Hollywood Chinese By Arthur Dong : Film Analysis

Asian American actors and actresses are portrayed in Hollywood movies as always being the silent and yielding foreign victims to social injustice and prejudice. Whether or not these depictions are true, they are nonetheless stereotypes that Hollywood producers have come up with. According to the US Census in the year 2000, Asian Americans make up 4.2% of the entire American population, and knowing that most Asian Americans live on the west and east coast of the United States, many Americans living in central parts of this country have not really been exposed to any Asian Americans. Because of this fact, it is highly probable that most Americans get their exposure to the Asian American lifestyle only through television and movies. Even if

roles would be lost to Caucasian actors so as to resonate with American audiences. It is

Whether it is on TV or movie screens, the faces of white actors and actresses have always been prevalent in the media. For generations, many teenagers have been exposed to countless movies with white people in major roles. Moreover, the few roles that are cast to minorities feature the characters in their stereotypical personas (Bonilla-Silva 179). Even in advertising, Asians are placed in business settings, upholding the hard-working Asian stereotype (Taylor and Stern 50). As Taylor and Stern mention in their paper, the “model minority” has made the issue of stereotyping seem less important for Asians. The majority of these actors that are examined, regardless of race, are typically middle-age and well established in their acting careers. However, there is a lack of research behind Asian youth acting and their perceived roles. To account for this knowledge deficit, I examine how whiteness influences the media to portray youth actors as individuals that stray from their stereotypes in an attempt to achieve whiteness. My research site centres around Fresh Off the Boat (FOB), a comedic television series featuring a Taiwanese family. The title of the show Fresh Off the Boat or “FOB” is also a term used to describe a person that is considered too ethnic and as a term of denigration. I utilize Pyke and Dang’s categorization of “FOB” and “whitewashed” to analyze the narrator, Eddie Huang. I chose to limit my research primarily to the first “pilot” episode where the audience is

Despite the fact that Asian Americans have been in Hollywood for decades, there are very few positive representations of them in film. More often than not, they’ve been depicted as stereotypical caricatures, and more specifically, as foreigners who can’t speak grammatically correct English. Moreover, the negative representations of Asian Americans in film has perpetuated certain misconceptions about their culture. Chan is Missing (1982) calls for more genuine representations of Asian American identities through its cast of complex characters and defiance of Asian stereotypes. The film also urges its viewers to critically think about their own notions of identity through the use of several recurring themes and filmmaking techniques.

directors have stated that they cannot well-finance their film if the name of their leading actor is not mainstream name (Kim). White Americans during this time too, probably believed that if Asians were casted in the film, it would not be as good as they did view Asians as inferior in every way including in the performing arts. Even when Asians actors were casted to play Asian roles, Asian Americans would go out of their way not to watch. David Henry Hwang, who would later go on to write his own version of Flower Drum Song, said as a young man growing up in the sixties, watching how Asian characters were featured made him feel “icky”. All the Asian characters that he saw were either portrayed in an unrealistic or comical way or as a character that was dependent on the leading white character (Hwang). It made it hard for Asian Americans to look to media for role models when they were hardly ever represented and represented in inhumane ways.

The University of Southern California discovered that filmmakers have made little progress in casting more non-white characters. Even though the United States is becoming more diverse in culture Hollywood has not change from its roots. From (Sanathanam and Crigger, 2015) research the top 100 films in 2014 up to 75% of the characters were Caucasian. 17 of the top movies in 2014 featured non-white lead or co-lead actors (Out of 30,000 Hollywood film characters, here’s how many weren’t white section, para 1). Informs that Hollywood is not in a rush to change their ways to avoid diversity for Caucasians to share the fame with other ethnic groups. Hollywood is mindset is to keep Caucasians superior.

In the 2017 media article “How Fair is Hollywood” the main problem is the lack of inclusion that Hollywood has been using throughout their movies . This problem can be solved by having an actor play the role of the corresponding race of his/her character.As noted by Media Mix news in paragraph 1, the author explicitly describes “People have reported frustration with Hollywood’s casting process. That’s because they see non-white actors repeatedly kept out of the spotlight. There is also the phenomenon called “whitewashing,” when roles are written for minorities are given to white actors”. This indicates that people are being displeased by the fact that Hollywood has been doing negative things to put actors to play a  different race from what

The case is that if you believe that there is no racism in Hollywood, then you have already been influenced by it. The small racial representation can continue to affect our future generations, this means your future children. We as the viewers need to make our voices heard by demonstrating that a film of color can be as successful as a predominantly white film. Therefore, I encourage you to go watch films that portray a person of color in a positive way and consist of actors of color; we need to exceed the box-office, since in the end a large impulse of any business is to have a large income and show the Oscars that actors of color are also very talented and deserve at least a

Another reason in which how Model Minority negatively affects Asian Americans is the expectation of many Asians in modern media. In a recent report by the University of Southern California Annenberg’s Media, Diversity, & Social Change Initiative, researchers have found that out of the top films, only about 5.3% of the actors and actresses are asian. On top of that, many of the actors and actresses in these films only have minor roles.

This is because Asian Americans are represented in various ways in the media. According to the textbook article, “Asian Americans were also represented as “perpetual foreigners”, as not being from the United States, as having cultural practices that are not “American,” and as embodying loyalty to a home country over the Untied States” (Drew, 2015 pg. 170). Then again the encouraging thing is that not all Asian Americans are the same, so having various representations of Asian Americans helps show viewers the many different ways Asian Americans are. But then at the same time there is a negative consequence to why Asian Americans are represented in so many ways. When thinking about what is shown on screen Asian Americans are represented so effortlessly, meaning that the media does not think Asian Americans are significant or good enough for big roles, or to even act as themselves. An example of this would be the movie Aloha, where the director made the decision to cast Emma Stone who is a White as an Asian-American

I will use four to five articles in my essay to show what roles Asian Americans get in the Hollywood movies. In general Asian Americans students are most academic achievers but when it comes to act in movies they are stereotyped and their English accent is used as foreign accent even thorough they are born American. I will give all the information that is used in media about Asian Americans. In the movie when a Caucasian movie star lies to be an Asian American. When the director know about that he is lying he is not an Asian he a Caucasian they start fighting and for the race. But he becomes a famous star in movies later on. After a while the director heard that his friend who is the Caucasian star’s girlfriend. He meets her and explains her and says, “I think he make you fool do you know he is not an Asian? He lied you for everything but she didn't listen and she starts arguing with his friend. Yellow face gives us a unique understanding of Asian stereotypes.

Although this segment is considered one of the more blatant display of racism towards Asian Americans, there are still many areas in the entertainment industry where racism is present in a more subtle means. This is largely exemplified by the limited roles offered to Asian actors.

In a study of 414 films and television series, only 33 percent of all characters were women, and only 28 percent were of racial minority status (Associated Press). Casting diversely in entertainment has been an issue for years and has recently spawned many controversies such as the 2016 Oscar Controversy where an outrage occurred due to a lack of minority Oscar winners. Many cultures and races fell underrepresented and cast aside by film and television. The entertainment industry should cast more diverse actors because it increases viewership, provides a broader perspective, and creates a more realistic setting.

Chinedu is the name of the movie character I selected, from a movie titled The Emotional Agony. Chinedu has a personality disorder in the movie performance. King explained that “chronic, maladaptive cognitive-behavioral patterns that are thoroughly integrated into an individual personality” is known as personality disorder (king, 2016). Personality disorders are comparatively popular (King, 2016). Personality disorder can also be defined as a mental discomfort "enduring pattern[s] of inner experience and behavior" that are sufficiently rigid and deep-seated to bring a person into repeated conflicts with his or her social and occupational environment. DSM-IV-TR specifies that these dysfunctional patterns must be regarded as nonconforming or deviant by the person's culture, and cause significant emotional pain and/or difficulties in relationships and occupational performance. In addition, the patient usually sees the disorder as being consistent with his or her self-image and may blame others (Personality disorders, 2007). Personality disorders arise in late adolescence or early adulthood. Doctors rarely give a diagnosis of personality disorder to children on the grounds that children's personalities are still in the process of formation and may change considerably by the time they are in their late teenage years. But, in retrospect, many individuals with personality disorders could be judged to have shown evidence of the problems in childhood (Personality

At first, Hollywood writers and directors should have a social responsibility to avoid ethnic characters to respect the individual cultural differences simply as a human being. People fight for the rights of genders, races, and positions still to this day, but they do not recognize that certain groups of