Hollandsworth's Use Of Peer Pressure

pushes Asia to practise a routine one more time, for her Western Wear routine. The final scene also shows that the very next day after the pageant, Asia is practising and preparing for her very next pageant. This shows how she has obviously lost her childhood, and how the parents have a forceful attitude, having absolutely no break, even after such a large and significant pageant. Therefore further selection of images has positioned the viewer about the effects that beauty pageants and the participation in them can have.

A common argument among people is if beauty pageants are corrupt for younger girls, and Skip Hollandsworth makes some very strong arguments that they very much are. His main focus in the text is on Eden Wood, a 6-year-old girl from Taylor, Arkansas. We learn that Eden’s mother spends countless hours on shopping for expensive dresses, makeup, wigs and manicured fingernails. One large point that comes to my mind when reading this: money. Parents of so called “pageant girls” can spend upwards of $75,000 a year on his hobby. In Hollandsworth’s Toddlers in Tiaras he explains that men may view small girls in glitzy dresses and wearing pounds of makeup as

Born, P. (2005). New day dawning. Beauty Biz. May 1, 2005 p 26. Retrieved December 1, 2005 from:

The article “Toddlers in Tiaras” by Skip Hollandsworth discusses the beauty pageant industry and its harmful effects in the young girls who participate. He gives many examples of beauty pageant contestants. He describes their appearances and attitudes which seem to match those of adult women. Specifically, he refers to 6-year-old Eden Wood who is commonly known from the reality television show Toddlers & Tiaras. The author describes how Eden’s personal stylist does her hair, makeup, and touches up her spray tanned body with bronzer before a pageant (Hollandsworth 490). I believe that the intended audience for this article is the mothers of these young girls and anyone in the public he can convince. Hollandsworth uses a couple aspects of Toulmin and they are rebuttal and qualifiers.

The article “Toddlers in Tiaras” was written by Skip Hollandsworth, and was published by Good Housekeeping on August 2011.The author argues that child pageants can have negative effects on the young girls’ lives. Hollandsworth wrote this article in response to the popularity of the TV show “Toddlers and Tiaras”. This article “Toddler in Tiaras” can be divided into five sections. In the introduction, the author presents an example of a young girl getting ready for a pageant. Hollandsworth then introduces a pageant girl by the name Eden Woods and her mother Mickie. The author Skip Hollandsworth describes every little detail about Eden’s process of getting ready from all the thick layers of foundation they’re putting on the 6-year-old girl face,

Regarding the obvious consequences of beauty standards, Natalie DiBlasio provokes anger and sympathy in the reader by providing emotional stories. She first presents her experience with two baby girls, both beautiful and new to the world. However, looking at their innocent faces, DiBlasio realized that “in a few short years, someone is going to have to teach them how to love themselves - because it

Despite this she sees her future elsewhere, the realm of beauty and artistry has called her since she was just in eighth grade. Since then she has aspired to become a master beautician, after graduating from some prestigious beauty school. It’s this aspiration that has been a saving grace during darker times during her life.

Uneasy with her body, she stood with her shoulders hunched and her back rounded. It made her look clumsy and awkward. When she forgot herself, when she unwound herself to her full height, she was magnificent, as tall and slender as her mother and as fiercely beautiful as her father. The combination of Jen’s pale hair and skin, her ethereal, almost otherworldly looks, and her father’s Black Irish colouring had gifted their child hair the colour of dark honey and an olive cast to her skin. Jen wondered what she saw when she looked in the

with trends in girl culture and reveals insights into the ideologies about the construction and positions of female minors. The program shows that it is utilisable for the construction and positions of pageants obstinate certainty about girlhood identity. The girls on Toddlers & Tiaras are a component of a “docile-bodies” during the pageant makeover process. They are offered with inhibited power and must submit to the will of their parents and the pageant expert to become someone whom they are not supposed to be. The programs additional depicts an excruciating desire for fame and celebrity as demonstrated through their parent in an effort to make their

TLC’s Toddlers and Tiaras takes this too far, sexually exposing children in the world of child beauty pageants, which produces and disseminates the idea of hegemonic gendering about girlhood and girl identity” (TLC’s Toddlers and Tiaras: Way Too Much or Just Enough?). Young girls are being taught at a young age that beauty is what gets them further in life. The idea that the most beautiful is always the happiest and most successful. Editor Maggie Furlong, touches about how the show really alters the minds of young girls, “’ Facial beauty is the most important thing, in life and in pageants,’ Daisey Mae says, almost too matter-of-factly. And she also has some advice for parents looking to expose their children to the pageant circuit: ‘If you think your kid is ugly or sumpin’, you might not want to do pageants because you’re not going to win or anything.’”

Girls are sexualized in beauty pageants at a very young age. On Toddlers and Tiaras, girls are shown in ‘sexy’ costumes, showing too much skin, especially for their age. With around 1.3 million viewers a week, the show has normalized this sexualization. In one

In “Beauty Pageants Draw Children and Criticism” by Kristen Schultz and Pleshette Murphy, it discusses how girls from infants to 16 years old enter beauty pageants and those who support beauty pageants would say this is a great way for girls to play like cinderella but they don’t realize

Societies rule is that when you turn 16, you are forced to have cosmetic surgery resulting in you becoming so called ‘Pretty’. The book forces you to confront matters such as the perception of beauty, the notion of State versus individual choice and the matter of control. Tally Youngblood, the book's main character, is taken through a journey of self discovery and exploration of these matters. Initially Tally believed turning ‘Pretty’ would be a dream come true and is anxiously awaiting her sixteenth birthday where she believes her life will be transformed. She has been led to believe that her beauty will open her life to new and exciting experiences such as black tie dinners and fun parties.

Anyone who would see me walking along the street or look through my window to catch a glimpse of the wonderful moi (wonderful for my extreme modesty, of course), would likely notice my lack of “essential” teenage adornments. To ensure that the reader does not think of me as a simple commoner always walking around without makeup, I will write to whomever it concerns as to why this is the case in a hypothetical situation--as if I was a high rank in a hierarchical society made up of my cosmetics.

Victor is taught at a young age that beauty is something to be highly appreciated based off his family’s values. Elizabeth is described as “fair, and very thin. Her hair was the brightest living gold… a crown of distinction on her head.” (30) Elizabeth’s beauty made her stand out to Victor’s parents, her seeming to be the only plausible choice among the other children. Her precious looks attract the main focus of anyone who lays eyes on her, reinforcing the priority of beauty over other qualities. His parent’s prejudice towards the other, more undesirable babies, lead to them choosing Elizabeth as the one to shower their love upon.