war is worthy

In the poems ‘The Charge of the Light Brigade’ by Alfred Lord Tennyson and ‘Exposure’ by Wilfried Owen, both poets incorporate ideas of patriotism to convey a message about the futility of war. This is revealed in many similar and different ways:

This is highlighted through Clayton’s use of rhyme as the last two verses - “The Anzac marches he badly neglected,” and “Would show to his comrades how he was rejected” - are especially important as the reader realises that the soldier is now an outcast in both the white and black communities. In response to this rejection, the soldier “sold all his medals he once proudly wore” as “They were of no use to him any more”. Like Clayton’s poem, the melancholic tone of “The Photograph” is the same as the one in “The Black Rat” despite the vastly different events unfolding. Kocan’s poem takes a turn for the worst as it describes what happens to the family once they are informed of Jim’s death, using a hyperbole technique in “Makes something die in all of them” in reference to the family’s reaction to the news of his

Para-rhymes, in Owen’s poetry, generate a sense of incompleteness while creating a pessimistic, gloomy effect to give an impression of sombreness. Strong rhyming schemes are often interrupted unexpectedly with a para-rhyme to incorporate doubt to every aspect of this Great War. Who are the real villains and why are hundreds of thousands of lives being wasted in a war with no meaning? In ‘Anthem for Doomed Youth’, the consistent sonnet rhyming scheme is disturbed by a half rhyme, “guns … orisons”, to show how the soldiers all died alone with only the weapons that killed them by their side, and a visual rhyme, “all … pall” to indicate that the reality of war is entirely the opposite to what it seems - no glory, no joy and no heroism, but only death and destruction. Owen occasionally works with this technique in a reverse approach to create similar thought. For instance, the assonance, consonance and half rhyme based poem, ‘The Last Laugh’, contains an unforeseen full rhyme, “moaned … groaned”, to emphasise that nothing is ever fixed in war except the ghastly fact that the weapons are the true winners. Different forms of Para rhymes often work together with common schemes to ably bring out the main ideas of Owen’s poetry.

The first verse of Charge Of The Light Brigade portrays the soldiers as strong, willing, noble men; ready to ride into “the valley of Death” whereas Dulce Et Decorum Est portrays the soldiers as struggling, exhausted and fatigued. Alfred Lord Tennyson illustrates the same idea of honour and nobility throughout his poem in contrast to Wilfred Owen’s poem which discusses fear and sorrow amongst other emotions.

Conflict drives the audience into the lives of others, making it the best literature. Tim Winton expresses his childhood experiences in his short stories, such as 'Big World'. The conflict includes the narrator’s inner feelings, conflict with his Mother and Biggie, being successful and his attitude towards the environment.'The Charge of the Light Brigade' (1870) is a poem, composed by Alfred Lord Tennyson. The conflict includes the devastation of war and the brave soldiers who fought.

In the poem Charge of the Light Brigade Alfred Lord Tennyson tells the story of a light brigade consisting of 600 soldiers charging on horseback into the “valley of death” during the Battle of Balaclava during the Crimean War in 1953-56 where they fought against Russian and Cossack forces. The poem tells of the journey that soldiers take through battle. Tennyson uses repetition, personification, and diction to make this poem flow.

Memory is presented as either a way of life or a community of change, as demonstrated in ‘Aspens’, ‘Old Man’, ‘Aldestrop’. He does this through the variety of techniques such as change in form, use of imagery and alternations in the tone of each poem to explore memory. As well as this, Thomas explicates the devastation of emptiness due to the consequence of war, which is portrayed through the use of soft consonantal sounds or the use

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.

The justifications made by the narrator of Moll Flanders and the anonymous author of the Preface are not convincing because their claims are deceitful and appear to act in each individuals’ own self-interests. The narrator influences the story through unbelievable, and sometimes excessive, explanations which control the readers’ thoughts about Moll Flanders’ choices and actions. Similarly, the author of the Preface directs the attention onto the readers’ judgements to defend the novel. Both the narrator and the author of the Preface abuse their power as storytellers in attempts to control the judgements of the readers and rationalize telling a story full of crime and wickedness.