Hollywood Wax Museum Essay

The Museum of Tolerance in LA educates people about The Holocaust with exhibits like the stories of people that were Jewish.

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

What makes a museum different from a billionaire’s private collection is patronage. Thus, a museum must be able to attract visitors interested in its displays. This captivation of interest should be for the purpose of entertainment. No one wants to go to a dull, boring museum and look at dull, boring paintings. One museum that capitalized on human intrigue was that of Charles Wilson Peale. Peale established the first natural history museum in the United States. (AP

New York City, one of the greatest cities of the world, is remarkable because of its history, culture, and diversity. It is world renowned for its skyscrapers, Statue of Liberty, Empire State Building, Madison Square Garden, Broadway entertainment, Radio City Music Hall, Central Park, and even restaurants specializing in ethnic foods. However, the thing that most intrigues and excites me about New York City is the Metropolitan Museum of Art.

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

The Golden Age of Hollywood was a time when Hollywood hit its peak successfully and economically, starting with the late 1920s, and met its decline due to corruption in the late 1950s. One would ask the question: “Where did the name Hollywood come from?” The name came from Harvey Henderson Wilcox and his wife, Daeida, who were owners of a small ranch west of Los Angeles. According to u-s-history.com, “Daeida, who, while on a train trip east met a woman that described her country home in Ohio, that had been named for the Dutch settlement of Hollywood. Liking the name, Daeida christened their ranch 'Hollywood,' upon her return.” (History of Hollywood, California) Movies during this time period became a vital form of entertainment for all Americans during this time period. By the 1910s, Hollywood was combined into its neighboring city Los Angeles, and many motion-picture studios began to open. Moviemakers rushed to Hollywood, and competition started to become widespread between directors and producers. By 1910, the first motion picture was made in Hollywood, titled In Old California, and soon enough, Los Angeles became second to New York in producing films also because of it’s quintessential weather for movies to be made in all year long during this time. As Hollywood began to industrialize, filmmakers began to work on the image of a “star”; they would continuously use these highly-paid actors in order to achieve a form of comfort for the general audience of the movies. Seeing

In fact, Webb notes that today, only one major studio still exists in the city, as most back lots have turned into offices that coordinate filming activities elsewhere. This small fact proves that “Hollywood has always been a concept as much as a place” (xi), a symbol people reference for the movie industry, no matter where the movies were actually produced.

Parisians were convinced that everyday life could be transformed in the sensational. She first explains the “boulevard culture” as flanerie, which is aimless idle behavior (Schwartz 14). Routinely, this sort of behavior was publicized by the newspapers and depicted as a typical Parisian activity (Schwartz 15). This is demonstrated by the fashionable visits made by the public to the Paris Morgue. This suggests that the city’s municipal authorities had also practiced flanerie, since the morbid work of identifying bodies and performing autopsies was transformed into a form of theater for the public’s entertainment, The popularity of public visits to the Paris Morgue during the nineteenth century was part of the spectacular "real life" that chroniclers, visitors and inhabitants alike had come to associate with Parisian culture. (Schwartz 47). What further promoted flanerie were Paris’s wax museums and panoramas. For instance, the strategic set ups of characters and props at the Musée Grévin wax museum made visitors feel as if the sets were personalized for them, thus encouraging them to participate in this spectacle (Schwartz 118). Therefore, the visitors became flaneurs since they were attempting to experience, capture, and reproduce already familiar versions of reality through wax models. In addition, early cinema and panorama technology further encouraged flanerie because the public was infatuated with spectacular realities. Ultimately, flanerie was perceived as an integral part of Parisian culture and proof that the city was modernizing. The thus reader correlates this behavior of collective consumption and leisure specifically with

The first room of the museum pulled in the audience with artwork from the 20th century. Although it may seem like artwork put together at the last minute, if you look closer, you will see something entirely different. Each piece had so much detail and unique qualities, such as style and art form, that you haven't see in many other museums before. It is important to appreciate the erratic design and character of each piece of art, but after seeing the entire museum, it is easy see the monumental difference between art now, and the art of our past. Art of the past showed a lot more

When I was younger, my dad and I used to go on dates to the Nelson-Atkins Museum of Art. Although I haven’t been there for over five years now, I still remember one piece of art that took my breath away; not because of the beauty of the artwork, but because of the shiver it sent down my spine, and the uneasy feeling I had when I looked at it. The piece of art that made me so apprehensive was a wax model of a museum security guard. The intricate detail of the figure, including the pores in the skin and the hair on the knuckles, left me wondering if this man were going to suddenly leap forward and yell, “Gotcha!”

The Pasadena Museum of California Art has a beautiful exterior with an open-air staircase with moody light play from an oculus above its entrance to a three-story facility. The walls all around it are covered in complicated patterns and symbols. The building definitely stands out against all the other buildings in the area. The inside is very roomy, and filled with lots of artwork all around.

When people think about a museum most of them think about walking around starring at paintings they don’t understand and reading the little cards with their description. After a while they get tired of walking around long hallways and finally decide to leave. On the other hand, the Gallery One at the Cleveland Museum of Arts is more than just a museum, it’s a fun and innovative environment that how Alexander explained, “… the intention of Gallery One was to transform visitors into participants, rather than passive observers.” (2014). When people get their hands on the action they are most likely to have fun, learn, and build experience.

In conclusion, I will talk about the most interesting place in the entire museum for me, The Temple of Dendur. It’s amazing how beautiful this place is. At the entrance, you encounter

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum’s outstanding collections of modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum