Homicidal Tendencies In The Shining And The Amityville Horror

The Shining is about the Torrance family having to stay at the Overlook hotel for five months. Having that said, the family was completely isolated in such a big place over the winter. The hotel had horrific history of a murder done by Charles Grady who had committed suicide after killing his two girls and wife with an axe. The shocking information given to Jack did not bother him at all and he even said that his wife, Wendy would enjoy a good scary story. The film proceeds into a story that would seem calm and full of tranquility but this would not be the case since it soon enough turns out into something more horrifying. After a month has gone by, one can clearly notice the difference between the old Jack to the new Jack. This has to do with his personality and how he is acting by himself and towards others. His attitude changes to wanting to spend more time alone and not caring to do the work for the hotel, which he was hired to do in the first place. Danny is the young son of Jack who has psychic powers which at times confuses him but most of the time frightens the young boy. Danny encounters the two young girls that were killed in the hotel. Danny tries to avoid the girls as much as possible and tries to stay away from room 237 but it attracted Danny’s attention.

This open letter is directed at the directors of Horror films. This letter will discus the over used gimmicks and the lack of creativity on their part. It will be written in a conversational way with the use of pathos of how these movies are faulty with a touch of humor, and rhetorical questions to emphasize certain points of my discussion of this topic. I will also use ethos through my time as a film fanatic who is passionate on all that is film especially horror film which is my favorite film genre, and is the largest genre with so many subgenres within it that have the ability to use so much imagination. I have crafted this conversation to be directed towards the directors of horror films with the use of film lingo that is used for this genre, movie examples they should look at, and a deep analysis of what and how this problem cause movie of today to lack in appeal.

First and foremost, The Shining uses setting as a main factor to help portray America and its instability. The film starts out with a deep winding road along with the Rocky Mountains that can be taken to pursue the idea of the struggle that lay ahead for the characters in the film or for the Natives that this film tries to implicitly show. The scenery can represent America and as it is shown in a continuous shot, it also displays the endless opportunities America is known for, however as the camera continuously pans for a few more seconds, a sense of despair comes across you and the long twisty road suggests the impossibility of escape. The manager of the Overlook, Ullman suggests that the Hotel is haunted which ties in with the fact that the Hotel and America has had a very aggressive history that may still haunt us today. Reporter Bill Blakemore pointed out in Room 237 that Kubrick’s team had to research the town and hotel’s history, which showed Navajo tribe tensions with the the white men in the early 1900s. Blackmore also writes about how the name of the hotel connects with the fact that this film addresses the fact that America overlooks the Native American genocide or even the racism in the country.

The film begins with Thelma (Geena Davis) and Louise (Susan Sarandon), living repressed lives in Arkansas. Both women have stereotypical roles in this movie. As best friends, they decide to go on an adventure that takes a dramatic turn and ends up being an adventurous police chase to the sudden death. Thelma is an unhappy housewife who despises her husband (Daryl), who is a bumbling, controlling and narcissistic. Her character is somewhat infantile, in that she relies completely on her husband for support. She is too timid to confront him about going on a weekend getaway with her best friend Louise. Her timidity is evident in every act she displays. She is unhappy with her life as a housewife but doesn't blatantly show it. She cooks

The events in the home are a justifiable mystery and professional ghost hunters along with psychic investigators claim that the events that took place in the Exorcist and the Amityville Horror cannot even begin to hold a candle to the random paranormal occurrences that possess the Sallie House on a daily basis.

Which is the next thing that Steven King says horror films does for us. As he says, "When we pay our four or five bucks and seat ourselves at tenth-row center in a theatre showing a horror movie we are daring the nightmare."(443).As to say that we are challenging are fear, to say yah I beat it I beat the monster. When I watch a horror film I feel unprotected, isolated, and

The Shining revolves around the duality of Jack’s personality. The motif of Jack’s split self is symbolic of the duality of human nature, and this duality is also exhibited in other male characters in the film like Jack. Charles/Delbert Grady (even his first name is ambiguous) epitomizes a loving father who ultimately slaughters his

If somebody asked me what my favorite type of movie is I would probably say horror. I would say horror because it provides a thrill in me that no other type of movie sparks within me. When reading Stephen King’s article I realized there is more to a horror movie than just thrill, there is anticipation, and even suspense shown. In “Why We Crave Horror Movies”, Stephen King uses a mysterious tone and pathos to successfully persuade his audience of kids and adults into watching mysterious horror movies that will let you re-establish your feelings.

For those who have not read The Shining, its protagonist Jack Torrance is a clear mirror to King at the time of writing it. When the book is analyzed through the psychological lens it becomes clear that his purpose was meant to be a warning to those with alcoholism. This can be seen from the several types of rhetoric strategies used in The Shining. Due to the fact that King himself is a recovered alcoholic, the idea that the purpose of The Shining is a warning to any others who are also effected by alcohol poisoning is a high possibility. The most prominent strategy used by King in The Shining is foreshadowing.

This family comes together in a time when they all need it. Phillip at one point tells Judd he’s on his side and has his back no what the situation is. Then every time Judd and Wendy meet on the roof to talk they are creating a turning point during a bad time. It can be see that each brother, sister, brother, brother, and/or mother, child moment is a growing point where something/someone else is thinking and acting different. The Altman family displays resilience by walking away at the end and assuring each other that they have their backs.

Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.

Stephen King’s The Shining has maintained its cult status since its release in 1977. The Shining begins with Jack Torrance receiving a position as the winter caretaker for The Overlook Hotel, an isolated hotel in the Colorado Rockies. Jack hopes the stay will be therapeutic and allow him to focus on writing, family, and less on alcohol. As time progresses, unsettling events begin to transpire for Jack, his son Danny, and his wife Wendy. The intensity of the gothic novel came to life by the legendary Stanley Kubrick in 1980. The book was admired by fans, but Kubrick’s reimagining made it the iconic classic that it is today. Stephen King was not as fond of the movie. Although some of Kubrick’s take on The Shining complements the book, King

These days scary movies have many things in common, including events, settings, and characters. Of course, there are just as many differences used to keep the audience interested. Two horror movies “Let the right one in” and “twilight” are taken for comparison and tried to prove that “Let the right one in” has more depth and meaning of human spirit, invokes feelings and thoughts that stay with you, long after the movie is over. These two movies have many similarities, but they also have characteristics to make them unique. Both movies are based on superficial acts, but “Let the right one in” has much better effects as compared to Twilight. “Let the right one in” is life changing in composition to “Twilight” because it shows remarkable acting

Television today serves as a method to confront our societal fears in a comfortable setting, like books and oral tales did hundreds of years ago. The film The Shining directed by Stanley Kubrick, although a modern medium, still draws from the original gothic novel. Compared to The Castle of Otranto by Horace Walpole, The Shining plays on the same classic and applicable anxiety of finding terror within the nuclear family. Kubrick uses the gothic theme to address horror originating from family relationships, additionally taking the idea of “the gothic novel” to a heightened level through invoking despair in his audience rather than hope as Walpole did in his novel. Despair in The Shining is conveyed by

Based on Stephen King’s horror novel of the same name, Stanley Kubrick’s The Shining features hallways filled with butchered daughters, and their guts and blood splashed down the hall. Horror and realism fuel Kubrick’s notoriously disturbing films and The Shining stands clear-cut amongst them. Although in the case of this movie, Kubrick shifts emphasis from visual horror to psychological fear and instills mounting dread from the sequence of disturbing events. Kubrick states, “one of the things that horror stories can do is show us the archetypes of the unconscious; we can see the dark side without having to confront it directly.” Never falling flat, The Shining provides a psychological horror masterpiece complete with brilliant acting, tight camera angles, haunting score, and unanswered questions.