Homage To My Hips Lucille Clifton

In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body image.

In the poem “It’s a Woman’s World,” Eavan Boland uses many poetic devices such as alliteration, simile, and enjambment in order to explain life from a woman’s point of view and how women have lived the same since the beginning of time.

In the second section it represents the women fighting for their freedom. The movements are a lot more circular in this section. It uses more contractions, releasing & vibratory movements. In the first two sections, the dancer shows the struggle being not only physical but emotional also. She does this by the powerful expressions she uses on her face. She even imitates a couple of screams that play in the song ‘Been On A Train’. This gives the audience a clear understanding of the how she is feeling.

Both of these poems portray two views of individuals by society. The girl in The Barbie Doll was healthy and intelligent, yet everyone still focused on her fat legs and big nose. This led the girl to do as much as she could to please those around her. This outlook can be compared to how women are portrayed in our society today. As we, women, look through magazines we are greeted by tiny women with big chests. Some of us feel that this is the way all women should look. Those who feel this way will do all that they can do to look like these models. Many women in our society are anorexic and bulimic, could this be because of society's portrayal of women? I believe so.

Louise Halfe’s “Body Politics” challenges the qualities and behaviour of the idealized feminine woman by contrasting the stereotypical “city woman” with a more masculine “real woman.” The poem’s speaker describes her mother’s opinion of what it means to be a real woman, which is seen through “Mama said.” Throughout the poem, the speaker uses vivid imagery to create a stark contrast between the idealized feminine “city woman” and a “real woman” who does not conform to the feminine gender norm. To begin with, the title of the poem itself can be viewed as an obvious critique of the feminine ideal. By definition a body politic is a group of people “considered as a collective unit” (Merriam-Webster). This is significant because in Butler’s theory, she emphasizes that a person’s gender can vary depending on a given situation, and therefore women cannot be grouped together and defined exclusively by their feminine qualities. Instead, she argues that women should be viewed as individuals capable of possessing both masculine and feminine behaviour. This belief relates directly to the poem’s title, as Halfe is clearly making a statement on the manner in which patriarchal societies expect women to conform to a singular feminine ideal. Moreover, it illustrates how women’s bodies become a political site for the masculinist culture to impose feminine gender on. With consideration to the title’s reference to a homogeneous group of women, it is interesting that stanzas two through four all

In analyzation, the connotation aspect of this poem is how women during this time, specifically white women, used their power over black men and their freedom. Although the texts’ literal interpretation, or denotation,

To begin with, the author’s implementation of short sentence fragments throughout the poem illustrates the exasperation and frustration bottled up in women in response to

Before there were women like Oprah Winfrey or Ellen DeGeneres, there was a Lucille Ball. A woman running her own television show, production network, while also maintaining the role as a mother and a wife. Lucille was one of the influential women of her time, impacting society anywhere from interracial dating and marriages, her television show and her pregnancy and what it represented. Lucille Ball paved the road for a woman following a career in comedy, expanding acceptance for women's priorities to not always be that of her physical appearance, and the betterment of her husband and children's lives. In the 1950’s a woman who focused on her own career advancement and self-betterment was often considered selfish and self-centered, and Lucille Ball was one of the women to prove that stereotype wrong. With so little women at the time in the workplace and drastically fewer women with upper-level positions, Lucille Ball stands out.

In both poems “Barbie Doll’ and “homage to my hips” the speakers focused on the same idea but had different ways of expressing those ideas. In the poem “Barbie Doll” written by Marge Piercy shows how a young girl is affected by the idea of a “perfect” body that society thinks a girl should have. A Barbie doll is a toy that young girls play with. Barbie is an unrealistic way of how a young girl should look and can ultimately lower one’s self-esteem. The company that makes Barbie decided that it would be beneficial for young girls to see the different body images one can have. On the other hand, in the poem “homage to my hips” the speaker Lucille Clifton is proud and appreciative of her hips. She is able to go against the standard norm of how society wants girls to look and gives her hips the importance that they are actual people themselves. Although “Barbie Doll” and “homage to my hips” have a similar theme while the poets used a different structure and literary devices to portray how society sees a young girls’ body image.

The scene where Clifton is seen peddling the dancing dolls on the street is symbolic for both the narrator and Clifton. Clifton entertains the crowd by yelling “shake him, stretch him by the neck and set him down, – He’ll do the rest,” which only confirms to the white onlookers that they can control and manipulate the blacks to do as they demand (Ellison 432). Clifton’s puppeteering of the dolls is symbolic because the dolls make him feel a sense of authority and control in a way he never felt in the Brotherhood. Asserting his own controls of the doll is symbolic of his acceptance of his own black identity the Brotherhood

and Femininity. The poem is mainly about motherhood in a way as previously discussed. She

In puberty a classmate delivers a cruel blow by telling her "you have a great big nose and thick legs" (Piercy 223). Here we see the beginning of a conflict that will plague the young girl for the rest of her life. Although a girl can be healthy and intelligent, it is not expected for her to possess the physical qualities of "strong arms and back, abundant sexual drive and manual dexterity" (Piercy 223). These traits typically being male, the young girl sees them as being unnatural and negative. The girl feels as if she owes society an apology for possessing these characteristics. Piercy drives the point home by writing, "everyone saw her fat nose on thick legs"

Fairytales, arguably some of the most historical forms of literature, have remained popular throughout the decades. Tales such as “Little Red Riding Hood,” “Beauty and the Beast,” “The Frog King” and “The Swan Maiden,” were originally written between the mid-eighteenth century and mid-nineteenth century. Whether it is the fanciful love-story or the magical transformation which attracts and has kept attention throughout the decades, fairytales, specifically those in which either the protagonist or antagonist undergoes a physical change, teach an important lesson to readers. In this day and age, the media has put so much pressure on particularly young women to look a certain way; what seems to be missing is the idea that physical beauty does not necessarily parallel inner beauty. The theme of transformation in many fairytales serves to portray certain truths about

In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.

What Bailey McDaniel meant by this is that women couldn’t speak their ideas and how it was frustrating for them. Like in the play, the women were trying to help the men, but the men clearly didn’t want their help or they just make fun of them, as a result, the women took matters in their own hands. Not only does the title have symbolic meaning but also the names of the female characters are also symbolic.