Hollow Men Essay

There was a reason that European colonizers were nick-named the "white devils." They slithered their way in like serpents and turned the known world of the natives into a world of chaos. Every white settler was a Satan in his own way. Mr. Kurtz, a leading character in Joseph Conrad's Heart of Darkness is the prime example of the white devils in Africa, following the pattern set out by John Milton for a perfect Prince of Darkness in Paradise Lost in his portrayal of Satan to a point. Their characteristics and motivations are paralleled in almost every sense, differing only in the backdrop and in the ends that these characters meet.

“Children of Men” is set in the year of 2027, when the world is in chaos with the multitude of political and social issues including immigration and fascism. The movie could be classified as science fiction because it consists of two common elements of the genre: a futuristic setting and a dystopian society. There is, however, no advanced technology or artificial intelligence. The cities look just like today, except they are shabby and grimy. Everything is awash in grim to reinforce the theme of a dystopian society. The gloomy setting makes London look like it did in the 19th century with its criminal world of the time. The color palette is stark, favoring grays over other hues. The movie vividly paints a bleak and

From his first mention in the novel--“[Mr. Kurtz] is a very remarkable person”--it is made clear to readers that Kurtz is no ordinary member of the Company. Before narrator Marlow actually encounters this man, he is described as “exceptional”, “of the greatest importance to the Company”, and a “universal genius”. Readers learn that Kurtz came to Africa “equipped with moral ideas” and has brought in an unprecedented amount of ivory, which is the primary goal of the Company. Overall, Kurtz is a prodigy, expected to move up the Company hierarchy quickly, and becomes a sort of obsession for Marlow. Despite this, higher-ups in the Company seem to fear, and

‘The Darkness Out There’ and ‘The Withered Arm’ are both short stories. The characterization techniques they use are contrasting and similar. Each story is from a different time; ‘The Withered Arm’ being 19th century and ‘The Darkness Out There’ being 20th century. Thomas Hardy writes ‘The Withered Arm’ as a 3rd person narrative whereas Penelope Lively uses a mixture between 3rd and 1st person.

* Fifteen days after leaving the outer station Marlow “hobble[s] into the Central Station”, which was being run by “the flabby devil”, referring to the greed of the Europeans. There he finds out that his ship had been sunk when they tried to take off before he got there. He also meets the manager of the Central Station who is only employed because he never gets sick, and the brick maker who doesn’t actually make any bricks. He overhears a conversation between the manager and his uncle, who is leading the “Eldorado Exploring Expedition” that passes through the station. They are talking about Mr. Kurtz. This all occurs two months before they reach Kurtz’s station.

“The Devils Language” by Marilyn Dumont and “The Hollow Men” by T.S. Eliot are quite similar. They both critique their culture in the ways they see it. Nothing Is missing from each authors poem because it is critiquing the world as they have seen and learned from different experiences in their lives. Marilyn Dumont writes about “The great white way” (pg365, line 4) or white culture and the way that aboriginal culture is snuffed out or looked down upon. T.S. Eliot writes about people being too cowardly to be good or bad and also what happens after we die. Therefore, Marilyn Dumont and T.S. Eliot’s works are similar in the way that they see the wrongs in their cultures.

European prejudice against Africans is shown through the journey that the protagonist ‘Marlow’ takes through Africa, he describes all the natives he encounters as savages, comparing them to animals and creatures of the jungle. In the book, Marlow discovers a death pit (an open pit where the natives go to die). He describes the Africans by saying:

At a point in all mortal’s existence, there will be a moment when their soul is between two states of being, waiting to be judged. Without the fearlessness and faith to move on to the afterlife, they will spend eternity stuck in purgatory. When T. S. Eliot wrote “The Hollow Men,” he used symbolism, imagery, and repetition to share his insight to address the lack of courage and faith that plagues every human being.

Life as a factory worker is no easy task. The constant repetitive motion is a task that can drive any man insane. It also doesn’t help when your factory never wants you to get ahead of the scheduled routine. In the novel, “Rivethead”, Hamper spends majority of the time working in the factory for General Motors. His behavior on and off the job is extremely hyper masculine. Alcohol and exploitation play a big role in his life. The behaviors Hamper displays on and off the job are a result of depersonalizing work of the factory life. The disconnect between large factories and the individual worker, caused for a loss of freedom and hypermasculine behavior.

Joseph Conrad’s Heart of Darkness has allowed me to view the world through a multitude of new lenses. In seeing Kurtz and Marlow’s disintegration when removed from society’s watchful eye, I began to understand that all people have a streak of darkness in them under the right circumstances. While the narrator, and many readers at the time of this novella’s publication, believed that the African natives being colonized were “savages”, this book sheds light on the true brutes in this scenario: the thoughtless Europeans. The other complexity that I never truly understood until reading this book, is the idea that there is a single story told about Africans in Western literature. Africa is portrayed as weak, primitive, and impoverished in most books

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

The sheer guise of philanthropical charity scarcely conceals the colonist’s true objective, the hunt for ivory. The colonists attempt to extinguish any and all forms of African culture in their wild quest for ivory. One night while at the camp, Marlow witnesses a fire engulf a shed housing trading goods. “One evening a grass shed full of calico, cotton prints, beads, and I don’t know what else, burst into a blaze so suddenly that you would have thought the earth had opened to let an avenging fire consume all that trash.” In a somewhat symbolic retaliation, the African culture seizes its revenge on the imposing imperialist culture. As the flames ravish the shed, Marlow watches as a man attempts to put out the fire “…[he] dipped about a quart of water and tore back again. I noticed there was a hole in the bottom of his pail.” This hopeless effort signifies the futile efforts to suppress the overbearing strength of the African culture.

In Joseph Conrad’s novel Heart of Darkness, the cultural collisions illustrates the struggles Marlow experiences as he questions the nature of evil in humanity.

Conrad also implements minor characters to further the unexpected distinction between dark and light, black and white. The white pilgrims are portrayed as materialistic, ivory-hungry opportunists with "black" souls; their behavior is violent and savage. Contrariwise, the black natives are civil, spiritual, and have "white" souls.  In the beginning of the novel, Conrad creates the fellow seamen who accompany Marlow on his present journey and listen to his tale of the Congo to establish the contrast between the materialistic and the spiritual. The fellow sailors do not understand Marlow's tale and chastise him throughout, showing their reluctance and inability to

Marlow is the wanderer into the unconscious mind; he is meandering through his deepest understanding of himself. In other words, he is a symbol for the archetype meeting himself in the depths of his unconscious mind. Not only is he initially finding meaning through his encounter with Kurtz but also he is attempting to find meaning through the retelling of his story. Marlow’s voyage ventures “deep into his own personal heart of darkness, where lurks the impulse to savagery that he had never acknowledged while in the deceptive milieu of a sophisticated city” (Spivack 432). Marlow is the principal character through which